“Long Shot” (R)
Charlize Theron and Seth Rogen make for appealing candidates, romantic comedy-wise, in “Long Shot,” an oftentimes funny, sometimes heartfelt, sometimes preachy and sometimes gross-out tale set amid the wishy-washy world of United States politics.
Theron plays U.S. Secretary of State Charlotte Field, a rising political star who plans on announcing her candidacy for the 2020 presidential election after a whirlwind, worldwide tour touting her global environmental initiative. Working with image and message consultants to bolster her appeal, Charlotte realizes she could use help interjecting a bit of comedy into her speeches, so he hires on a whim controversial journalist Fred Flarsky (Rogen) with a penchant for flying off the cuff. Even though his behavior, temperament and rage against the government and corporate machines make Fred a risk, Charlotte trusts her instincts because as a teenage girl, she used to babysit Fred as an adolescent.
For as odd a couple as Charlotte and Fred seem, Theron and Rogen have a surprisingly good chemistry, both comedically and romantically in “Long Shot.” The big issue is that while Theron continues to prove to her talents in different genres, Rogen, while funny, seems to play the same role of the stoner bud once again.
For a film about politics, “Long Shot” manages to mostly steer clear of the scumbaggery that pollutes today’s political climate, creating an almost idyllic world where politicians almost act like civil human beings. That’s not to say director Jonathan Levine doesn’t make the GOP a punching bag time and again throughout the film – or at least the party’s cable news supporter, Fox News (thinly veiled here as The Wembley Network). On the flip side, however, “Long Shot” introduces a positive Republican character with Christian values who puts a far-left extremist in his place — who effectively argues that Democrats and Republicans simply need to learn how to compromise to manifest the ideal notion of politicians actually getting work done on behalf of the people that elected them.
With a semi-fresh approach to the way politics are presented (Charlotte is not a complete idealist – she knows the system is deeply flawed if not outright crooked, and full-realizes that she needs to play the game in order to see her vision through), the story on which the foundation of “Long Shot” rests – the romance – is hopelessly predictable. “Long Shot” is an enjoyable film to be sure, it’s just doesn’t rise to anything special in the sea of cookie-cutter plots that have populated the romantic comedy genre for decades.
Levine, Rogan and Theron (who also serve as producers on the film) certainly give it their best to separate itself from other romantic comedies, particularly with the interjection of reckless drug use and graphic sexual humor into the third act, a move that ultimately causes “Long Shot” to lose any shred of believability as the film wraps up.
True, the scenes in the third act are very funny, but for a film that focuses on the serious matter of the long-overdue election of female president, you would have thought the filmmakers would have found a much more dignified way of going about it instead of hinging the endgame on a crude sex gag. As such, “Long Shot” gives the term “dirty politics” a whole new meaning, even if that wasn’t the film’s intention.
Lammometer: 7 (out of 10)
Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.
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