The Snowman (R)
Michael Fassbender gets trapped in a depressing blizzard of dreariness that he can’t escape in “The Snowman,” a deeply disappointing and depressing crime thriller from executive producer Martin Scorsese and director Tomas Alfredson (“Tinker Tailor Solider Spy”).
Based on the acclaimed novel by Jo Neso, Fassbender plays grizzled Norwegian detective Harry Hole, whose interest in a decades-old cold case murder and dismemberment of a woman is reawakened by the killer’s re-emergence and brutal killing spree.
AUDIO: Listen to Tim review “The Snowman” with Tom Barnard on “The KQ92 Morning Show” (segment begins 10 minutes in).
While the film’s Oslo setting is breathtaking, “The Snowman” fails to gain any sort of momentum from the very beginning, and quickly devolves from there into a dull and confusing story that fails to get its footing until the film’s predictable conclusion.
Scorsese, who was at one time attached to the direct the film, wisely stepped away from this disaster of a movie, which is so bad that even the talents of Fassbender, Rebecca Ferguson, J.K. Simmons and Val Kilmer can’t save it. You can’t entirely blame Alfredson for the failure of the film, as he recently tried to distance himself from the film by saying that he didn’t have enough time on the production to shoot 10 to 15 percent of the script.
With revelations like that, there’s no doubt that “The Snowman” was doomed to fail, and the memories of this stained mark on the resume of all those involved can’t melt and wash away soon enough.
Lammometer: 3 (out of 10)
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