All posts by Tim Lammers

Interview: Bruce Campbell talks ‘Last Fan Standing,’ ‘Ash Vs. Evil Dead’

Bruce Campbell 2

By Tim Lammers

Bruce Campbell, one of biggest attractions at Wizard World’s fan conventions, is turning the spotlight on the people who’ve showed up to support his work over the years – and he couldn’t be more thrilled.

Campbell, the star of the classic “Evil Dead” movie trilogy and such hit shows as “Xena: Warrior Princess,” “Jack of All Trades” and “Burn Notice,” has yet another new gig: the host of the new ConTV.com trivia game show “Last Fan Standing.” Debuting Monday on the website and other mobile platforms, the show features four fans at different Wizard World conventions facing off against each other with their knowledge of movies and TV shows in the sci-fi, horror and fantasy genres. Through a process of elimination based on points earned, the last of the four contestants is deemed the “Last Fan Standing.”

Campbell is a very affable host during the show, and often takes the time to have fun with the contestants — not make fun of them.

“You have to appreciate their love of the genres. We’re just trying to give them a chance to shine,” Campbell told me in an interview Monday. “There’s a lot of introverts who come to these things. Inside they’re dying because they want to talk about things, and in some cases, they can’t. But with the show, we’re hauling them up on stage and people are clapping, and we’re giving them prizes and stuff like that. It’s a special time for people who don’t usually get in the spotlight. They spend their whole lives looking at people in the spotlight, so with the show, we’re turning the spotlight on them. I think they’re enjoying the hell out of it.”

Campbell, who said he’s appeared at “dozens upon dozens” conventions since 1998, noted that he doesn’t take his fans for granted, mainly because he wouldn’t be where he is today without them.

“Harrison Ford was just quoted as saying ‘I don’t get this whole fan thing,’ and I’m like, ‘Well, Harrison, maybe you should get this whole fan thing.’ People are obsessed about certain things. Once you get into sci-fi, horror or fantasy, fans can let their imaginations go wild,” Campbell said.

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Having witnessed their interactions with fans at convention appearances, Campbell said he’s been very impressed with the way cast members from that monstrous zombie TV show on AMC conduct themselves with people.

“When Norman Reedus from ‘The Walking Dead’ goes to these Wizard World conventions, he is frickin’ Elvis Presley,” Campbell said. “People are bringing him stuff, and you look at his table when he’s done signing, and it looks like someone died or something. They bring him candles and gifts and strange oddities, and he’s a very gracious participant in these events. Not every actor likes being there.”

Campbell said the first season of “Last Fan Standing” shows were shot at Wizard World conventions in Louisiana and Oregon, and given the company’s ever-expanding in presence (Minneapolis, for example, was one of the cities to add a Comic-Con last year), the “Last Fan Standing” crew could very well be visiting more places in seasons to come.

“We were able to get a whole season done in two cities, because we found that it was more cost-effective to shoot more than one show per city,” Campbell said. “So if you’re dragging your crew out to do a show, you might as well do two shows a day. We did four shows in New Orleans and six in Portland and we were done. Now, granted, if the show is a success, I have five other events this year that I’m booked at, and the show could very easily go to any of those.”

Campbell said he loves how “Last Fan Standing” is shot, which bypasses all the formalities of other game shows.

“Fans walk through the doors and nobody is screened. We don’t do the crap that they do for all those other TV shows,” Campbell said. “Everyone gets a clicker and a voting device, and four people get weeded out of that crowd. Then I show up and they go at it.”

‘Dead’ again

Campbell told me he’s revved up to start filming his new STARZ TV series, “Ash Vs. Evil Dead,” starting this April in New Zealand. The series, based on his Ash character from his two “Evil Dead” movies and “Army of Darkness,” will find the wise-cracking, square-jawed anti-hero as a nomad living in a trailer park in the Midwest. Apart from the news of the addition of a couple younger co-stars who will play his sidekicks, Campbell couldn’t reveal too many details of the show – apart from the fact that Ash is reluctant to face the evil Deadites once again.

“When the evil rises to test the mettle of the average man every so often, Ash is our average man,” Campbell said. “It’s a journey he doesn’t want to undertake. It’s very much a Joseph Campbell’s hero’s story that we hope to carry over multiple years to finally flesh Ash’s character out. He’s never really been fleshed out. He’s only been in six hours of material. After this first season, you’re going to have 10 hours of brand-new Ash. He’s going to have to talk and things like that.”

While Campbell and “Evil Dead” co-creator and director Sam Raimi have been bugged for years to do a fourth “Dead” movie, the actor/producer said doing a TV show makes the most sense. The great thing for fans is in addition to Ash’s return, Raimi is directing the first episode of the series, set for debut later this year.

“We’ll be coming into fans’ living rooms every week with new stuff. I don’t know how they would want anything more than that,” Campbell said. “They’ll be getting 10 fresh hours a year of ‘Evil Dead.’ They never got that before. This is going to be a feast. They can gorge themselves on this show now.”

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Reviews: ‘Chappie,’ ‘Unfinished Business’

'Chappie'  (Sony Pictures)

“Chappie” (R) 1 star (out of four)

There’s no other way of putting it: “Chappie” is crappie.

After a brilliant debut with the Best Picture Oscar nominee “District 9” and the sharp downward turn with the preachy, universal health care polemic “Elysium,” writer-director Neill Blomkamp has sunk to even deeper depths with “Chappie” – a ridiculous artificial intelligence action thriller that makes the sci-fi disaster “Transcendence” look, well, intelligent.

While the film’s trailers and TV spots highlight such A-listers as Hugh Jackman and Sigourney Weaver, the true star of “Chappie” turns out being the voice and motion-capture movement of Sharlto Copley, the lead in “District 9” and bad guy opposite Matt Damon in “Elysium.” Set in the near future in Johannesburg, South Africa (the same setting as “District 9”), the streets are policed by robots invented by  Deon (Dev Patel), a young scientist on the verge of creating artificial intelligence.

When Deon finally cracks the AI code, he uploads the technology into a damaged robot (Copley), only to lose control of the now sentient being to a small gang of thugs looking to gain the upper hand on police and other criminals. Standing in their way, though, is Vincent (Jackman), a driven rival robot developer who will go to extreme lengths to put into play “The Moose,” a larger and much more lethal brand of law enforcement.

The sad part about “Chappie” is that Blomkamp wastes Patel, Jackman (in a supporting role) and Weaver (in a small role as the profits-driven CEO of the robotics company) in favor of South African rave-rappers Ninja and Yo-Landi Visser (of the group Die Antwoord), who dreadfully overact in their major roles as two of three gang members who educate the very impressionable Chappie in the ways of gang life and hip-hop slang.  And while Chappie at first leaves you feeling sorry for him in his infantile stages, by the time he quickly grows into an “adult” and starts swaggering around with bling around his neck, talking trash, shooting a gun sideways and grabbing his robotic crotch, the movie becomes laugh-out-loud funny, but in a bad way.

Half-heartedly  using the formula of “District 9,” and borrowing inspiration from “Short Circuit” and the original, classic 1987 version of “RoboCop” (Chappie in a sort of way mimics RoboCop, while The Moose is clearly ED-209), “Chappie’s” fatal flaw comes with Blomkamp’s decision to make the sentient robot his protagonist, instead of focusing on the dangers of artificial intelligence.  The movie is just a jumbled mess. At first, Blomkamp seems to satirize the gang-banger culture, only to eventually pander to and glorify it, as if he somehow hopes we’ll identify with a robot as a street thug merely because he’s developed feelings.  There’s a weakened battery that’s keeping Chappie “alive” throughout the course of the film, and it doesn’t die out quick enough.

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Reviewed in brief:

“Unfinished Business” (R) 1 star (out of four)

Vince Vaughn leads a trio of struggling businessmen who travel overseas in a desperate bid to score a deal that will save their small company. The outcome is predictable from the get-go, and in between, we’re treated to 90 minutes of one horribly unfunny scenario after the other. Vaughn and his co-stars Tom Wilkinson and Dave Franco are talented enough, but the actors – along with James Marsden, Nick Frost and Sienna Miller in supporting roles – are totally wasted here. “Unfinished Business” is a movie that had no business being made.

Tim Lammers is a veteran entertainment reporter and a member of the Broadcast Film Critics Association, and annually votes on the Critics Choice Movie Awards. Locally, he reviews films for “KARE 11 News at 11” and various Minnesota radio stations.

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Remembering Leonard Nimoy

Leonard Nimoy in 'Star Trek' 2

By Tim Lammers

Like millions of others, I was saddened to learn Friday that “Star Trek” star Leonard Nimoy died at 83. Nimoy, who of course, embodied Mr. Spock in the “Star Trek” TV series and many of the subsequent “Star Trek” movies, truly deserved his label as an icon, given the amount of impact he had on popular culture here and the world over for nearly five decades.

I had the opportunity to interview Nimoy one time over the years, and it couldn’t have been for a better project: J.J. Abrams’ reboot of the “Star Trek” movie franchise. A fascinating and charming gentleman, Nimoy shared with me in an interview for Internet Broadcasting his thoughts on passing Spock’s torch to Zachary Quinto, and how he played the future Spock (aka, Spock Prime) in the film felt in a way like a bookend to the role.

“I think that Spock and I have really merged. I’m totally comfortable with where I am and so is Spock,” Nimoy said. “Zachary is playing a character that still has to find himself, and he comes to a point at the end of this movie, which I think is just wonderful, where he takes the final step to becoming the Spock I played in the original series.”

Nimoy also shared with me his hopes of his longtime friend and co-star, William Shatner, somehow returning to the franchise.

“Bill Shatner and I are very close friends and we see each other quite regularly, and we get together with our wives have dinner quite frequently,” said Nimoy, who was 78 at the time of the interview. “I’m sorry he’s not in this film. I hope that it’s pretty clear that it would have been difficult to include him because of the backstory on Kirk. They did offer him a role in this movie, but I guess he didn’t believe it was appropriate for him to be doing what they offered … I had no idea what the role was. Bill and I have not talked about it. It’s just understood that this is a movie that he’s not in.”

Read the entire interview HERE.

Live long and prosper, Mr. Nimoy. The universe with be a lot less interesting without you in it.

Movie reviews: ‘Focus,’ ‘The Lazarus Effect’

Will Smith and Margot Robbie in 'Focus'

“Focus” (R) 2 1/2 stars (out of four)

It’s not a full recovery, but Will Smith is definitely looking sharp again following his sci-fi disaster “After Earth” with “Focus,” a con-game thriller that’s fuzzy around the edges but overall comes out a winner.

Smith plays Nicky, the head of a pick-pocket ring who recruits Jess (Margot Robbie) to become a part of his crew after she unsuccessfully tries to pull a con on him at a hotel. A quick study, Jess also falls for Nicky at the same time, and the expert and protégé soon become lovers.

After using her in an elaborate con that takes a wealthy gambler for a ride through the power of suggestion, Nicky unceremoniously dumps Jess, only to cross paths with her three years later as he launches a plan for the biggest swindle of his life. The problem is, Nicky seems to still have feelings for his old love, which only complicates his scheme – and naturally, things can turn deadly if everything doesn’t go off just right.

Co-writers and directors Glenn Ficcara and John Requa have the wheels constantly turning in “Focus,” which not surprisingly as a con-artist movie has plot twists bubbling under the surface the entire time. And while the payoff takes a bit of time to unfold, it’s still fun trying to figure out exactly what kind of con is going to be pulled off and who exactly is going to execute it, even if it’s done in a cold and calculated manner.

While the ultimate con is fully explained by the end of “Focus,” the big mystery that remains for audiences is how Nicky and Jess in reality could possibly even like one other, considering the mean-spirited stunts each of them will employ to get and stay ahead in the game. But as a movie couple, Smith and Robbie (Leonardo DiCaprio’s wife in “The Wolf of Wall Street”) definitely work well together, which ultimately makes us suckers because we want to root for them despite their major flaws. In a way, the con in “Focus” is much more on the audience than it is the people marked for swindle in the film.

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“The Lazarus Effect” (PG-13) 2 1/2 stars (out of four)

Stupid human characters aside — almost a prerequisite for horror movies — the new back-from-the-dead thriller “The Lazarus Effect” is good for what it is. An amalgam of several different scary movies and mind-bending thrillers, “Lazarus” gets it life from a good cast and examination of concepts not often found in your average horror movie.

Olivia Wilde and Mark Duplass star as Zoe and Frank, who along with fellow scientists Niko (Donald Glover) and Clay (“American Horror Story” standout Evan Peters) are working on a serum that is meant sustain brain function in clinically dead patients while they are being revived.

While experimenting on a dead dog, the team discovers that the substance – dubbed the “Lazarus Serum” – not only sustains brain function but enhances it, gives the animal powers that can’t fully be explained. Despite the obvious risks, Frank uses the serum on Zoe after she is electrocuted in a follow-up experiment, spawning frightening, unintended consequences that not only endanger Zoe, but her fellow scientists.

“The Lazarus Effect” seems to borrow its inspiration from several different movies, from “Flatliners,” “Pet Sematary” and “The Shining,” to any number of Freddy Krueger’s “Nightmare on Elm Street” movies and “X-Men: The Last Stand” — as Zoe’s behavior tends to mimic Dark Phoenix during her fits of uncontrollable fury.

More than anything, though, “The Lazarus Effect” examines, like in the Scarlett Johansson summer blockbuster “Lucy,” the potential of the brain’s power if used beyond 10 percent of its capacity.

The result is much less outlandish than the lengths we see in “Lucy,” as Zoe not only can move items and read other people’s thoughts, but manage to possess people’s minds to the extent that they’re placed in the nightmare that’s been haunting her since she was a child. The notion the film examines is that hell after death is essentially the person’s worst nightmare suffered during their life — and Zoe is trapped in it because the Lazarus Serum prevented her from dying and passing through the gateway to the other side.

Aside from a big twist and the mind-bending aspects of the narrative, “The Lazarus Effect” on the whole is fairly predictable. There are plenty of jump-out-at-you moments (some you will see coming, others will take you off-guard), and the naturally, the door is left open for a sequel. Despite its faults, horror fans will still likely get a charge of “The Lazarus Effect,” which is mostly void of blood and gore because of its PG-13 rating. Ultimately, “The Lazarus Effect” is sort of a thinking person’s horror movie, even though its characters do the dumbest things imaginable in the name of science.

Tim Lammers is a veteran entertainment reporter and a member of the Broadcast Film Critics Association, and annually votes on the Critics Choice Movie Awards. Locally, he reviews films for “KARE 11 News at 11” and various Minnesota radio stations.

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