Sony Pictures

Movie reviews: ‘The Fifth Wave,’ ‘Anomalisa’

Sony Pictures

By Tim Lammers

“The Fifth Wave” (PG-13) 2 1/2 stars (out of 4)

Yet another chapter has been opened in the young adult novel-turned-teen movie genre with “The 5th Wave,” a familiar feeling alien invasion thriller that’s only saved by an interesting beginning and a good cast.

Chloe Grace Moretz stars as Cassie, a high school teen whose life changes dramatically in a day when a monolithic alien ship suddenly appears over her hometown in Ohio. After hanging silent over the city for 10 days, all hell breaks loose when the ship attacks the planet with an earth-shattering electromagnetic pulse (EMP) attack, which all but destroys the power grid. Dubbed the “first wave” of attacks, the situation only gets worse, as the second wave brings earthquakes and tsunamis that wipes out the coasts, and the third wave brings a lethal, mutated version of the bird flu, which decimates the population.

Those immune to the flu survive to experience the fourth wave, where the unseen aliens – dubbed “The Others” — begin to take over the bodies of some humans and use them as hosts. Worse yet, the surviving children and their parents are separated in the chaos, leaving the kids in fear of The Others and in some cases, each other, since it’s believed the fifth wave of attacks will be the one that ends it all.

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The foundation of “The 5th Wave” is interesting when you consider that the

first three attacks, in particular, are based on plausible events feared by today’s populous. There’s no question the shutdown of the power grid would cripple the nation, if not the world, and result in chaos. In addition, we’ve all seen how deadly earthquakes and tsunamis can be, and a global pandemic (think Ebola virus) is a fear that no one wants to even think about.

“The 5th Wave” begins to stumble with the fourth wave, however, when The Others, who managed to wipe out a good portion of the world’s population with relative ease from their mothership, seem to take on the trait of human stupidity when it comes to inhabiting earthlings’ bodies. They were certainly prepared in their efforts to take over Earth, yet clearly didn’t think out the endgame.

Hoping somehow to replicate the success of such YA movie hits as “The Hunger Games” and “Divergent” series, “The 5th Wave,” like its predecessors, clearly borrows from other well-established source material. In this case, the movie was clearly influenced by such sci-fi hits as “District 9,” “Independence Day,” “Deep Impact” and “Invasion of the Body Snatchers,” with a little bit of “Alien” thrown in for good measure.

Fortunately, like “The Hunger Games” and “Divergent” sagas, “The 5th Wave” benefits by having a great lead with Moretz, a burgeoning teen actress who burst onto the scene with a controversial turn as the foul-mouth pre-teen superhero Hit Girl in the dizzying action-adventure “Kick-Ass.” She maintains a steady presence in “The 5th Wave,” and she has a stable of veteran co-stars including Liev Schreiber, Ron Livingston and Maria Bello to balance out the cast. The film mainly, though, focuses on Moretz and her younger co-stars, including impressive turns by Nick Robinson (“Jurassic World) and Maika Monroe (“It Follows”) as two of Cassie’s allies in the fight against The Others.

The survival of the series clearly will depend on the film’s performance at the box office, which will be interesting to see play out, since there wasn’t the usual amount of YA fanfare surrounding this film going in. If it does succeed, an open ending clearly will see “The 5th Wave” expand into something bigger – and hopefully better. As it stands now, this wave isn’t that big of a catch.

“Anomalisa” (R) 2 1/2 stars (out of 4)

Oscar-winning screenwriter Charlie Kaufman (“Eternal Sunshine of the Spotless Mind,” “Being John Malkovich”) brings his unique vision to the stop-motion animation realm with “Anomalisa,” a groundbreaking yet bizarre drama about Michael Stone, a famous author suffering a midlife crisis. The groundbreaking aspect is that it’s an R-rated use of a medium usually reserved for family films, and the bizarre part is that it’s, well, driven by an off-the-wall Kaufman narrative. Duke Johnson (“Moral Orel”) co-directs, while David Thewlis stars as the voice of Stone and Jennifer Jason Leigh voices the title character, a young woman who has a strange effect on him.

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