Tag Archives: Zoe Saldana

Interview: Writer-director Chris Butler talks ‘Missing Link

A “Missing Link” has been found — in cinematic form, that is — and for writer-director Chris Butler, the discovery has been years in the making. But it’s not like Butler has been sitting around, biding his time since his last feature film as a writer-director, “ParaNorman,” in 2012.

That’s because “ParaNorman,” as well as “Missing Link” are stop-motion animated films from the acclaimed studio LAIKA, based in Portland, Oregon, where the action is meticulously assembled frame by frame as Butler and his fellow animators magically bring inanimate objects to life on the big screen.

The years LAIKA has been producing its stop-motion features have paid off handsomely, though, since all four of the studio’s offerings since 2009 — “Coraline,” “ParaNorman,” “The Boxtrolls” and “Kubo and the Two Strings” — have been awarded with best animated feature Oscar nominations.

“They take a long time to do, and ‘Missing Link’ was probably our longest production — five years, pretty much, from beginning to end,” Butler said. When ‘ParaNorman’ was finishing, ‘Missing Link’ already existed in some form, so I gave what I had at the time to (LAIKA CEO, animator and director) Travis Knight, and we agreed that it should be my next project. As I started to develop it, I also got involved with ‘Kubo’ and did a couple of rewrites of the script, so for a time, I was doing half a week on ‘Kubo’ and half a week on ‘Missing Link.’ After that, while ‘Kubo’ was shooting, I was in pre-production on this.

Opening in theaters nationwide Friday, “Missing Link” stars Hugh Jackman as the voice of Sir Lionel Frost, an adventurous monster hunter who, in a bid to fit in with upper-class society, sets out to prove the existence of the fabled Sasquatch in the Pacific Northwest. Much to his surprise, he locates the 8-foot-tall creature quite easily, and to his bemusement, Lionel discovers the furry behemoth can read, write and speak, too.

Seeking Lionel’s help, all this missing link (Zach Galifianakis) hopes for is to find his equally legendary cousins, the Yeti, in the Himalayas in what was thought-to-be the fantasy land of Shangri La — simply because he’s lonely and wants to be around others of his kind. The trip across the globe won’t be easy, though, since feared bounty hunter Willard Stenk (Timothy Olyphant) is pursuing Lionel and his new Sasquatch friend, who are accompanied by Adelina Fortnight (Zoe Saldana), the spunky widow of Lionel’s late partner.

With an “Indiana Jones”-type of adventure narrative (accompanied by loads of comedy) and majestic sets throughout the film, there’s no question that “Missing Link” is LAIKA’s largest production in scale to date. It’s a film meant to be seen on the big screen, and one that Butler hopes isn’t just a movie to viewers of all ages but an experience.

“When we’re making these features, we’re thinking of them as proper movies,” Butler, whose stop-motion resume also includes work on Tim Burton’s “Corpse Bride.” I’ve said many times, but the idea that animation is just some babysitting device to plop a child in front of while you go off and do other things … that idea doesn’t work for me. What I want is to have a cinematic experience. We’re going to create an experience that families can go to together, enjoy together, laugh together and talk about. That’s important to me.

Missing Link is a PG film both kids and adults can enjoy in equal measure, one through which Butler said he wants to create the same sense of wonder that he experienced when he was growing up.

“I loved animation as a kid — it inspired me and moved me and set a course for the rest of my life,” Butler recalled. Today, when I see or talk to kids or young students who say that ‘ParaNorman’ or ‘Coraline’ or another movie that I was involved in has changed the course of their life, that’s important to me. That’s what makes it worthwhile. The work is never a cartoon. It’s much more than that.

Essentially, Butler said, he respects the intelligence of all of his audience members, whether they are 5 years old or an adult. The youngsters, he said, are much more perceptive than people give them credit for.

“My philosophy has always been, ‘Never talk down to kids.’ Sometimes people will query some of the decisions I’ve made or the dialogue I’ve put in the film, and will say, ‘Well, kids won’t understand that,’ and I think that’s a misunderstanding of what being a kid is,” Butler explained. “There’s so much as a child that goes over your head, but there’s also the bits that you grasp that make you grow and challenge you to think more, that challenge you to evolve, which seems to be an apt description for ‘Missing Link.’ So, for me, I try to never talk down to a kid, ever.”

United Artists

Casting Wolverine

Appropriately, Butler creates three-dimensional characters to embody the puppets his animators are bringing to life, and with that, he’s thrilled that among the cast this time is Jackman. The actor, of course, rose to prominence in the “X-Men” movies as Wolverine; but in the midst of making those superhero adventures, he’s managed to expand his palette as a song and dance man on the Broadway stage, as well as in the smash movie musicals “Les Miserables” and “The Greatest Showman.”

Because of the actor’s willingness to play all sorts of different characters, Butler said bringing Jackman into the fold on Missing Link was an easy decision.

The biggest thing he brought to the film, and it wasn’t really a surprise, but it was why I hired him, was the fact that Sir Lionel’s character is flawed. He’s self-centered and arrogant, but he becomes a much better character on his journey through the movie, Butler said. That’s why Hugh Jackman was vital to me. He’s so effortlessly charming that even when he’s doing bad things, you kind of like him. I knew I needed someone like that to play this character because you need to be on his side from the first step of his journey all the way through to the end.

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2019 DirectConversations.com

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Movie Review: ‘Missing Link’ an amazing discovery

“Missing Link” (PG)

The stop-motion animation wizards at LAIKA have kept their winning streak alive at five with “Missing Link, ” — a visually stunning, enormously entertaining adventure comedy about a worldwide adventurer who helps a lonely bigfoot-like creature in the Pacific Northwest travel halfway across the world to the Himalayas and Shangri La so he can find others of his own kind and hopefully find the companionship and acceptance he’s been longing for.

While “Missing Link” might not have as much story depth as previous LAIKA films like “ParaNorman” and “Kubo and the Two Strings,” it definitely has lots of humor and plenty of heart, and great voice performances by Hugh Jackman, Zoe Saldana, Zach Galifiankis Timothy Olyphant and Emma Thompson.

Most importantly, though, the stop-motion animation is absolutely jaw-dropping and the sets are stunning, because almost everything you see apart from a few computer generated backgrounds is real. It’s one of the best movies of the year so far.

Lammometer: 9 (out of 10).

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2019 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie review: ‘Avengers: Infinity War’ falls short of hype

“Avengers: Infinity War” (PG-13)

Almost 10 years since the debut of “Iron Man” and the birth of the Marvel Cinematic Universe under the auspices of Marvel Studios, the long-awaited gathering of Earth’s Mightiest Heroes and beyond are assembling for “Avengers: Infinity War,” an ambitious yet ultimately underwhelming superhero extravaganza. While the gathering of nearly two dozen Avengers worked wonders for “Captain America: Civil War” in 2016, the addition the Guardians of the Galaxy and the full reveal of the cosmic supervillain Thanos has led to an overstuffed film that is forced to water down even the most basic of a plotline as it trudges through its 2 hour, 29 minute run time.

The set-up for “Avengers: Infinity War” has been a long-time coming: Thanos (the voice of Josh Brolin), the all-powerful alien hell-bent on destruction who was first introduced in the after-credits scene in 2012’s “The Avengers,” is on a straight-forward mission. He possesses a gauntlet that has room to hold six Infinity Stones – the combination of which will give him the power to wipe out billions of beings in the universe. Some of the stones are hidden in distant worlds, but two that he is seeking are in the possession of a pair of superheroes on Earth, which means the Avengers, who were left fractured by different ideologies at the end of “Captain America: Civil War,” must regroup if they’re to thwart Thanos’ plan. That means sacrifices will undoubtedly be made, changing the makeup of humanity’s greatest guardians forever.


VIDEO: Watch Tim’s review with Zac Lashway on “KARE 11 News at 11.”

Directed by brothers Anthony and Joe Russo, perhaps the biggest obstacle “Avengers: Infinity War” faces is trying to find a meaningful way to incorporate several iconic characters under one giant umbrella without cheating viewers of brilliance several of the superheroes showed us in their individual films. The directing duo does their best by breaking the conglomerate into smaller teams, but the problem there is, some groups and subplots far stronger than others.

While the roster of actors for the film boasts talent across the board (among the cavalcade of stars are Chris Evans, Chris Hemsworth, Scarlett Johansson, Chadwick Boseman, Tom Hiddleston, Chris Pratt and Zoe Saldana), it no doubt is a tough act to follow the always-great Robert Downey Jr. as Tony Stark/Iron Man, who along with Tom Holland (Peter Parker/Spider-Man) and Benedict Cumberbatch (Doctor Strange), Mark Ruffalo (Bruce Banner/Hulk) and Benedict Wong (Dr. Strange’s assistant Wong) — who provide the film a stellar action segment early on. Naturally, a film is going to suffer when all the air is let out of that balloon and we don’t hear from the group for at least another half-hour, which contributes to the film’s pacing problem.

Is “Infinity War” a disaster? Not by any means, it just feels like Marvel Studios has finally pushed its luck too far and produced an uneven film that has far too many peaks and valleys, occasionally made confusing by the introduction of new worlds that will be lost on everybody in the audience apart from the faithful readers of the original Marvel comic books. True, the visuals are spectacular as expected in “Infinity War,” but long gone are the days where audiences can merely be wowed by eye candy alone.

One sensibility “Infinity War” has maintained, fortunately, is the sense of humor that has been a benchmark for most of the Marvel movies, and there are plenty of laugh-out-loud moments in the film. That’s a good thing considering “Infinity War” is by far the darkest Marvel Studios film to date, where the teases of major characters dying are finally realized. Thanos by far is Marvel’s most ruthless villain to date, and he doesn’t think twice about dispatching his adversaries in quick and decisive manner. In an odd sort of way, though, the quick deaths will make audiences feel cheated because after knowing some of these characters for so long, you’d expect much more fanfare in their exits than you actually end up getting.

There’s one other issue with the film, which won’t be revealed here, regarding one of the Infinity Stones and its power. It will no doubt be addressed in the untitled fourth chapter of “The Avengers” set for release a year from now, and it’s a plot detail so crucial that it could end up making “Infinity War” seem irrelevant. With any luck, Marvel Studios will hold steady and continue the path this storyline is on if they want “Infinity War” to hold a significant place in the studio’s short, but illustrious history, no matter how lesser of a film it already is compared its predecessors. Ultimately, the willingness to embrace change, no matter how dark it is, is the best thing “Infinity War” has going for it.

Lammometer: 6 (out of 10)

AUDIO: Tim reviews “Avengers: Infinity War” with Tom Barnard on “The KQ Morning Show” (segment begins 2:30 in).

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie review: ‘Guardians of the Galaxy Vol. 2’ rivals original

“Guardians of the Galaxy Vol. 2” (PG-13) 

The quirkiest antiheroes in the universe are back and funnier than ever in “Guardians of the Galaxy Vol. 2,” a sequel that often times matches the greatness of the original if not exceeds it.

The whole crew — Star-Lord (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (voice of Bradley Cooper) and Groot (voice of Vin Diesel) — are back, this time to encounter Star-Lord’s long-lost father, Ego (Kurt Russell).

Listen to Tim’s review of “Guardians of the Galaxy Vol. 2” on “The KQ 92 Morning Show” with Tom Barnard.

While writer-director James Gunn’s film gets serious at times as it confronts family issues in and outside of the core group, Bautista and Cooper are laugh-out funny throughout, and easily keep the film from being dragged into the doldrums.

“Vol. 2” has it all: The special effects are beyond compare, the action is engaging and most important of all, some big twists make the film unexpectedly poignant.

Like the first “Guardians” film, “Vol. 2” is loaded with nostalgic songs from the 1970s, which once again sets the perfect tone during the entire picture. Be sure to stick around at the very end as there are not one or two, but five post-credits scenes. “Guardians of the Galaxy Vol. 3” is already in the works, and it can’t come soon enough.

Lammometer: 8 (out of 10)

Watch Tim’s review of “Guardians of the Galaxy Vol. 2” with Alicia Lewis on KARE 11.