All posts by Tim Lammers

Interview: Garrett Hedlund, Jason Fuchs talk new ‘hook’ of iconic character in ‘Pan’

Levi Miller and Garrett Hedlund in 'Pan'

By Tim Lammers

When the characters where drawn out for the hotly anticipated “Peter Pan” film prequel “Pan,” filmmakers Joe Wright and Jason Fuchs, along with star Garrett Hedlund were pretty intent on giving the J.M. Barrie story’s iconic characters a different spin.

Since it’s not often such a time-honored tale gets a fully fleshed-out back story, Fuchs decided to give one core character, Captain Hook, a new, well, hook; and Hedlund was thrilled to be a part of it.

“It all starts with Jason. When I read the script, it examined how Hook and Peter were sort of forced to be allies. I thought it was a unique take on the story,” Hedlund told me in a recent phone conversation from New York. “I obviously wondered if people would accept the version of Hook without a hook, but since it’s a wonderful and interesting beginning, who better to create a world like this than Joe Wright? He’s one of the best directors out there.”

Hedlund said he loved how Wright brings “a beautiful, fantastical underbelly” to every film he makes.

“I love ‘Pride and Prejudice’ and ‘Anna Karenina,’ and he takes these stories that people know and love, and gives them the Joe Wright flair that’s so brave and unique. That’s why I so excited to see what he was going to do with the story of Peter Pan. For Joe Wright, I would have played Tinkerbell,” Hedlund said with a laugh.

Opening in theaters nationwide on Friday, “Pan” examines the origin story of Barrie’s classic character, Peter Pan (Levi Miller), a young boy given up by his mother (Amanda Seyfried) as an infant and raised in a London orphanage during World War II.

Whisked away from the orphanage in the middle of the night by pirates, Peter finds himself transported to the mysterious island of Neverland, where thousands of other “Lost Boys” are forced to mine the landscape for pixum, a gem which contains fairy dust and the key to keeping the evil ruler of the island, Blackbeard (Hugh Jackman), immortal. Fortunately for Peter, he gains a fast friend in James Hook (Hedlund) and together they team with island native Tiger Lily (Rooney Mara) to stop Blackbeard’s dastardly plans.

Fuchs in a separate interview told me that his inspiration for penning the prequel story was partially an ode to the musical prequel of another classic fantasy.

“‘Wicked’ in some ways is a semi-inspiration for ‘Pan,’ because I think what ‘Wicked’ does so beautifully is that it’s not a prequel for the sake of a prequel to tell more of a story that people like, it puts the characters that people know and love in a different context — it rephrases things,” Fuchs said. “‘Wicked’ gave us a better understanding of who those characters are in the original ‘Wizard of Oz,’ and for ‘Pan,’ my aspiration was to achieve the same thing. It’s not about filling in blanks, it is saying, ‘Hey, take a second look at Peter Pan, Hook, Tiger Lily and Tink,’ and walking out of this film, you may look at them very differently now that you have an understanding of where their journeys begin.”

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Glimpse of home

A native of Roseau, Minnesota, a northern town close to the Canadian border, Hedlund was asked by Wright to recall his farm boy upbringing to help determine and inform Hook as a character — which the actor was thrilled to do.

“When I first met with Joe, he revealed to me that he’d always seen Hook as somebody out an old John Ford film,” Hedlund recalled. “If he wasn’t in Neverland, he would have been happy being on a horse in some prairie. I thought that was quite brave and it wasn’t like any version of Hook that we’ve seen before. Ultimately, though, it’s an origins story, which reveals that there could something mischievous going on with this character and we’re yet to find out what that is.”

The 31-year-old actor’s upbringing also determined Hedlund’s accent for Hook, but for fans of Minnesotans being portrayed in film, don’t expect a “Yah, you betcha,” which Joel Coen and Ethan Coen joyfully brought to light in “Fargo.” (Ironically, Hedlund got a glimpse of home working with the Minnesota-born brothers a couple years back on “Inside Llewyn Davis.”)

“I was trying to make my tagline in ‘Pan’ be ‘Uff da,'” Hedlund said, laughing. “We’d miss something careening down on us and we’d escape the impact just in time, and I’d say ‘Uff da.’ Joe just fancied this sort of Scandinavian-route with Hook. Or maybe he just hasn’t heard too many Minnesotans speak before, and there was something about the way I spoke made him crack up and look at Hook in another light.”

Fuchs views Hedlund as much more than a hearty Midwesterner. In fact, the writer feels he represents all of us.

“Garrett is an extraordinary actor and the definition of an American movie star,” Fuchs said. “The guy just oozes charisma and a tremendously talented dude.”

Needless to say, Fuchs was happy when Hedlund, whose credits include the original film version of “Friday Night Lights,” as well as “Tron: Legacy” and “Unbroken,” committed to play his bold new version of Hook.

“When I conceived the character for this film, I knew that this wasn’t going to be the character that we know in J.M. Barrie’s book, this is someone that you find cut from the mold in ‘Treasure of the Sierra Madre’ or ‘Indiana Jones’ — a roguish leading man-type of adventure,” Fuchs said. “Also, he’s a man who’s quite selfish and hasn’t grown into the man he’s supposed to become. All of those things led us to things led us to the version of Hook you seen in the film. In a way, it’s quite different, yet it has the seeds of the Captain Hook we know and love, or love to hate.”

Movie reviews: ‘The Walk,’ ‘The Martian’

Philippe Petit (Joseph Gordon-Levitt) in TriStar Pictures' THE WALK.

By Tim Lammers

“The Walk” (PG) 4 stars (out of four)

Director Robert Zemeckis takes the art of filmmaking to dizzy new heights, quite literally, with “The Walk,” a brilliant dramatic recreation of Phillipe Petit’s death-defying wire walk between the Twin Towers of the World Trade Center in 1974. Even though the amazing feat was chronicled in the Oscar-winning 2008 documentary “Man on Wire” and we know how the story ends, Zemeckis — through the stellar acting of Joseph Gordon-Levitt as Petit — still expertly manages to place the viewer right on the wire with the famed wire walker and creates an air of uncertainty. Before that, Zemeckis recounts the extraordinary events leading up to the walk, ingeniously framing them within something you’d see in a heist film.

“The Walk” can only be seen on IMAX screens until its wide opening Oct. 9, and quite frankly it’s the only way to see it. It’s a film experience that might not play well for those afraid of heights, as Zemeckis creates one of the most intense film atmospheres in recent memory. While “The Walk” is an uplifting film, there’s obviously a looming sense of sadness as the vision of the Twin Towers recalls the tragic events of Sept. 11, 2001 — an event that Gordon-Levitt handles with heartbreaking subtlety with a beautiful soliloquy at the film’s conclusion. It’s one of the best films of the year.

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“The Martian” 3 1/2 stars (out of four)

The curse of lukewarm Red Planet movies is lifted by director Ridley Scott with “The Martian,” a smart, sci-fi epic that wonderfully mixes action, adventure, drama, comedy and great visual effects into a relatable narrative about a NASA astronaut stranded on Mars. A movie that respects its audiences’ intelligence, “The Martian” works real science into the story, yet presents it in a way that we can all understand. Following the brilliance of director Christopher Nolan’s “Interstellar,” Scott continues to raise the bar that future space films should strive for.

Unlike his classic space thriller “Alien,” and “Alien” prequel “Prometheus,” Scott’s monster in “The Martian” is time, as astronaut Mark Watney (Matt Damon) is left alone on Mars and presumed dead after a storm separates him from his crew. Featuring a stellar ensemble cast including the likes of Jessica Chastain, Michael Pena, Sebastian Stan, Jeff Daniels, Kristin Wiig, Sean Bean and Chiwetel Ejiofor as astronauts and NASA personnel scrambling to assemble a rescue plan, “The Martian” proves that Scott is once again at the top of his game.

Interview: Sebastian Stan swaps supervillian gear for spacesuit in ‘The Martian’

Matt Damon, Jessica Chastain, Sebastian Stan, Kate Mara and Aksel Hennie in 'The Martian'

By Tim Lammers

Although he’s been in the movie and television business the past 12 years, the last four have been especially eventful for Sebastian Stan, morphing from good guy Bucky Barnes to the villain The Winter Soldier in the “Captain America” movies, and playing Sigourney Weaver’s son in the acclaimed USA Network miniseries “Political Animals.”

Given his role opposite Weaver, though, makes you wonder if the 33-year-old actor has a secret agenda to work with the people who brought the sci-fi classic “Alien” to life — including Ridley Scott, who directed Stan in his latest film, “The Martian.”

“I didn’t think of that at all. I should have said that to Ridley when we were shooting. I didn’t even think about Sigourney,” Stan told me with a laugh in a recent phone conversation from Toronto. “But now I should try (to work with everyone). It was a good cast.”

Opening in theaters nationwide on Friday, “The Martian” stars Matt Damon as Mark Watney, an astronaut who is separated from his crew during a mission on Mars and presumed dead after his fellow astronauts evacuate the planet. Watney is very much alive, though, and with a base camp and limited supplies, must find a way to establish communication with NASA on Earth and find a way to survive for months if the agency is to approve a rescue mission.

Stan plays Chris Beck, who with his fellow astronauts (Jessica Chastain, Michael Pena, Kate Mara and Aksel Hennie) must decide to defy NASA’s orders and commit mutiny by turning around their ship to return to Mars and save Watney.

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In order for the rescue mission to work, the crew members have to be 100 percent on board with the plan, or the already dangerous plan will put Watney in greater peril. Stan said that the reason that the crew seems so unified in the film is that the actors are also 100 percent committed to what they’re doing in their characterizations, which made shooting the scenes all the more exciting.

“It is about commitment, and that’s why it works with this group. They’re so versatile and not afraid to take chances,” Stan said. “Jessica Chastain, Michael Pena — everybody — they elevate you when they’re around you. It makes you realize, ‘I’m a better actor because of these guys.'”

Also making Stan feel like he was in the moment was Scott’s insistence — just like his other films — that he used practical special effects as much as possible.

“We really had a set to work with — it wasn’t just green screen — we really wore those astronaut uniforms and the ship was very detailed and intricate, and built from scratch,” Stan said. “Ridley and the filmmakers constantly spoke with NASA to finalize everything, including the overall look of the astronauts. It always pulls me in more when I watch a movie and I know that there isn’t that much CGI in it. It’s crazy to think that ‘The Martian’ didn’t have that much CGI.”

“The Martian” was almost an exercise in wish fulfillment for Romania native, who wanted to be astronaut as a child. But Stan, who moved with his mother to New York at age 12, said, audience members don’t have to have their sights set on the stars to relate to “The Martian.”

“The movie has right amount of humor and suspense, and you invested when you’re watching the film,” Stan said. “It feels very grounded and there’s an everyman feeling in Matt Damon’s character, just because he’s so relatable.”

Stan, who also recently starred opposite Meryl Streep in the music-themed family drama “Ricki and the Flash,” is currently reprising his role as The Winter Soldier in the hotly anticipated Marvel superhero sequel “Captain America: Civil War.” Look for that to hit theaters in May.

Interview: Alfre Woodard says ‘Mississippi Grind’ was sure bet

'Mississippi Grind' stars Ben Mendelsohn, Ryan Reynolds and Alfre Woodard

By Tim Lammers

Alfre Woodard’s presence has dominated films and television for more than three and a half decades now — all the way from her Oscar-nominated role in the 1984 biographical drama “Cross Creek” to 1992’s acclaimed drama “Passion Fish” to the 1996 crime thriller “Primal Fear” — and more recently on TV with starring turns in such hit series as “Desperate Housewives,” “True Blood” and “State of Affairs.”

Woodard has also proven, though, that a little of her can go a long way, including small but memorable  roles in the Oscar-winning biographical drama “12 Years a Slave” and in the new gambling addiction drama “Mississippi Grind.”

“I tell people that I’m in the film, but once you see me, don’t look for me — if you keep looking for me you’ll miss the whole movie,” Woodard said, laughing, in a recent phone conversation from New York.

In “Mississippi Grind,” which is expanding to more theaters nationwide Friday, Ben Mendelsohn plays Gerry, an addicted gambler who experiences a reversal of fortune when he hits the road on a poker run with Curtis, a successful, charismatic card player who appears to be his good luck charm. Woodard plays Sam, a bookmaker who ominously tells Gerry that the load of money he owes her is due in a matter of days with no hopes of extending the deadline.

While Woodard is only featured in one scene in the film, the 62-year-old Tulsa, Oklahoma, native said her attraction to the project wasn’t so much about the size of  her role as it was who she was acting with.

“The reason to go to work for one scene depends on who that scene is with, and this time it was Ben,” Woodard explained. “It was just the two of us and the scene was well-written. Ben was really the draw. It’s also why I did the one scene in ’12 Years a Slave.’ I wanted to have the chance to work with Steve McQueen, even if it was only for half a day. That’s how I choose the work. It’s really about who I get to create with. If we deserve a chance to be in the same space, I don’t want to pass it up.”

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Woodward couldn’t say enough great things about Mendelsohn — a veteran Australian-born actor who in has been featured in such films as the 2012 Christopher Nolan blockbuster “The Dark Knight Rises” and the riveting 2010 Aussie crime thriller “Animal Kingdom” — and who was nominated this year for a Best Supporting Actor Emmy for his role in the Netflix dramatic thriller “Bloodline.”

“I don’t think he gets the attention he deserves at all. You can’t get a better actor than Ben Mendelsohn. I put him in the same category as Michael Fassbender,” Woodard said of the “12 Years a Slave” Best Supporting Actor Oscar nominee. “Fassbender gets the attention, but it’s almost as if the people who comment about him, still don’t get the complexity he brings to a role. He’s so believable at what he is that the average eye, or even the critical eye, don’t contemplate until afterwards that it was an actor doing the role. I also feel that way about Ben in everything he does. In ‘Mississippi Grind,’ he creates and fleshes out a character that is so flawed, but the humanity that he gives this person is beautiful at the same time.”

Woodard said she was thrilled with the way Mendelsohn made you care for Gerry — a gambling addict who just can’t get out of his own way.

“He really makes you realize that no matter who it is and what kind of dire straits they’re in, or what kind of bad deeds they may be up to, there’s a human being there,” Woodard said. “It had to be Ben playing the role or we wouldn’t have gotten anything like that at all.”

Like Mendelsohn, Woodard will soon be joining the Netflix ranks in the role of Harlem politician Mariah Dillard in the Marvel series “Luke Cage.” The 13-episode series is set to start streaming next year.