Category Archives: Music

Interview: Horror springs eternal for Reeve Carney in ‘Penny Dreadful’

Forget about his behind-the-scenes access and knowing the material inside and out: When “Penny Dreadful” star Reeve Carney said he watched the first episode of the hit Showtime horror series, he knew he was part of something special because it freaked him out just as much as everybody else.

“Even though I knew what was going to happen because I read the scripts and was there a lot of the days the show was being filmed, I was still terrified,” Carney told me with a laugh in a phone call Monday from Ireland, where filming is underway on the show’s second season.  “The show does a great job of making you leave your sense of reality behind when you’re watching it.”

Carney stars as the classic literary character Dorian Gray in creator John Logan’s unique Victorian-era world, which also weaves in such literary icons as Victor Frankenstein (Harry Treadaway), his creature (Rory Kinnear) and other famed characters who strike fear in the hearts of horror fans.

Also starring Eva Green, Timothy Dalton and Josh Hartnett as trio who team together to battle evil, supernatural forces, “Penny Dreadful” makes its debut on Blu-ray and DVD (ShowTime/CBS Home Entertainment) Tuesday.

Eva Green and Reeve Carney in 'Penny Dreadful' (photo -- Showtime)
Originating, of course, as the ageless title character in Oscar Wilde’s classic novel “The Picture of Dorian Gray,” Carney knew going into the project of the responsibility of staying true the Dorian’s literary roots, while at the same time making the character his own under the auspices of Logan.  Carney says Logan, the Oscar-nominated screenwriter of “Gladiator,” “The Aviator” and “Hugo,” gave Carney the choice to delve into the original material for some context, but it wasn’t required.

“In the final audition stages, I asked John if I should read it, but he said, ‘It’s up to you.’ I thought it was my duty to do so,” Carney recalled. “At the same time, I knew John was taking the character not in a different direction, but elaborating upon him in a different way. It’s so exciting. This is the sort of show I would watch even if I wasn’t involved in it.”

Carney, 31, says working on “Penny Dreadful” has been thrilling, not only for its spine-tingling material, but for working with the likes of Green, Hartnett and Dalton and the veteran charisma they bring to the series. Humbled by their presence, Carney said he takes every opportunity to learn from them.

“I go to the set on my days off to watch them, hopefully inconspicuously,” Carney said with a chuckle. “Compared to someone like Eva, Tim and Josh, I’m relatively new to this game, and they’ve been very helpful.”

“Tim gave me some great advice because I couldn’t watch myself on the screen, but now I can endure it,” Carney added. “He said, ‘You can’t be worried about any of the surface-level things and ultimately, you have to be looking for the truth.’ If you ask yourself, ‘Am I telling the truth?’ and you are, that’s all you can do. That’s something I learned from Tim that I will carry with me forever.”

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Giant leaps

Carney’s path to “Penny Dreadful” is no doubt unique, from playing guitar for blues maestro Jonny Lang from 2005-06, to singing and slinging webs originating the Marvel-ous title character in the Broadway smash “Spider-Man: Turn off the Dark” from 2010-13. The New York native has also had roles on the big screen, having starred in such films “The Tempest,” the Shakespeare classic adapted by his “Spider-Man” director Julie Taymor in 2010.

On TV with “Penny Dreadful,” the series presented an unusual opportunity for Carney in that it required him to strip down, both figuratively and literally. The great thing, Carney knew, was that the nakedness was something that he could only build upon.

“At first I was a little afraid to be involved, not because of the horror genre – because I’ve always loved that – but just the idea of having to take my clothes off a lot. I thought, ‘Wow, this is going to take a different type of courage for me,'” Carney said with laugh. “I knew after ‘Spider-Man’ that if I were going to put more of my focus into the acting world, that I had to do something as far away from the musical as I could possibly get. I only do that because I want to continue to take big leaps, so people don’t think that I’m just interested in one thing. I like to stretch as much as possible.”

The wonderful thing is, as much success as Carney has had in his time as a performance artist, “Penny Dreadful” — and his time with his band, Carney — he feels what is happening now only marks the beginning of a very promising career. And like Dorian Gray, youth is definitely on Carney’s side.

“If you would have asked me five years ago if I had any plans after  ‘Spider-Man,’ I probably would have said, ‘No, I’m just going to be a musician,'” Carney observed. “But I really do enjoy both music and acting now. I feel things are just beginning for me in a true sense.”

So, while musical theater doesn’t appear to be in the cards for Carney at this juncture, he’s still going to approach his dual occupations keeping both sensibilities in mind — especially using what he’s learned as an actor in his work as a musician.

“I enjoy them both. I think music and theater inform each other,” Carney enthused. “I approach acting as a musician would, and I think I approach music as an actor. Being an interpreter of songs, you don’t want to force your opinion into any song. You want to be open to the idea that something exists beyond yourself.”

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Interview: T Bone Burnett talks ‘Inside Llewyn Davis,’ Coen brothers

Joel and Ethan Coen on the set of 'Inside Llewyn Davis' (inset T Bone Burnett)Joel and Ethan Coen on the set of ‘Inside Llewyn Davis’ (inset: T Bone Burnett). Photos: CBS Films, Lester Cohen/TBoneBurnett.com

By Tim Lammers

Much in the way Billy Preston was referred to by many as “The Fifth Beatle,” T Bone Burnett has more than earned the same sort of distinction because of his fruitful working relationship with filmmakers Joel and Ethan Coen.

In fact, in a recent interview with Burnett in conjunction with the release of “Inside Llewyn Davis,” I asked the legendary music producer if I could refer to him as “The Third Coen Brother,” and he was more than OK with the distinction.

“I hope they’ll adopt me eventually,” Burnett told me, laughing. “I’ve always felt a real kinship with them, really from the first time I saw one of their films. I like their films so much that I actually called them up. We had friends in common and things like that, but I guess you could say this was a fan phone call to them. We talked films and turned into friends from there.”

The first thing Burnett, 65, said he realized in talking with them was that they have the same sort of sensibilities as writers and directors, as he has as a songwriter and producer.

“I could tell they approached storytelling the exact same way I did from their first movie,” Burnett said.

Now playing in limited release and expanding to more theaters Friday, “Inside Llewyn Davis” tells the story of the title character (Oscar Isaac), a struggling folk musician and songwriter in New York’s Greenwich Village a short time before Bob Dylan changed the face of music in 1961.

Burnett’s music-supervisor duties on the film marks the fourth time he’s worked with the Coens, and it’s easily the most extensive project he’s done with them since “O Brother, Where Art Thou?” in 2000.

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Much like his previous collaborations with the Coens, Burnett, who also co-wrote some music for “Llewyn Davis,” was treated like a creative partner on the film. After all, much of the film is essentially told through song, with live performances by Isaac, co-stars Justin Timberlake and Carey Mulligan, and others — so Burnett was happy to be intimately involved with the production.

“They’re incredibly generous and inclusive people,” Burnett explained. “Generosity is the hallmark of an artist, and they are the soul of generosity. While it’s three-way collaboration, I have to say they’re incredibly good at music, too. I’m just their facilitator. They have beautiful tastes and come up with incredible ideas, so I value them. I can’t do it without them, I can tell you that. While the music is part of the film, the film is part of the music. They can’t exist without each other.”

While “Inside Llewyn Davis” includes songs of the era, it also includes a new, original tune, “Please Mr. Kennedy” — a swinging, folksy tune performed by Isaac, Timberlake and Adam Driver in the film. A satirical ditty about America’s entry into the space race, the song pegs John Glenn as a reluctant astronaut before being sent into orbit.

“The song has a lot of history in it; it has Ogden Nash-style lyrics, John Glenn and John Kennedy,” Burnett explained. “There’s an old song from the ’60s, ‘Please Mr. Kennedy,’ that says, ‘Don’t send me off to Vietnam.’ That was the initial impetus of the song.”

While the suc

cess of “Inside Llewyn Davis” is unfolding — the film has already received top nominations from the Film Independent Spirit Awards, the Broadcast Film Critics Association and the Golden Globes, among many others — Burnett said he can see another collaboration with the Coens in his future because there are just too many ideas in their minds that haven’t been tapped into yet.

In turn, Burnett hopes the brothers tap into his subconscious ideas, too, because deep down, he always wants bring something new and exciting to the fore.

“You’re only as good as the other people in your community, so the idea is that we all try to lift each other up,” Burnett said, humbly. “Certainly, the Coens hold everybody up, including themselves, to the highest standards. It’s like how if you play tennis, you play with better people because you want to play better.”

Copyright 2013 DirectConversations.com/TimLammers.com

Tim talks with ‘Inside Llewyn Davis’ star Oscar Isaac for Esquire.com

Oscar Isaac and Justin Timberlake in 'Inside Llewyn Davis' (photo -- CBS Films)Oscar Isaac and Justin Timberlake in “Inside Llewyn Davis” (CBS Films)

Tim Lammers recently did a Q&A with “Inside Llewyn Davis” star Oscar Isaac, where the actor discusses his musical influences, working with the Coen brothers and where the name of his old band The Blinking Underdogs came from.

Read Tim’s interview with Oscar on Esquire.com