Tag Archives: Marvel

Movie reviews: ‘Ant-Man,’ ‘Trainwreck,’ ‘Manglehorn’

Paul Rudd in 'Ant-Man' (Disney-Marvel)

“Ant-Man” (PG-13) 3 1/2 stars (out of four)

The best things truly do come in small packages in “Ant-Man,” a thrilling and oftentimes funny Marvel superhero adventure that’s much different than its predecessors in tone. More of a heist adventure than anything, “Ant-Man is bolstered by a winning cast including the always affable Paul Rudd and screen legend Michael Douglas, who brings gravitas to the movie in a pivotal role.

Rudd stars as Scott Lang, a convicted burglar who’s trying to straighten out his life after he is sprung from prison. Finding his options are limited because of his criminal past, Scott is lured back into the game with the promise of a big score, only to find out that it’s all a set up by Hank Pym, a legendary scientist who’s been marginalized in his own corporation by his protégé Darren Cross (Corey Stoll).

Turns out that Cross is on the cusp of perfecting a formula to shrink people down to ant size – a process that increases their strength and gives them the resilience of a bullet. It’s a process that Hank perfected years before, and he needs Scott’s brains and physicality to don a special suit to become the new “Ant-Man” to stop Cross before the technology falls into the wrong hands and threatens the world.

“Ant-Man” is a fantastic voyage from beginning to end, thanks to a smart script, spectacular special effects and expert direction by Peyton Reed. The filmmaker makes excellent use of his talented cast, which also includes Evangeline Lilly as Hanks’ estranged daughter, Judy Greer as Scott’s ex-wife and Bobby Cannavale as her husband, and Michael Pena, David Dastmalchian and T.I. Harris as The Crew, which helps Scott plan the big heist of Cross’ invention, dubbed “Yellow Jacket.”

The most surprising aspect of “Ant-Man” is that it’s also a family-themed film, as Hank tries to re-connect with Hope, while Scott desperately tries to be the best father he can be to his young daughter, Cassie (Abby Ryder Forston). It’s a great film from beginning to end – and we’re talking the very end of the credits, where Marvel has a big reveal for its next adventure.

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“Trainwreck” (R) 3 stars (out of four)

Comedy Central star Amy Schumer finally hits the big-screen with her own comedy in “Trainwreck,” a raunchy but oftentimes funny tale about, well, a trainwreck. Written by Schumer and directed by comedy king Judd Apatow, “Trainwreck” is sure to satisfy Schumer and Bill Hader fans, and surprise others with funny turns by the likes of NBA star LeBron James and professional wrestler John Cena.

Schumer stars as Amy, a big-time journalist who spends most of her nights in one-night stands. Raised by a loving yet philandering father (hilariously played by Colin Quinn), Amy was told early in life that it’s impossible to commit to one person, so she goes to the other extreme, believing she’ll never fall in love. Things change dramatically, though when Amy is assigned to interview big-time sports doctor Aaron (Hader), and experiences feelings beyond their first night together. Before too long, Amy begins to struggle with those warm, fuzzy feelings, hoping her life doesn’t go off the rails once again.

While Schumer wrote and stars in “Trainwreck,” she gives her co-stars plenty of opportunity to shine. Apatow definitely has a keen eye for casting to bring those characters to life, which probably explains why James and Cena fit perfectly in their roles. Hader is terrific, too, as Schumer’s boyfriend, as is Tilda Swinton, who is barely recognizable as Amy’s boss. Apatow also makes great use of her stand-up comedy buddies like Dave Attell and Quinn to round out the film’s impressive cast.

While “Trainwreck” is a bit too long and ultimately predictable, it’s a solid first effort by Schumer in a prominent role. It’ll be interesting to see if she’ll eventually be able to break the mold and do other roles, because raunchy comedy, like any other genres, can be limiting for any performer. For now, though, “Trainwreck” will give Schumer the power to push full-steam ahead.

“Manglehorn” (R) 2 1/2 stars (out of four)

Al Pacino is at the top of his game in “Manglehorn,” a character-driven drama that’s unfortunately more depressing than it is enlightening. It’s one of those movies that’s worth watching if you want to see terrific acting, but mostly it just breaks your heart as the title character (Pacino) leads a lonely existence of his own doing.

An eccentric locksmith, Manglehorn’s only true connection is with his cat, and he locks everybody else out because he’s never been able to get over his one true love several years before. As hard as the people surround him try – including his estranged son (Chris Messina) and a lonesome bank teller (a wonderfully sweet Holly Hunter) – no one can seem to crack the complex mind of the cranky old man, until he has a revelation that may just result in a second chance at life.

The biggest trouble with “Manglehorn” is that it moves along slowly as it bizarrely illustrates different aspects of its title character’s miserable existence. There’s a payoff at the end, thankfully, but even a 97-minute run time can’t make it come soon enough.

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Interview: Zoe Saldana talks personal indie film ‘Infinitely Polar Bear’

Mark Ruffalo and Zoe Saldana in 'Infinitely Polar Bear' (photo -- Sony Pictures Classics)

By Tim Lammers

The cinematic universe has proven to limitless to Zoe Saldana, who in recent summers has played pivotal roles in the new “Star Trek” movie franchise and last year’s mega blockbuster “Guardians of the Galaxy.”

This summer, though, the acclaimed actress is keeping things down to Earth, quite literally, with the family drama “Infinitely Polar Bear.” But while her role is decidedly different than Lt. Uhura and Gamora, Saldana said signing on to the film was more a matter of happenstance than a conscious decision to play opposite ends of the movie spectrum.

“I wish I was ‘The Man with the Plan,’ but I’m really not that kind of artist. I never have a whole year lined up,” Saldana told me in a recent interview. “Every now and then a project will come, whether it comes in small independent package or in a big studio package, and if I like the story and if I feel like it’s going to be a wonderful experience to be a part of it, then I’ll start pursuing it.”

Now playing in select cites and expanding throughout the U.S. in July, “Infinitely Polar Bear” tells the story of Maggie (Saldana) and Cam (Mark Ruffalo), a once happily-in-love couple  with a pair of young daughters (Ashley Aufderheide and Imogene Wolodarsky), whose marriage eventually falls apart over Cam’s inability to deal with his manic depression.

Separating from Cam and struggling as a single mother with the girls in small apartment in Cambridge, Massachusetts, Maggie, stressed and broke, comes up with a solution: If she can attend business school at Columbia University and earn an MBA in 18 months, she can ensure a better life for daughters. However, she can only do it with the help of Cam — that is if he can take responsibility of his daughters as well as himself  — while she’s away in New York.

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Saldana said once she read the script by writer-director Maya Forbes, she was desperate to do the film.

“I just kept reading the script over and over again — it was so beautiful and spoke to me on so many levels. It was real, so I wanted to be a part of it and do the character justice because it was so special to me,” Saldana said. “It deals with a very heavy subject with bi-polar disorder.  So many people are affected by it, yet we know so little about it. Maya captured it in a very beautiful way because not every scene is about Cam’s condition. Every scene is about her father and her mother, and her sister and herself. The dad has this condition, but he’s a great guy and he tries hard every day. That’s what I loved.”

If that wasn’t enough, Saldana, 37, said stories of father-daughter relationships always resonate with her on a personal level.

“I lost my dad when I was very young, so I’m a sucker for stories having to do with daughters and fathers. I just had to be a part of this,” said Saldana, who just had twin sons in November with her husband, Marco Perego.

“Infinitely Polar Bear’s” approach is unique in that, while the film is set in 1978, it doesn’t draw any attention to Maggie and Cam being a bi-racial couple. In fact, apart from one brief scene where Maggie discusses her black heritage with one of her daughters, race is not mentioned throughout the entire picture. Saldana, whose mother is Puerto Rican and late father was Dominican, said she’s glad Forbes didn’t turn the film into a racial discussion.

In a day an age where the subject of race is broached on many different levels daily, I told Saldana how refreshing it was to see Maggie and Cam not portrayed as a black parent and white parent (and nearly 40 years ago, no less) struggling with their marriage and who both love their children; but simply as parents struggling with their marriage and who both love their children.

“I’m so happy that you mentioned that. I always wait for people to mention race in order for us to talk about it,” Saldana told me. “Race is not a subject that I spend a lot of time with because I don’t want to, unless it’s done in the right way. That’s what I loved about this film, because it reminded me of the way I grew up.  My father was much darker than my mother, but it was never about that growing up at home. They never mentioned anything about color unless we were painting on paper or deciding what we wanted to wear. It was never about the skin color of people.”

Saldana said Forbes grew up in the same way, which gave the film the proper insight of not making an issue out of race.

“We tell more stories where people make an issue out of it, and generally those stories are by outsiders looking in,” Saldana observed. “But the people who were in it — and whatever the case may be, whether it had to do with their race, gender or growing up with two parents of the same sex — it was never about that. When you’re in it, you’re not talking about it, you’re simply living it.”

Effectively, that’s how Saldana could tell how Forbes’ script was authentic — something the actress doesn’t get with every screenplay she reads.

“It’s something I always point out to writers. I can tell with stories when a person of a certain culture is writing about a foreign culture because they point out on every page and every scene something about the foreign culture,” Saldana said. “It’s like when a white writer writes about one character is black. They will have a white character at some point make a joke or a statement about their color. You can tell who the writer is without knowing them.”

But when the writer does get it right, like Forbes does with “Infinitely Polar Bear,” it’s an exhilarating feeling, Saldana added.

“When we’re talking about art and actors, we’re hired to be chameleons. We’re hired to do a job and if we do it well, you’re not going to see me, you’re going to see the character I’m trying my hardest to bring to life,” Saldana said. “So when that can be seen or pointed out, or I’ve been told that I’ve accomplished that, then I know that the writer has gets it and I’m on the right path. It just makes me feel really good to be doing what I do.”

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