Tag Archives: Laurence Fishburne

Movie review: Dazzling ‘Ant-Man and the Wasp’ leaves big impressions

“Ant-Man and the Wasp” (PG-13)

Following the grim ending of “Avengers: Infinity War,” Marvel Studios has lightened their cinematic universe considerably with the “Ant-Man” sequel “Ant-Man and the Wasp,” an insanely entertaining sequel to the 2015 hit that’s much different in tone and style to the studio’s early summer blockbuster. Once again starring the always hilarious Paul Rudd as Ant-Man and ass-kicking Evangeline Lilly as the Wasp, the film is fast, funny and has plenty of heart to win fans of the franchise over.

“Ant-Man and the Wasp” begins with Scott Lang (Rudd) under house arrest following his capture under the guise of Ant-Man in the big showdown during “Captain America: Civil War.” Since he went into the battle using Ant-Man’s suit without the knowledge of Dr. Hank Pym (Michael Douglas) or Hope van Dyne (Lilly), Scott’s arrest soured his relationship with the duo, which particularly stings because it put the Pym and his daughter on the run from federal agents. Making matters worse, the arrest caused a major rift in the romance between Scott and Hope, and from a professional point-of-view, Hope is miffed because she insists Scott wouldn’t have been busted during the events of “Civil War” had he asked his then-girlfriend – who since assumed the identity of the Wasp – to take part.

AUDIO:  Listen to Tim’s review of “Ant-Man and the Wasp” on “The KQ Morning Show.”

The trio reunite, however, when Scott has what he thinks was a dream, but it turns out to be some sort of visual implant Hope’s long-lost mom and Hank’s wife, Janet van Dyne (Michelle Pfeiffer), put into the Scott’s head when he Ant-Man ventured into the Quantum Realm at the end of the last film. Gone for 30 years, the “antenna” Janet has placed in Scott’s mind is essentially providing a road map to where Hank and Hope can find her, but much to the chagrin of Hank, they need the help of one of his old rivals, Dr. Bill Foster (Laurence Fishburne) to help get there.

But Hank and company aren’t the only ones who have an interest in the Quantum Realm: A shady, high-tech parts dealer, Sonny Burch (Walton Goggins) sees the mysterious inner space dimension as a gigantic business opportunity; while the literally unstable Ghost (Hannah John-Kamen) needs the energy that Janet has amassed in the Quantum Realm if she is to avert certain death.

The third release from Marvel Studios this year, “Ant-Man and the Wasp” is much different in tone than “Black Panther” and “Infinity War.” Like the first “Ant-Man,” the sequel plays more like a caper and chase film, and while the stakes are high – Scott, Hank and Hope are essentially trying to save Janet’s life – the narrative doesn’t have world-ending implications like the carnage that consumed several of the Avengers and half the universe in “Infinity War.”

“Ant-Man and the Wasp,” as a result, arrives with a lighter mood, not only thanks to Rudd’s comedic gifts, but the amusing extra dynamic that Scott’s crew – Luis (Michael Pena), Kurt (David Dastmalchian) and Dave (Tip “T.I.” Harris) – bring to the film. Capitalizing on the hilarious dialogue and sight gag in the first film, director Peyton Reed ingeniously finds a way for Luis to spin another tremendous yarn (this time about how he met Scott), while Dastmalchian is given ample opportunity to show his comedy talents when gets to playfully demonstrate the nervous superstitions of his Russian hacker character.

Photo: Disney/Marvel Studios

Like “Ant-Man,” Reed once again has an expert handle on the direction of “Ant-Man and the Wasp,” achieving the rare feet of equally if not topping the original film with a perfect blend of action, dazzling special effects and humor. Most importantly, though, it has a relatable narrative that keys in on the importance of family from all aspects, whether through the ties that bind Hank, Janet, Hope and Scott together; as well as Scott and his daughter, Cassie (Abby Ryder Fortson), and Scott and his fellow ex-con crew members.

Like previous Marvel films, fans need to make an appointment to stay until the very end (after the very inventive cast credits), where the separate narratives of “Infinity War” and “Ant-Man and the Wasp” come together. And while the future is uncertain for all The Avengers from here on out, but hopefully Marvel will find a way to bring back Ant-Man, the Wasp and everybody else in the film for a third solo movie, since “Ant-Man and the Wasp” once again proves that the best presents come in small packages.

Lammometer: 9 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Reviews: ‘John Wick 2′ twice as great; ’50 Shades Darker’ dumb sequel

“John Wick: Chapter 2” (R)

After the blistering success of the first film in 2014, John Wick (Keanu Reeves) is back with a vengeance in “John Wick: Chapter 2,” a sequel far superior than the already entertaining original.

The plot is simple: Wick is trying to return to retirement with his new dog when a powerful mobster from his past insists he honors a marker — a blood oath to repay a debt — and wants him to carry out a hit. As Wick quickly discovers, though, no hit is ever clean. Before he knows is, Wick is the target, and that’s when the killing machine inside of him kicks into high gear.

The action is frenetic and completely engrossing as Wick takes out the bad guys one by one, whether be with the use of guns, hand-to-hand combat or even a pencil. The 52-year-old Reeves is spectacular form and incredible shape as Wick, and easily carries the movie on his own as the body count piles up in the hundreds.

There is one disappointing aspect to “John Wick: Chapter 2,” as those expecting the big “Matrix” reunion between Reeves and Laurence Fishburne is short-lived. Studio marketers are definitely guilty of a bait-and-switch movie here, since Fishburne – while brilliant – is only in the movie for about  5 minutes.

Hopefully he will be a big part of “John Wick Chapter 3” because a another sequel is inevitable — and unlike most sequels, is completely welcome.

Lammometer: 9 out of 10.

New on Tim Lammers’ YouTube Channel …

“50 Shades Darker” (R)

It should be called “50 Shades Dumber.” Dakota Johnson and Jamie Dornan are back in this brutally boring sequel to “50 Shades of Grey,” a dull and predictable “romance” movie about the further sexcapades of Anastasia Steele and Christian Grey.

The movie is like a bad, kinky soap opera, as Christian stalks, er, tries to win Anastasia back after she left him at the hapless conclusion of the first movie.

Any attempts at finding any chemistry between Johnson and Dornan remain futile is “50 Shades Darker,” and the acting is as flat as it was in the first film. Dornan is completely out of his depth, and Johnson, who was actually pretty good in the first film, is terrible here. The only spark in the film is Kim Basinger, who goes the subtle route to play a psychotic older woman who damaged Grey in a previous master-submissive relationship.

Lammometer: 3 out of 10