Tag Archives: ‘The Walking Dead’

Movie review: Despite tired genre, ‘Double Tap’ welcome return to ‘Zombieland’

“Zombieland: Double Tap” (R)

Ten years after the inspired original, Woody Harrelson and his band of fellow zombie hunters are back with “Zombieland: Double Tap,” a sequel that is every bit as entertaining as the first “Zombieland” in terms of its comedy, but nearly is a dated concept when it comes to the listless zombie movie genre.

Just like cinema’s overwrought obsession with vampires with the “Twilight” movies that began just over a decade ago, “Double Tap” tries its best to put a spring into the steps of the walking dead — an effort that would have failed in the hands of lesser filmmakers and talented actors like Harrelson, Jesse Eisenberg, Abigail Breslin and Emma Stone, and new additions including Zoey Deutsch and Rosario Dawson as an Elvis-loving match for Tallahassee.

“Double Tap” picks up 10 years after the events of the original, where Tallahassee (Harrelson), Columbus (Eisenberg), Wichita (Stone) and Little Rock (Breslin) find themselves living safe and comfortably at the abandoned and well-stocked White House in Washington, D.C. And while Tallahassee and Columbus seem content with their cushy surroundings, sisters Wichita and Little Rock appear to be restless. Now coupled, Columbus wants to marry Wichita – an idea she’s not down with; and Little Rock feels a void in her life that could only be fulfilled by being with people her own age.


AUDIO: Hear Tim’s review of “Zombieland: Double Tap” with Tom Barnard on “The KQ Morning Show” on KQRS-FM. Segment is brought to you by Michael Bryant and Bradshaw & Bryant.

Ready to put themselves in harm’s way once again, the sisters hit the road, where they meet up with a peacenik hipster, Berkley (Avan Jogia), who strives to live in the utopia called Babylon. Little Rock loves the idea so much that she runs off with Berkley, giving Wichita no choice but to return to the White House to get Tallahassee and Columbus in a bid to find and rescue her little sister, and they’re joined by a bubble-headed blonde, Madison (Deutsch), for the ride.

Like the original, “Double Tap” is directed by Ruben Fleischer and co-written by Rhett Reese & Paul Wernick (the “Deadpool” movies), and team effortlessly brings the same smart and funny dialogue to the film, which is brilliantly realized by the always great Harrelson and the playfully wry Eisenberg. Deutsch adds an extra comedic punch as the ditzy Madison, a role that moviegoers will likely find hilarious or grating, depending on their tolerance for Valley Girl speak.

Naturally, the film is loaded with action and is punctuated by several gross-out zombie death moments, which are ultimately funny because they’re so outrageous. The big key to the success of the film is whether audiences who are over the whole zombie craze will want to revisit genre, which, as demonstrated by the dwindling ratings of AMC’s “The Walking Dead,” has almost completely run its course.

The filmmakers at least try to change things up by making the zombies smarter and more aggressive in “Double Tap,” but even that angle at this point feels all-too familiar. If it weren’t for the talent involved (also look for entertaining turns by Luke Wilson and Thomas Middleditch), this “Zombieland” would definitely feel (double) tapped out. The only possible thing better at this point would be a sequel to Simon Pegg and Nick Frost’s “Shaun of the Dead.”

Lammometer 7 (out of 10)

Tim Lammers reviews movies weekly for “The KQ92 Morning Show” on KQRS-FM,  “Paul and Jordana” on WCCO Radio, “It Matters with Kelly Cordes on WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere, and reviews streaming programming on WCCO Radio’s “Paul and Jordana” as well. On TV, Tim has made hundreds of guest appearances on “KARE 11 News at 11” (NBC).

Copyright 2019 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Rooker, Sorbo talk fans, fame at Minneapolis Comic Con

Gillian-Anderson--Michael-Rooker--Kevin-Sorbo-jpg

By Tim Lammers

The Wizard World Comic Con  is all about the fans, an event that originated with the San Diego Comic Con and now travels nationwide and around the world to bring the stars to fans.

Interview: Michael Rooker talks ‘Guardians of the Galaxy’

Like his acclaimed role as the anti-hero, Merle Dixon, in “The Walking Dead,” Michael Rooker is finding himself in the middle again – but this time he’s a blue-skinned alien in Marvel Studio’s “Guardians of the Galaxy,” light years away from the zombie-infested, post-apocalyptic Earth of the popular AMC series.

Rooker’s “Galaxy” character, Yondu, is interesting in that he’s not an out-an-out bad guy, and in some ways, he has a propensity to be good. Walking that fine line is something Rooker, 59, has not only enjoyed in several projects throughout his storied career, but his whole life, and director James Gunn wanted to tap into that experience.

“James wanted to write something for me that I’m good at — I’m good at doing bad things and still having people like me,” Rooker told me, laughing, in a recent interview. “Even as a 10- or 12-year-old, I’d be doing something bad, like climbing trees, and people would yell at me for doing it yet be smiling at the same time. I never understood what was going on with them. The great thing is, it still happening.  James wanted to me to have the ability to say and do anything on screen and still have people like me, and dig the performance and dig the way I do it.”

Michael Rooker in Guardians of the Galaxy (photo -- Disney-Marvel Studios)

Rooker brings a good ol’ boy approach to Yondu, a space pirate who takes Peter Quill from Earth as a young boy after his mother’s death. After growing up and learning the ways of Yondu’s group, the Ravagers, Quill (Chris Pratt) betrays his mentor and keeps for himself a mysterious orb he’s stolen from a powerful space lord, only to learn the sphere holds powers far greater than he ever could have imagined.

Like his fellow “Galaxy” cast mates (including Zoe Saldana, Dave Bautista, Bradley Cooper and Vin Diesel), Rooker has the unenviable task of portraying a beloved character whose origins date back more than four decades in the original Marvel comic books. And while he respects the fan’s opinions, Rooker said it was a necessity to make changes with the character of Yondu for the sake of the film.

“I don’t really worry about all of the reactions, but of course, it’s always there in the back of my head,” Rooker said. “I know there will be some people who will be disappointed that Yondu doesn’t have a big fin on the top of his head, but they have to realize the roof on my spaceship is pretty low. I would have had to duck when I was walking around for the entire production. The change was decided before I got there, and basically I had to take what was in the script and run with it.”

Interview: Dave Bautista talks Drax the Destroyer

For anyone familiar with his character in “The Walking Dead,” Rooker has been the subject of makeup artists before as a zombified Merle, so he knew was he was in for to turn Yondu blue.

“We’d start with a three hours of makeup, then we had a little break for food before more makeup and wardrobe, so in total, it was about five-and-a-half hours each time,” Rooker recalled. “That’s not so bad. For my role in ‘Slither’ (a 2006 horror comedy, which was also directed by Gunn), it took seven hours to put on and two-and-a-half to take off. Yondu’s makeup only took 45 minutes to take off.”

Tim Burton Book 2
Click book cover for info on how to buy!

And while extensive makeup is a part of the job that some actors dread, Rooker said he loves the process and has absolutely no complaints about it.

“When I go to work, I get to go to a set. It’s like a 12-year-old kid saying goodbye to his parents, running out the door and playing all day long, and coming back for supper at night,” Rooker enthused. “That’s my life now. When I go to the set, it’s like going to a playground and doing all kinds of stuff.”

And lucky for Rooker, those sets have been filled with a variety of roles in several different genres.

“With ‘Guardians’ I get to be a blue alien who whistles to use a great weapon. In ‘Eight Men Out’ I got to play baseball all day long and on ‘Days of Thunder’ I got to drive race cars. In ‘Henry (Portrait of a Serial Killer)’ I got to kill people,” Rooker said with a laugh. “You get to use your imagination all these sorts of crazy, creative ways. Some ways are quite dramatic, some are hokey and some are fun. You just get to go everywhere.”

Captain America Marvel Premium Format(TM) Figure