Category Archives: Film

At the movies: The top 10 films of 2018

With 2018 in the books, let’s take a look back at my favorite films from last year. As you probably can tell, films with music – but not necessarily musicals – had a huge impact on me this year.

So, here’s the list, and whether you agree or disagree with the picks, I hope you can agree with me that 2018 was a very good year for feature films. Happy New Year – see you at the movies in 2019!

10. “Incredibles 2″/”Ralph Breaks the Internet” (tie) – Pixar and Disney packed a solid one-two punch with these two animated giants that were every bit as good if not better than their predecessors.

9. Black KkKlansman – Spike Lee’s searing look at at true-life African-American detective (John David Washington) who infiltrates the KKK strikes an amazing balance of humor and drama, despite the film’s deathly serious subject matter. John David Washington (the son of Denzel Washington) is a revelation in the lead and Adam Driver is terrific as his undercover partner.

8. “Vice” – Adam McKay’s dazzling look at the adult life of Vice President Dick Cheney escapes the biopic doldrums with inventive storytelling that rivals his brilliant “The Big Short.” Christian Bale amazes once again as he channels Dick Cheney and Amy Adams is looking at her first Oscar (finally!) as his force-of-nature wife and political partner Lynne Cheney.

7. “Deadpool 2” – Writer-star Ryan Reynolds amazingly ups the ante with this outrageously funny sequel to the 2016 blockbuster – and succeeds.

Walt Disney Pictures

6. “Mary Poppins Returns” Emily Blunt makes the impossible possible by stepping into the gargantuan shoes of Julie Andrews and making the iconic character of Mary Poppins her own. Director Rob Marshall also proves once again why he’s the go-to filmmaker when it comes to filming elaborately-staged movie musicals.

5. “Can You Ever Forgive Me?” – Even though the film was a miss financially, the stranger-than-fiction true-life story of serial forger Lee Israel (Melissa McCarthy) was one of the great, previously undiscovered stories of 2018. McCarthy is brilliant in an uncharacteristic dramatic turn, and veteran actor Richard E. Grant is finally getting his due with a memorable role as Lee’s partner-in-crime.

4. “Green Book” – Peter Farrelly, one-half of the Farrelly brothers slapstick comedy writing-directing duo shows his chops for directing drama with this moving story set amid a volatile racial climate in the 1960s. Viggo Mortensen gives a career performance as an ignorant driver of an African-American pianist (Mahershala Ali) on a tour of the Deep South.

'A Star is Born' (photo: Warner Bros)

3. “A Star is Born” – Just when you think you’ve seen it all from Lady Gaga, the singer/songwriter/musician delivers a stunning performance in the third remake about a falling star (co-writer/director Bradley Cooper) and the subsequent rise of his wife’s career. The film also marks the best performance Cooper has ever given, and his direction, like his acting, could very well earn him an Oscar. Also, film’s signature song “Shallow” has become the first sure-thing Oscar since Adele’s “Skyfall.”

2. “Bohemian Rhapsody” – Rami Malek gives a transcending performance singer/songwriter/musician Freddie Mercury in what is easily the year’s best biopic about the rise to stardom of classic rockers Queen. Despite the fact that the messes around with the band’s timeline, there’s no question packs an emotional wallop throughout, capped by Queen’s landmark performance at Live Aid in 1986.

Focus Features

1. “Won’t You Be My Neighbor” – A deeply heartfelt look at the career of Fred Rogers and his PBS show “Mr. Rogers’ Neighborhood,” Morgan Neville’s documentary takes us back to a time not long ago where positivity and love triumphed over negativity and hate. Despite the proliferation of superhero movies in the marketplace, Fred Rogers shows us what a true-life superhero is. The movie could not has come at a better time in country so deeply divided.

Honorable mentions: “The Mule,” “Hereditary,” “Black Panther,” “Christopher Robin,” “A Quiet Place,” “Chappaquiddick,” “Stan & Ollie,” “Ben is Back,” “Boy Erased,” “Mission: Impossible – Fallout.”

Most overrated movies of 2018: “Roma” and “The Favourite”

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
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Movie review: Magical ‘Mary Poppins Returns’ worth long wait

“Mary Poppins Returns” (PG)

The magic is back after 54 years with “Mary Poppins Returns,” the long-anticipated sequel to the classic, 1964 Disney musical starring Julie Andrews and Dick Van Dyke.

Disney clearly took its time to get the sequel just right, and while star Emily Blunt will inevitably suffer comparisons to the legendary Andrews, there’s no question that the actress has turned in a career performance as the enchanting nanny from the sky. Combining her talents with the burgeoning Broadway-turned-film star Lin-Manuel Miranda under the expert direction of Rob Marshall, Blunt may very well accomplish the incredible achieved by Andrews with the original and win the Oscar for Best Actress.

Like the original film, Mary Poppins comes to 17 Cherry Tree Lane in London to look after the Banks children, but the family has grown.  Michael (Ben Wishaw) and Jane (Emily Mortimer) are adults, and Michael is a widowed father of three younger children, Anabel (Pixie Davies), John (Nathanael Saleh) and George (Joel Dawson). With the Great Slump hitting the family hard financially, Michael is in danger of losing the Banks family home; but things begin to look up when Mary Poppins returns and brings some magic back into the family’s life.

Like the original “Mary Poppins,” the sequel is filled with colorful characters, including Jack (Miranda), who mirrors the Van Dyke role in the original film as a lamplighter who has a special connection to Mary. Meryl Streep, who starred in Marshall’s adaptation of legendary composer Stephen Sondheim’s “Into the Woods” (along with Blunt”), also turns up in a memorable scene, and Colin Firth co-stars in a small but pivotal role as a banker who holds the fate of the Banks’ household in his hands.

Every frame of “Mary Poppins Returns” dazzles, from Blunt’s undeniable presence as the title character, to the songs — largely performed by Blunt and Miranda (but also include Streep, Wishaw and a couple surprise actors in cameos) – and production numbers, peppy dialogue and striking visual effects, especially in a scene, that like the original, features a hybrid of live-action and hand-drawn animation.

Topping things off is a brimming final musical number that will no doubt leave you in tears, and longing for the day when Mary Poppins returns again – whether it be in a repeat viewing, or if you have time and patience, another sequel. Let’s hope people are content with watching this new film over and over again, since it serves as a perfect bookend to the original that makes the big screen adventures of Mary Poppins complete.

Lammometer: 9.5 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie review: ‘Into the Spider-Verse’ fresh, fun Spider-Man tale

“Spider-Man: Into the Spider-Verse” (PG)

With their live-action version of Spider-Man off to new adventures with the Marvel Cinematic Universe, Sony Pictures has spun an inventive new way to bring other Spidey tales to audiences with Spider-Man: Into the Spider-Verse. Uniquely animated, the film feels fresh and exciting even though the story is heading in a direction fans will be able to predict from the very beginning.

“Into the Spider-Verse” tells the tale of two Spideys, Miles Morales (voice of Shameik Moore) and Peter Parker (Jake Johnson) – as well as others with the same unique superpowers – as they are all brought together from other dimensions after an accident involving a time-altering device belonging to the criminal mastermind Kingpin (Liev Schreiber). Assembling with decidedly different versions of Spidey, including Spider-Man Noir (Nicholas Cage), the pig-like Peter Porker (John Mulaney), Peni Parker (Kimiko Glenn) and Spider-Girl (Hailee Steinfeld), Miles and Peter must find a way to prevent Kingpin from completing his mission and drastically altering history forever.

Apart from hardcore readers of the Spider-Man comics, “Into the Spider-Verse” will feel completely fresh to movie fans in that it introduces Miles Morales, a relatively new character who was introduced to Marvel Comics universe in 2011. Like Peter, Miles was bitten by a radioactive spider, and like his frontrunner, he must awkwardly learn how to use his new powers. Fortunately, in “Into the Spider-Verse” Peter is there to help him out, as well as Peter’s resourceful Aunt May (the always great Lily Tomlin).

Marked by a form of animation that feels like it’s part hand-drawn and part computer-animated (ultimately it feels like a motion comic, which generally have three-dimensional characters amid two-dimensional background), “Into the Universe” may take a while to acclimated to for newbies, but before too long your eyes and adjust and you are drawn into the action just like any other animated film.

In a sense, it’s like you’re watching a comic book coming to life with occasional dialogue blocks and thought bubbles. Of course, being that the film is animated opens the floodgates for animators to get really creative, and at times “Into the Spider-Verse” ventures into a psychedelic time warp not for any other reason than because it can.

“Into the Spider-Verse” could best be categorized as a superhero adventure, but the film has plenty of humor and heart as it delves into such themes as the importance of family and friendship. Not surprisingly, the action overwhelms the narrative in the very busy third act, a trapping that superhero films have an incredibly hard time avoiding. That’s not to say the excessive action is a bad thing, just formulaic.

“Into the Spider-Verse” is punctuated by an especially poignant moment when the late Stan Lee turns up in a cameo during the film (the first of many Marvel fans will see following the comic book legend’s death last month at the age of 95). Directors Bob Persichetti, Peter Ramsey and Rodney Rothman also pay respect in the end credits to Lee with a quote from the Marvel icon, as well as a heartfelt thank you to Lee and illustrator Steve Ditko (who died in June at age 90), who together created one of pop culture’s most enduring superheroes with Spider-Man.

Lammometer: 7.5 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie review: True-life ‘Green Book’ inspiring tale of hope

Viggo Mortensen and Mahershala Ali deliver virtuoso performances in “Green Book,” one of the year’s best films that’s bound to be a major contender during this year’s movie awards season.

Inspired by a true story, Mortensen plays Tony Vallelonga, a tough, Italian-American bouncer at the Copa in New York City in 1962 who finds himself out of work for a couple of months when the club shuts down for repairs.  Despite his own prejudices,  Tony takes a job driving a Dr. Don Shirley, an African-American concert pianist on a tour that eventually winds into the Deep South, where they’ll confront the worst kind of racism.

Channeling what feels like a character straight out of “Goodfellas,” Mortensen delivers a career performance as Tony while Ali is great as usual as Don in a pair of complex performances that should easily warrant both Best Actor and Best Supporting Actor Oscar nominations and other industry/critics accolades in the coming months.

The film’s biggest surprise, though, is the direction of Peter Farrelly — one half the Farrelly brothers comedic filmmaking duo — who takes his immense talents into the dramatic realm and creates an incredibly emotional film across the board. As a result, “Green Book” will not only anger you and break your heart, it will make you make you smile, laugh and cry on its way to being an inspiring tale of hope. It’s a brilliant movie.

Lammometer: 9.5 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!