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Movie review: Despite tired genre, ‘Double Tap’ welcome return to ‘Zombieland’

“Zombieland: Double Tap” (R)

Ten years after the inspired original, Woody Harrelson and his band of fellow zombie hunters are back with “Zombieland: Double Tap,” a sequel that is every bit as entertaining as the first “Zombieland” in terms of its comedy, but nearly is a dated concept when it comes to the listless zombie movie genre.

Just like cinema’s overwrought obsession with vampires with the “Twilight” movies that began just over a decade ago, “Double Tap” tries its best to put a spring into the steps of the walking dead — an effort that would have failed in the hands of lesser filmmakers and talented actors like Harrelson, Jesse Eisenberg, Abigail Breslin and Emma Stone, and new additions including Zoey Deutsch and Rosario Dawson as an Elvis-loving match for Tallahassee.

“Double Tap” picks up 10 years after the events of the original, where Tallahassee (Harrelson), Columbus (Eisenberg), Wichita (Stone) and Little Rock (Breslin) find themselves living safe and comfortably at the abandoned and well-stocked White House in Washington, D.C. And while Tallahassee and Columbus seem content with their cushy surroundings, sisters Wichita and Little Rock appear to be restless. Now coupled, Columbus wants to marry Wichita – an idea she’s not down with; and Little Rock feels a void in her life that could only be fulfilled by being with people her own age.


AUDIO: Hear Tim’s review of “Zombieland: Double Tap” with Tom Barnard on “The KQ Morning Show” on KQRS-FM. Segment is brought to you by Michael Bryant and Bradshaw & Bryant.

Ready to put themselves in harm’s way once again, the sisters hit the road, where they meet up with a peacenik hipster, Berkley (Avan Jogia), who strives to live in the utopia called Babylon. Little Rock loves the idea so much that she runs off with Berkley, giving Wichita no choice but to return to the White House to get Tallahassee and Columbus in a bid to find and rescue her little sister, and they’re joined by a bubble-headed blonde, Madison (Deutsch), for the ride.

Like the original, “Double Tap” is directed by Ruben Fleischer and co-written by Rhett Reese & Paul Wernick (the “Deadpool” movies), and team effortlessly brings the same smart and funny dialogue to the film, which is brilliantly realized by the always great Harrelson and the playfully wry Eisenberg. Deutsch adds an extra comedic punch as the ditzy Madison, a role that moviegoers will likely find hilarious or grating, depending on their tolerance for Valley Girl speak.

Naturally, the film is loaded with action and is punctuated by several gross-out zombie death moments, which are ultimately funny because they’re so outrageous. The big key to the success of the film is whether audiences who are over the whole zombie craze will want to revisit genre, which, as demonstrated by the dwindling ratings of AMC’s “The Walking Dead,” has almost completely run its course.

The filmmakers at least try to change things up by making the zombies smarter and more aggressive in “Double Tap,” but even that angle at this point feels all-too familiar. If it weren’t for the talent involved (also look for entertaining turns by Luke Wilson and Thomas Middleditch), this “Zombieland” would definitely feel (double) tapped out. The only possible thing better at this point would be a sequel to Simon Pegg and Nick Frost’s “Shaun of the Dead.”

Lammometer 7 (out of 10)

Tim Lammers reviews movies weekly for “The KQ92 Morning Show” on KQRS-FM,  “Paul and Jordana” on WCCO Radio, “It Matters with Kelly Cordes on WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere, and reviews streaming programming on WCCO Radio’s “Paul and Jordana” as well. On TV, Tim has made hundreds of guest appearances on “KARE 11 News at 11” (NBC).

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Movie reviews: Tim Lammers talks ‘Conjuring 2,’ ‘Now You See Me 2,’ more on KQRS

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Movie review: ‘American Ultra’

American Ultra

By Tim Lammers

“American Ultra” (R) 2 1/2 stars (out of four)

“American Ultra” lives up to its billing, at least in name: An unapologetic ultra-violent action comedy, it liberally uses shock and awe that will either have you cringing in your seat, bursting out in laughter, or both. And while “American Ultra” is far from a perfect movie, you’ll at least leave the theater with the feeling that an honest effort was put forth to entertain, save one dreadful performance by its lead actress.

The film has three smarmy leads to warm up to: Jesse Eisenberg as Matt Howell, a stoner convenience store worker who can’t seem to leave the confines of his small town without retching and having panic attacks; Kristen Stewart as his patient girlfriend, Phoebe Larson; and Topher Grace as power-hungry CIA official Adrian Yates who orders Matt be wiped off the map.

It turns out Matt actually is a top-secret government experiment in the “Ultra Program,” which erased the minds of ne’er-do-wells like the habitual drug offender and turned them into killing machines without them even knowing it. But in a bid to save Matt’s life, the program’s head, Victoria Lasseter (a wonderful Connie Britton) heads off Yates’ hit by “activating” her test subject with a few simple code words, giving him the ability to dispatch any bad guy or gal who tries to kill him with razor-sharp precision.

After a relatively mild 20 minutes, the remaining 75 of “American Ultra” turns into hard-hitting bloodbath that it increases with intensity with every kill. Playfully scripted by John Landis’ son, Max Landis, the plot unfolds with a few twists and turns as Matt seems to get himself into deeper and deeper trouble with the authorities, winding down to a fairly predictable conclusion.

As brutally violent as “American Ultra” gets, director Nima Nourizadeh clearly intended to give the film a wicked satirical edge, and its irreverent tone makes the movie feel like the wonderfully funny “R.E.D.” meeting whacked out versions of “The Borne Identity” and “The Manchurian Candidate.” It’s the sort of material that fits Eisenberg’s acting talents well, as once again he effortlessly rattles off his lines with the just right amount of snark that keeps him just on this side of believable and likeable.

Stewart, on the other hand, gives yet another bloodless performance, which, of course, all began as the would-be vampiress Bella Swan in “The Twilight Saga.” What continues to land this mopey, one-note actress work is one of Hollywood’s greatest mysteries, and “American Ultra” is the latest baffling chapter. Thankfully, she’s surrounded by talented actors like Eisenberg, Britton, Grace (he’s one-note, too, but effective) and Bill Pullman in a small, but pivotal role, who all keep us distracted from Stewart’s obvious lack of talent. This girl is in serious need of ultra-acting lessons.