Tag Archives: Dunkirk

Interview: Gary Oldman talks transformation into Winston Churchill for ‘Darkest Hour’

When you see a performance as stunning as Gary Oldman’s in the new biographical World War II drama “Darkest Hour,” it begs the natural question of where Oldman the actor ended and his channeling of legendary British Prime Minister Winston Churchill began. On the face of things, it’s easy to presume that Oldman’s transformation took place somewhere in the daily three and a half-hour makeup process and extra half-hour to assemble the costume; but for the master thespian, becoming Churchill to face the darkest hour in the history of Great Britain took a lot longer than people would imagine.

“It takes the better part of a year to work on the role, and that includes all of the things that you would imagine. You read the material and then go to the books and the news footage and speeches, and all of that stuff,” Oldman told me in a recent phone conversation from New York City. “What it becomes is a year of one’s life in surrendering to all things Winston. But there is only so much of the work that you can do in isolation. So, I decided that once the script was finalized and there were various changes made to the script as it evolved, that I learned it like a play. I knew it long before I got to the set so I’d just have the material inside me and wouldn’t have to think about it. It’s like the old saying, ‘It’s not how well you’ve known something, but how long you’ve known it,’ so the role was in my DNA.”

Now playing in limited release and expanding to more locations throughout the country on Friday, “Darkest Hour” chronicles a short yet remarkable time in the life of Churchill in 1940, when the legislator was suddenly escalated to the post of prime minister because of the resignation of his predecessor Prime Minister Neville Chamberlain (Ronald Pickup), who lost the confidence of Parliament. With little support from either side of the political aisle and perhaps most importantly, King George VI (Ben Mendelsohn), Churchill was faced with either negotiating for what it sure to become a doomed peace treaty with Nazi leader Adolf Hitler, or take a stand to fight for the ideals, liberty and ultimately, the freedom of Great Britain.

Intensifying the situation, however, is that whatever tact Churchill takes, it must be accomplished in a matter or mere weeks. Nazi forces are moving across Western Europe and have 300,000 British troops surrounded with seemingly nowhere to go on the beaches of Dunkirk in France.

Written by Anthony McCarten and directed by Joe Wright, “Darkest Hour” comes at an interesting time in the state of politics in both the U.S., where the divide between liberals and conservatives is as deep as perhaps it has ever been. But there shouldn’t be a quandary for audiences rooting for Churchill — who early in his career moved from the conservatives to the liberals, only to switch back to the conservative party 26 years prior to the dire circumstances Great Britain faced in “Darkest Hour” — simply because partisanship has no place when it comes to fighting evil.

“There’s nothing either partisan or bi-partisan about going after Hitler,” Oldman said. “It’s an interesting question, though, because Churchill made himself at times unpopular, because this was a man who made mistakes in his career as we all have. He certainly made some blunders. But as far as Hitler was concerned, Churchill was almost clairvoyant.

“He caught on to Hitler very, very quickly — way back in the early ’30s,” Oldman added. “Once he got a taste of it, he came back to the UK as a backbencher. He stood up in Parliament and said, ‘We should rearm — this guy is coming after us,’ but no one would believe him, because it was unthinkable, especially after the first World War that there would be another war. Pacifism was very universal, and they wanted to repair relationships with the Germans, so what Churchill was doing was considered a little politically incorrect and scaremongering. But he stuck to it. He never wavered from it — and he was right.”

In some ways, Oldman believes Churchill was destined to be at the right place at the right time in history; all of which stemming from a singular incident in World War I that’s recounted in “Darkest Hour.”

“If one of those bullets that he talks about in the first World War, when he is quoted, ‘There is nothing more thrilling than being shot at without result,’ if one of those stray bullets would have hit him and removed him from the scenario, or if he had worn out in Parliament and capitulated, then the landscape would have looked very different,” Oldman said. “All of Western Europe would have been fascist … and while people say it, and they say it in jest, ‘If it wasn’t for Winston Churchill we’d all be speaking German,’ there’s some truth in that.”

Gary Oldman Darkest Hour

Not surprisingly, Oldman is already a favorite for a Best Actor Oscar nomination for his performance as Churchill, as are Wright and the film for Best Picture and Best Director, respectively. But in coincidental bit of timing, another film about the pivotal events depicted in “Darkest Hour,” “Dunkirk — director Christopher Nolan’s spectacle about the soldiers trapped on Dunkirk Beach — is also considered an odds-on favorite for Oscar nominations.

No matter how the Oscar race shakes out, Oldman agreed with my observation that the true victor is not either “Darkest Hour” or “Dunkirk,” but history itself, as the acclaim both films are receiving essentially ensures that these life-changing historical events will never be forgotten.

“It’s interesting when we screen this film. I can forgive the Americans for not knowing the real details of what happened, but you’d be surprised to the number of people that we screened it to in Britain who don’t know this story outside of scholars and historians, and people that really follow it and look at history,” Oldman said. “It’s amazing the number of people who said, ‘Oh my God, I had no idea.’ So, both films present a story very much worth telling and I couldn’t have put it better: History wins on this one.”

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Movie review: Gary Oldman is bright beacon in ‘Darkest Hour’

“Darkest Hour” (PG-13)

There are very few times in life where you can see an actor completely disappear into a role, and that’s exactly what happens with Gary Oldman becoming British Minister Winston Churchill in “Darkest Hour.” Yes, ultimately it’s a performance, but it’s so completely engrossing that you feel that you are in the film with him, watching the extraordinary events unfold.

Directed by Joe Wright, “Darkest Hour” takes us behind the scenes of a crucial time at the beginning of Churchill’s first run as prime minister, a post he’s escalated to after Prime Minister Neville Chamberlain (Ronald Pickup) loses the confidence of Parliament after Adolf Hitler marches his forces across Western Europe. Facing opposition from both sides of the political aisle and King George VI (Ben Mendelsohn) — as well as underhanded pressure from Chamberlain and Viscount Halifax (Stephen Dillane) to negotiate what it sure to become a doomed peace treaty with Hitler — Churchill must decide what is right for the country and if fighting for their freedom is the best resolve.

Despite all that “Darkest Hour” has going for it — the film benefits even more from the blockbuster success of director Christopher Nolan’s “Dunkirk” over the summer. The miracle of Dunkirk is a make or break moment for Churchill, as he calls for civilian boats to cross the English Channel to rescue 300,000 British troops that are trapped on the Beaches of Dunkirk, France.

Seeing “Dunkirk” helps you understand the stakes of saving the soldiers at Dunkirk, making “Darkest Hour” all the more riveting. All told, “Darkest Hour” is easily one of the best films of the year, punctuated by the hands-down best performance of the year by Oldman.

Lammometer: 10 out of 10

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Movie review: ‘Dunkirk’

Hear Tim’s review of “Dunkirk” on KQ92 with Tom Barnard.

“Dunkirk” (PG-13)

Acclaimed filmmaker Christopher Nolan continues to amaze with “Dunkirk,” a World War II epic that is spectacular from filmmaking standpoint yet strains itself with the way the narrative unfolds.

A story most certainly unknown to most American audiences, “Dunkirk” isn’t so much a war film than it is a harrowing tale of survival. Set in May 1940, the film recounts the miracle evacuation of more than 300,000 Allied troops on the beaches of Dunkirk, France, where German forces have the soldiers trapped. With Allied ground forces unable to penetrate the enemy’s stronghold, fighter planes attempt to ward off the enemy while every naval and civilian vessel available attempt to cross the English channel to reach the soldiers before they meet a most certain cruel demise.

“Dunkirk” is told from three points of view — by land, by sea and by air, in three different time frames in a non-linear manner. And while it’s fascinating in the way the film eventually comes together, “Dunkirk” will no doubt confuse audiences if they’re not paying rapt attention.

While the film features stellar performances by Kenneth Branagh, Tom Hardy and Mark Rylance, there’s no real star in “Dunkirk” – in fact the attention is more focused on the plight of the ground soldiers, including newcomers Fionn Whitehead and One Direction singer Harry Styles (a great move by Nolan that will surely get younger audiences interested who would have ignored the film otherwise).

An ensemble film with far less dialogue than Nolan’s previous efforts, “Dunkirk” feels more like a docudrama than a narrative feature; so despite the extraordinary story that inspired it, the film ultimately doesn’t have nearly as much emotion as last year’s true-life World War II drama “Hacksaw Ridge.” Faults aside, you still have to applaud a filmmaker with as much clout as Nolan to inform audiences of important stories like “Dunkirk” that have been buried in history, especially smack-dab in the middle of the summer movie-going season that’s generally packed with mindless drivel.

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