Category Archives: Film

Interview: Olivia Newton-John talks new memoir ‘Don’t Stop Believin”

No, the title of Olivia Newton-John’s new memoir “Don’t Stop Believin’’” wasn’t inspired by a certain rock band’s legendary rock anthem, but the legendary singer and actress’ life has been a journey, nonetheless.

Newton-John, 70, admitted in recent phone conversation from California that she never intended on revealing several intimate details about her amazing life in the spotlight and behind the scenes, until news of an unauthorized biopic being made in her home country of Australia prompted her to start writing the tome simply because she wanted admirers to get the right story directly from the source.

“I haven’t seen it yet, but by all accounts, it isn’t bad,” Newton-John said. “I didn’t know that at the time, though, so I thought I better cover myself and that film was what inspired me to get the book started, and I enjoyed it.”

Taken from the name from her own hit single, “Don’t Stop Believin’” (Gallery Books/Simon & Schuster) chronicles several personal moments in Newton-John’s life extending back to childhood, yet covers many of her professional achievements as a chart-topping singer (with hits like “If Not For You,” “I Honestly Love You,” “A Little More Love” and the monster hit “Physical”) and starring opposite John Travolta in the legendary movie musical “Grease” (which spawned the hits “Summer Nights” and “Hopelessly Devoted to You”).

Released 41 years ago this June, Newton-John is thrilled that “Grease” became not only a hit in the United States, but a worldwide blockbuster — and she doesn’t mind that fans continue to associate her with the iconic role of Sandy Olsson. After all, the film, along with the 1980 musical “Xanadu” has had such of a positive impact on people’s lives — and being positive is what Newton-John is all about.

“I’m happy to embrace ‘Grease.’ I’m very lucky to be part of a movie that is still so beloved,” Newton-John enthused. I mean, how many people can have the experience of being in a film that not only people love, but that is still being talked about 40 years later? I’ve always been very grateful for it. I haven’t been in many films, but to be in ‘Grease’ and ‘Xanadu’ — both musicals that people have really enjoyed — and to dance with John Travolta and Gene Kelly in one lifetime? I was dancing with the stars way before it was popular, so I think I was very lucky.”

Winning over cancer

Newton-John isn’t afraid to broach painful topics in her memoir, though, including three challenges with breast cancer (she doesn’t like to characterize them as battles, but “winning” instead). Even then, Newton-John found a silver lining, raising awareness of the disease by becoming an advocate. Among her proudest achievements is her help creating and lending her name to the Olivia Newton-John Cancer Wellness and Research Centre in Melbourne.

It was an amazing gift to be offered that opportunity. I didn’t know how we were going raise the money when we started since we had to raise nearly $200 million (to build it), Newton-John recalled of the beginnings of the facility, which opened in 2012. So, we just started doing a bunch of things to raise money for it like walking the Great Wall of China. It was such of an amazing thing to see the dream come true and now it’s a wonderful, functioning cancer wellness and research center and I got to experience it on my 70th birthday. It was the culmination of an amazing dream.

Essentially, Newton-John has always lived a life reinforced by positivity. True, she recognizes that cancer is dreadful disease, but she’s also maintained the will that, in a way, echoes a line in her classic hit “Magic” — “nothing can stand in our way.”

You can’t talk about your illness all the time and feel sorry for yourself. There is someone always worse off, Newton-John said.I’m breathing and lucky, and you have to keep that in mind because you create your world by what you think, what you believe. It’s all in your head. So, you have to keep your thoughts positive and make your world that way.

Photo: Gallery Books/Simon & Schuster

Being positive is something that was instituted in Newton-John as a young girl by her parents, and because of that, she’s essentially adopted the mantra, If you want it, create it. We create what we believe.

It’s worked for me in my life. If you work toward things and you can’t make them happen, you keep working toward them and you don’t give up, Newton-John said. The show must go on and you don’t give up. I learned that from my mom and dad, who were both really hard-working people and were very inspiring to me. I wasn’t overly praised, though. My dad would say, ‘Well done,’ and that was big praise. I’ve had an interesting life and a fabulous one.

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2019 DirectConversations.com

Tim Burton Book 2
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Interview: Writer-director Chris Butler talks ‘Missing Link

A “Missing Link” has been found — in cinematic form, that is — and for writer-director Chris Butler, the discovery has been years in the making. But it’s not like Butler has been sitting around, biding his time since his last feature film as a writer-director, “ParaNorman,” in 2012.

That’s because “ParaNorman,” as well as “Missing Link” are stop-motion animated films from the acclaimed studio LAIKA, based in Portland, Oregon, where the action is meticulously assembled frame by frame as Butler and his fellow animators magically bring inanimate objects to life on the big screen.

The years LAIKA has been producing its stop-motion features have paid off handsomely, though, since all four of the studio’s offerings since 2009 — “Coraline,” “ParaNorman,” “The Boxtrolls” and “Kubo and the Two Strings” — have been awarded with best animated feature Oscar nominations.

“They take a long time to do, and ‘Missing Link’ was probably our longest production — five years, pretty much, from beginning to end,” Butler said. When ‘ParaNorman’ was finishing, ‘Missing Link’ already existed in some form, so I gave what I had at the time to (LAIKA CEO, animator and director) Travis Knight, and we agreed that it should be my next project. As I started to develop it, I also got involved with ‘Kubo’ and did a couple of rewrites of the script, so for a time, I was doing half a week on ‘Kubo’ and half a week on ‘Missing Link.’ After that, while ‘Kubo’ was shooting, I was in pre-production on this.

Opening in theaters nationwide Friday, “Missing Link” stars Hugh Jackman as the voice of Sir Lionel Frost, an adventurous monster hunter who, in a bid to fit in with upper-class society, sets out to prove the existence of the fabled Sasquatch in the Pacific Northwest. Much to his surprise, he locates the 8-foot-tall creature quite easily, and to his bemusement, Lionel discovers the furry behemoth can read, write and speak, too.

Seeking Lionel’s help, all this missing link (Zach Galifianakis) hopes for is to find his equally legendary cousins, the Yeti, in the Himalayas in what was thought-to-be the fantasy land of Shangri La — simply because he’s lonely and wants to be around others of his kind. The trip across the globe won’t be easy, though, since feared bounty hunter Willard Stenk (Timothy Olyphant) is pursuing Lionel and his new Sasquatch friend, who are accompanied by Adelina Fortnight (Zoe Saldana), the spunky widow of Lionel’s late partner.

With an “Indiana Jones”-type of adventure narrative (accompanied by loads of comedy) and majestic sets throughout the film, there’s no question that “Missing Link” is LAIKA’s largest production in scale to date. It’s a film meant to be seen on the big screen, and one that Butler hopes isn’t just a movie to viewers of all ages but an experience.

“When we’re making these features, we’re thinking of them as proper movies,” Butler, whose stop-motion resume also includes work on Tim Burton’s “Corpse Bride.” I’ve said many times, but the idea that animation is just some babysitting device to plop a child in front of while you go off and do other things … that idea doesn’t work for me. What I want is to have a cinematic experience. We’re going to create an experience that families can go to together, enjoy together, laugh together and talk about. That’s important to me.

Missing Link is a PG film both kids and adults can enjoy in equal measure, one through which Butler said he wants to create the same sense of wonder that he experienced when he was growing up.

“I loved animation as a kid — it inspired me and moved me and set a course for the rest of my life,” Butler recalled. Today, when I see or talk to kids or young students who say that ‘ParaNorman’ or ‘Coraline’ or another movie that I was involved in has changed the course of their life, that’s important to me. That’s what makes it worthwhile. The work is never a cartoon. It’s much more than that.

Essentially, Butler said, he respects the intelligence of all of his audience members, whether they are 5 years old or an adult. The youngsters, he said, are much more perceptive than people give them credit for.

“My philosophy has always been, ‘Never talk down to kids.’ Sometimes people will query some of the decisions I’ve made or the dialogue I’ve put in the film, and will say, ‘Well, kids won’t understand that,’ and I think that’s a misunderstanding of what being a kid is,” Butler explained. “There’s so much as a child that goes over your head, but there’s also the bits that you grasp that make you grow and challenge you to think more, that challenge you to evolve, which seems to be an apt description for ‘Missing Link.’ So, for me, I try to never talk down to a kid, ever.”

United Artists

Casting Wolverine

Appropriately, Butler creates three-dimensional characters to embody the puppets his animators are bringing to life, and with that, he’s thrilled that among the cast this time is Jackman. The actor, of course, rose to prominence in the “X-Men” movies as Wolverine; but in the midst of making those superhero adventures, he’s managed to expand his palette as a song and dance man on the Broadway stage, as well as in the smash movie musicals “Les Miserables” and “The Greatest Showman.”

Because of the actor’s willingness to play all sorts of different characters, Butler said bringing Jackman into the fold on Missing Link was an easy decision.

The biggest thing he brought to the film, and it wasn’t really a surprise, but it was why I hired him, was the fact that Sir Lionel’s character is flawed. He’s self-centered and arrogant, but he becomes a much better character on his journey through the movie, Butler said. That’s why Hugh Jackman was vital to me. He’s so effortlessly charming that even when he’s doing bad things, you kind of like him. I knew I needed someone like that to play this character because you need to be on his side from the first step of his journey all the way through to the end.

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2019 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie Review: ‘Missing Link’ an amazing discovery

“Missing Link” (PG)

The stop-motion animation wizards at LAIKA have kept their winning streak alive at five with “Missing Link, ” — a visually stunning, enormously entertaining adventure comedy about a worldwide adventurer who helps a lonely bigfoot-like creature in the Pacific Northwest travel halfway across the world to the Himalayas and Shangri La so he can find others of his own kind and hopefully find the companionship and acceptance he’s been longing for.

While “Missing Link” might not have as much story depth as previous LAIKA films like “ParaNorman” and “Kubo and the Two Strings,” it definitely has lots of humor and plenty of heart, and great voice performances by Hugh Jackman, Zoe Saldana, Zach Galifiankis Timothy Olyphant and Emma Thompson.

Most importantly, though, the stop-motion animation is absolutely jaw-dropping and the sets are stunning, because almost everything you see apart from a few computer generated backgrounds is real. It’s one of the best movies of the year so far.

Lammometer: 9 (out of 10).

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2019 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie review: Tim Burton’s ‘Dumbo’ will make you believe

“Dumbo” (PG)

You will believe an elephant can fly – and capture our hearts once again – with “Dumbo,” director Tim Burton’s emotional and exhilarating live-action reimaging of the 1941 Disney animated film classic. Using the conclusion of the animated film as a springboard for this new tale, “Dumbo” expands the storyline to imagine from a human point-of-view what takes place after the large-eared baby elephant takes flight and triumphs over those who ostracized him, only to encounter those who want to exploit his unique gift.

“Dumbo” begins in 1919, recalling the events just before the conclusion of the animated film where an over-sized pachyderm shows an amazing ability to fly. It’s a particularly startling occurrence, because in the real-world setting in which this live-action “Dumbo” exists, the animals don’t talk and Timothy Q. Mouse is, well, just a mouse. As such, Dumbo, as the baby elephant comes to be dubbed, is born into the circus run by Max Medici’s (Danny DeVito), and he’s put in the care of Holt Farrier (Colin Farrell), a World War I solider who returns at the conclusion of the battle missing an arm and a widow, since his fellow circus performer wife died while he was away.


AUDIO: Hear Tim’s review of “Dumbo” with Tom Barnard on “The KQ Morning Show” on KQRS-FM.

Clearly distraught from the recent traumatic events in his life, Holt is also struggling to reconnect with his young children, Milly (Nico Parker) and Joe (Finley Hobbins). Fortunately, the two kids strike up a kinship with the young, outcast elephant, whom they discover has an uncanny ability to fly. Once Dumbo’s magical ability is revealed to the world, slick entrepreneur V.A. Vandevere (Michael Keaton) swoops in and convinces Medici to become his partner in his new entertainment megalopolis Dreamland, where the elephant will soar with his aerial star, Collette Marchant (Eva Green). Behind Vandevere’s shiny exterior, though, is a conniving showman will push the limits of safety to make big money on his newest curiosity.

Fans of Burton will get everything they’re hoping for with “Dumbo,” from dazzling visual effects – Dumbo feels like a living breathing creature who really can fly – a big-time, big-top atmosphere, as well as the darker moments fans associate with the director’s previous works. The darker feel comes from the sinister intentions of Vandevere, though, and not the Gothic settings that have been showcased in many of Burton’s previous films. Instead, we get big, bright and dazzling set pieces (courtesy the director’s longtime collaborator, production designer Rick Heinrichs), as well as stunning period costumes via the filmmaker’s frequent collaborator Colleen Atwood.

While reimaging a classic film like “Dumbo” is no doubt  a tall order, it’s clear that Burton didn’t set out to top the original “Dumbo” with this new live-action tale, but to create, along with screenwriter Ehren Kruger, a story that sensibly expands the narrative and ultimately serves as a bookend to the 1941 original.

That’s not to say key elements from the animated film were omitted. Dumbo flies thanks to aid of a feather, but uses it in a different sort of way. Plus, you still get the heartbreaking separation of Dumbo from Mrs. Jumbo (accompanied by a new, heartstring-tugging rendition of “Baby Mine”), and some of the big-top antics in the new film hearken the heartache of the baby elephant being ridiculed by unforgiving circus patrons. But with this new version of the tale Dumbo also gets a new family, who are appropriately a group of fellow outcasts who perform in Medici’s circus.


AUDIO: Hear Tim’s review of “Dumbo” with Paul Douglas and Jordana on “Paul and Jordana” on WCCO-AM.

To create a family film about a family of outcasts, Burton smartly reassembled many members of his movie family for “Dumbo.” In addition to Keaton, DeVito and Green, “Dumbo” once again teams Burton with Alan Arkin (who last worked with the director on “Edward Scissorhands”), as well as with his longtime producer Derek Frey and producer/first assistant director Katterli Frauenfelder. The reunion isn’t complete, though, without composer Danny Elfman, whose memorable score weaves in elements of the original “Dumbo’s” music along with his own classic sensibilities.

All told, “Dumbo” is magical tale of wonder, along with plenty of heart, hope and humor. It’s a rare family film for kids of all ages, whether it’s the child who grew up with the animated “Dumbo,” only to become parents to show the movie to their own kids; or to a younger generation who now have a “Dumbo” movie to call their own.

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2019 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!