Tag Archives: ‘Captain America: Civil War’

Movie review: Dazzling ‘Ant-Man and the Wasp’ leaves big impressions

“Ant-Man and the Wasp” (PG-13)

Following the grim ending of “Avengers: Infinity War,” Marvel Studios has lightened their cinematic universe considerably with the “Ant-Man” sequel “Ant-Man and the Wasp,” an insanely entertaining sequel to the 2015 hit that’s much different in tone and style to the studio’s early summer blockbuster. Once again starring the always hilarious Paul Rudd as Ant-Man and ass-kicking Evangeline Lilly as the Wasp, the film is fast, funny and has plenty of heart to win fans of the franchise over.

“Ant-Man and the Wasp” begins with Scott Lang (Rudd) under house arrest following his capture under the guise of Ant-Man in the big showdown during “Captain America: Civil War.” Since he went into the battle using Ant-Man’s suit without the knowledge of Dr. Hank Pym (Michael Douglas) or Hope van Dyne (Lilly), Scott’s arrest soured his relationship with the duo, which particularly stings because it put the Pym and his daughter on the run from federal agents. Making matters worse, the arrest caused a major rift in the romance between Scott and Hope, and from a professional point-of-view, Hope is miffed because she insists Scott wouldn’t have been busted during the events of “Civil War” had he asked his then-girlfriend – who since assumed the identity of the Wasp – to take part.

AUDIO:  Listen to Tim’s review of “Ant-Man and the Wasp” on “The KQ Morning Show.”

The trio reunite, however, when Scott has what he thinks was a dream, but it turns out to be some sort of visual implant Hope’s long-lost mom and Hank’s wife, Janet van Dyne (Michelle Pfeiffer), put into the Scott’s head when he Ant-Man ventured into the Quantum Realm at the end of the last film. Gone for 30 years, the “antenna” Janet has placed in Scott’s mind is essentially providing a road map to where Hank and Hope can find her, but much to the chagrin of Hank, they need the help of one of his old rivals, Dr. Bill Foster (Laurence Fishburne) to help get there.

But Hank and company aren’t the only ones who have an interest in the Quantum Realm: A shady, high-tech parts dealer, Sonny Burch (Walton Goggins) sees the mysterious inner space dimension as a gigantic business opportunity; while the literally unstable Ghost (Hannah John-Kamen) needs the energy that Janet has amassed in the Quantum Realm if she is to avert certain death.

The third release from Marvel Studios this year, “Ant-Man and the Wasp” is much different in tone than “Black Panther” and “Infinity War.” Like the first “Ant-Man,” the sequel plays more like a caper and chase film, and while the stakes are high – Scott, Hank and Hope are essentially trying to save Janet’s life – the narrative doesn’t have world-ending implications like the carnage that consumed several of the Avengers and half the universe in “Infinity War.”

“Ant-Man and the Wasp,” as a result, arrives with a lighter mood, not only thanks to Rudd’s comedic gifts, but the amusing extra dynamic that Scott’s crew – Luis (Michael Pena), Kurt (David Dastmalchian) and Dave (Tip “T.I.” Harris) – bring to the film. Capitalizing on the hilarious dialogue and sight gag in the first film, director Peyton Reed ingeniously finds a way for Luis to spin another tremendous yarn (this time about how he met Scott), while Dastmalchian is given ample opportunity to show his comedy talents when gets to playfully demonstrate the nervous superstitions of his Russian hacker character.

Photo: Disney/Marvel Studios

Like “Ant-Man,” Reed once again has an expert handle on the direction of “Ant-Man and the Wasp,” achieving the rare feet of equally if not topping the original film with a perfect blend of action, dazzling special effects and humor. Most importantly, though, it has a relatable narrative that keys in on the importance of family from all aspects, whether through the ties that bind Hank, Janet, Hope and Scott together; as well as Scott and his daughter, Cassie (Abby Ryder Fortson), and Scott and his fellow ex-con crew members.

Like previous Marvel films, fans need to make an appointment to stay until the very end (after the very inventive cast credits), where the separate narratives of “Infinity War” and “Ant-Man and the Wasp” come together. And while the future is uncertain for all The Avengers from here on out, but hopefully Marvel will find a way to bring back Ant-Man, the Wasp and everybody else in the film for a third solo movie, since “Ant-Man and the Wasp” once again proves that the best presents come in small packages.

Lammometer: 9 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie review: ‘Avengers: Infinity War’ falls short of hype

“Avengers: Infinity War” (PG-13)

Almost 10 years since the debut of “Iron Man” and the birth of the Marvel Cinematic Universe under the auspices of Marvel Studios, the long-awaited gathering of Earth’s Mightiest Heroes and beyond are assembling for “Avengers: Infinity War,” an ambitious yet ultimately underwhelming superhero extravaganza. While the gathering of nearly two dozen Avengers worked wonders for “Captain America: Civil War” in 2016, the addition the Guardians of the Galaxy and the full reveal of the cosmic supervillain Thanos has led to an overstuffed film that is forced to water down even the most basic of a plotline as it trudges through its 2 hour, 29 minute run time.

The set-up for “Avengers: Infinity War” has been a long-time coming: Thanos (the voice of Josh Brolin), the all-powerful alien hell-bent on destruction who was first introduced in the after-credits scene in 2012’s “The Avengers,” is on a straight-forward mission. He possesses a gauntlet that has room to hold six Infinity Stones – the combination of which will give him the power to wipe out billions of beings in the universe. Some of the stones are hidden in distant worlds, but two that he is seeking are in the possession of a pair of superheroes on Earth, which means the Avengers, who were left fractured by different ideologies at the end of “Captain America: Civil War,” must regroup if they’re to thwart Thanos’ plan. That means sacrifices will undoubtedly be made, changing the makeup of humanity’s greatest guardians forever.


VIDEO: Watch Tim’s review with Zac Lashway on “KARE 11 News at 11.”

Directed by brothers Anthony and Joe Russo, perhaps the biggest obstacle “Avengers: Infinity War” faces is trying to find a meaningful way to incorporate several iconic characters under one giant umbrella without cheating viewers of brilliance several of the superheroes showed us in their individual films. The directing duo does their best by breaking the conglomerate into smaller teams, but the problem there is, some groups and subplots far stronger than others.

While the roster of actors for the film boasts talent across the board (among the cavalcade of stars are Chris Evans, Chris Hemsworth, Scarlett Johansson, Chadwick Boseman, Tom Hiddleston, Chris Pratt and Zoe Saldana), it no doubt is a tough act to follow the always-great Robert Downey Jr. as Tony Stark/Iron Man, who along with Tom Holland (Peter Parker/Spider-Man) and Benedict Cumberbatch (Doctor Strange), Mark Ruffalo (Bruce Banner/Hulk) and Benedict Wong (Dr. Strange’s assistant Wong) — who provide the film a stellar action segment early on. Naturally, a film is going to suffer when all the air is let out of that balloon and we don’t hear from the group for at least another half-hour, which contributes to the film’s pacing problem.

Is “Infinity War” a disaster? Not by any means, it just feels like Marvel Studios has finally pushed its luck too far and produced an uneven film that has far too many peaks and valleys, occasionally made confusing by the introduction of new worlds that will be lost on everybody in the audience apart from the faithful readers of the original Marvel comic books. True, the visuals are spectacular as expected in “Infinity War,” but long gone are the days where audiences can merely be wowed by eye candy alone.

One sensibility “Infinity War” has maintained, fortunately, is the sense of humor that has been a benchmark for most of the Marvel movies, and there are plenty of laugh-out-loud moments in the film. That’s a good thing considering “Infinity War” is by far the darkest Marvel Studios film to date, where the teases of major characters dying are finally realized. Thanos by far is Marvel’s most ruthless villain to date, and he doesn’t think twice about dispatching his adversaries in quick and decisive manner. In an odd sort of way, though, the quick deaths will make audiences feel cheated because after knowing some of these characters for so long, you’d expect much more fanfare in their exits than you actually end up getting.

There’s one other issue with the film, which won’t be revealed here, regarding one of the Infinity Stones and its power. It will no doubt be addressed in the untitled fourth chapter of “The Avengers” set for release a year from now, and it’s a plot detail so crucial that it could end up making “Infinity War” seem irrelevant. With any luck, Marvel Studios will hold steady and continue the path this storyline is on if they want “Infinity War” to hold a significant place in the studio’s short, but illustrious history, no matter how lesser of a film it already is compared its predecessors. Ultimately, the willingness to embrace change, no matter how dark it is, is the best thing “Infinity War” has going for it.

Lammometer: 6 (out of 10)

AUDIO: Tim reviews “Avengers: Infinity War” with Tom Barnard on “The KQ Morning Show” (segment begins 2:30 in).

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie review: ‘Black Panther’ impressive addition to Marvel Cinematic Universe


See Tim’s review on “Black Panther” on KARE 11 (NBC) with Adrienne Broaddus in the video above.

“Black Panther” (PG-13)

The Marvel Cinematic Universe continues to amaze with “Black Panther,” the first solo movie featuring the legendary Marvel Comics character created by Stan Lee and Jack Kirby in 1966. First appearing on the big screen in “Captain America: Civil War” in 2016 with Chadwick Boseman in the title role, the “Black Panther” solo film finally gives the character of T’Challa/Black Panther the big screen real estate the character deserves, and Boseman, director Ryan Coogler and the film’s impressive supporting cast make the most of it.

“Black Panther” is set almost entirely fictional African country of Wakanda, a hidden fortress that is the most technologically advanced country in the world. At their disposal is an endless supply of an alien metal known as Vibranium, which the newly-anointed King T’Challa use for good, but if it falls into the wrong hands, could have global implications. The threat becomes real when T’Challa’s long-lost cousin Erik Killmonger (Michael B. Jordan) finds his way into the Wakanda and challenges the king to his birthright to ascend to the throne.

Following his impressive turn in “Captain America: Civil War” in 2016, Boseman proves from the beginning of “Black Panther” that he can easily carry a film on his own, something fans of the actor already knew after his memorable turns as Jackie Robinson in “42” and James Brown in “Get on Up.” Boseman is no longer one of about a dozen principal characters he’s dividing time with, and he’s able to give T’Challa/Black Panther some depth because of it.

By Black Panther having a solo film, it also allows for other characters to be introduced into the story, which are wonderfully realized by the likes of Angela Bassett, Lupita Nyong’o, Forrest Whitaker, Dana Gurira, Martin Freeman, Andy Serkis, Letita Wright and Daniel Kaluuya. The key to the film’s success is, while the action is intense, the sets are jaw-dropping and the special effects are spectacular, they never outweigh the story Coogler is telling. “Black Panther” gives more than enough room for its characters to breathe, and they create a memorable superhero film in the process.

Lammometer: 8 (out of 10)

AUDIO: Listen to Tim’s review of “Black Panther” on “The KQ 92 Morning Show” with Tom Barnard in the audio above.

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2017 DirectConversations.com

Movie review: ‘Spider-Man: Homecoming’

“Spider-Man: Homecoming” (PG-13) 

Tom Holland puts in an amazing performance in “Spider-Man: Homecoming,” the third time an actor has assumed Spidey’s costume in the past 15 years following turns by Tobey Maguire and Andrew Garfield.

Following his introduction to the world of the Avengers in “Captain America: Civil War,” Peter Parker (Holland) returns to high-school life as a 15-year-old in New York City. Waiting for his next call from Tony Stark (Robert Downey Jr.) to join the Avengers for his next mission, Peter struggles with how he can best serve his friendly neighborhood as he awkwardly stumbles through adolescence and newfound responsibility as a superhero.

The film offers a completely fresh take on Spider-Man from a film standpoint, introducing new characters and a fresh villain with the Vulture (the always great Michael Keaton). Despite his large presence in the film’s trailers and clips, Downey is only in the film about 5 minutes, but he makes the most out of every second.

Lammomter: 8.5 (out of 10)

Listen to Tim’s review of “Spider-Man: Homecoming” with Mike Compton on KQRS-FM.