Category Archives: Movie Reviews

Movie review: Arnold-less ‘The Predator’ is back, still entertaining

“The Predator” (R)

Arnold Schwarzenegger is not back in “The Predator” a sequel – even though it’s essentially a reboot – of the movie series that began with Schwarzenegger, continued with Danny Glover and then joined Alien for a couple movies before attempting a comeback in 2010. The big difference with this comeback is that Shane Black, who had a brief role in original but went on to a more successful career as a writer and director (“Kiss Kiss Bang Bang,” “Iron Man 3”), is in charge of the new film, and with a talent of writing comedic dialogue, makes “The Predator” very funny at times … an element the original film didn’t have much of.

“The Predator” stars Boyd Holbrook (“Narcos,” “Logan”) as Quinn McKenna, a military operative who witnesses the crash of a spaceship with a Predator amidst a drug smuggling operation, who quickly lays waste to everything in its way, including Quinn’s entire unit. Convinced the government won’t believe him, Quinn takes some of the Predator’s weaponized armor, which he ships to the home of his estranged wife (Yvonne Strahovski) and son (Jacob Tremblay).


AUDIO: Tim reviews “The Predator” and talks Jesse “I ain’t got time to bleed” Ventura with Tom Barnard on “The KQ Morning Show.” Click to listen!

Determined to keep the crash off the books by any means necessary, a top government agent (Sterling K. Brown) soon finds that he has a bigger problem when a second, since Quinn’s son activates a beacon that alerts the Predator’s location. As a result, a larger and even deadlier Predator arrives, and his actions reveal a much bigger plan for the alien creatures, and it’s up to Quinn and a band of fellow solider outcasts to stop it from happening.

While the setup is very familiar, Black’s addition of humor to the film (sometimes through dialogue, other times through over-the-top gore), along with some impressive special effects and a solid ensemble cast (including Keegan-Michael Key and Thomas Jane) more than make “The Predator” a worthwhile sequel. Plus, there’s no denying that the Predator after all these years is still a fantastic-looking creature that definitely commands all of the attention it attracts.

Naturally, fans of the original film will be disappointed at the lack of a Schwarzenegger cameo, even though he was reportedly offered one. That’s not to say he can’t appear in another “Predator” sequel, since Black has left the door wide open for another film. Until then, the new “Predator” is a nice welcome back to the franchise.

Lammometer: 7 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie review: ‘The Nun’ is thrilling, chilling addition to ‘Conjuring’ Universe

“The Nun” (R)

“The Conjuring” Universe makes it five-for-five in the winner’s circle with “The Nun,” a top-notch horror thriller and excellent kickoff to the fall movie season. Like its scary predecessors, “The Nun” successfully continues to build a connected universe of horror films rooted in the true-life case studies of famed paranormal investigators Ed and Lorraine Warren, all while establishing its own unique identity.

In this case, the story of “The Nun” is set in the 1950s, yet its Romanian backdrop gives the film a Gothic atmosphere and tone of dread bubbling underneath the surface that conjures up the greatness of the Hammer Horror films from the 1960s.

Interview flashback: Patrick Wilson talks ‘The Conjuring’

The said title character in “The Nun” made her unforgettable debut in the form of a ghoulish “Night Gallery”-like painting in “The Conjuring 2” in 2016, where the demon spirit appears to haunt the Warren family. The indelible supporting character made such an enormous impact that producer James Wan brought director Corin Hardy and scribe Gary Dauberman (“Annabelle,” “Annabelle: Creation” and “It”) on-board to flesh out a back story, set in a remote Romanian abbey where the mysterious suicide of a young nun has attracted the attention of the Vatican.

Summoned by Vatican officials to investigate the death, Father Burke (Demian Bichir) and a novitiate, Sister Irene (Taissa Farmiga) soon find out that evil spirit Valak (Bonnie Aarons) is lurking in the cloistered abbey, and the two have nothing more than their faith to protect themselves from the entity, which has manifested itself in the shape of a nun.

“The Nun” is terrific from the get-go, as Hardy establishes a foreboding tone that escalates in tension broken up only jump scares and welcome bits of comic relief. It’s the marriage of those moments in the film that contributes to the complete theatrical experience, and as a result its a blast to watch audience members jump, laugh or shriek in unison during the films scariest and/or funniest moments.

Best of all, though, Dauberman slyly implements a plot turn that ties “The Nun” into the first “Conjuring,” which brings the tale of “The Nun” full-circle. Of course, since “Annabelle: Creation” showed that we can get back stories to other back stories of characters, hopefully the continued success of “The Conjuring” Universe will allow for yet another tale of “The Nun” — and it can’t come soon enough.

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie review: Rude, crude ‘The Happytime Murders’ makes its case

“The Happytime Murders” (R)

Think a “Muppet” movie, where humans and puppets co-exist, except the movie is an F-bomb-laced, rude and crude murder mystery and you get “The Happytime Murders,” the latest R-rated comedy starring Melissa McCarthy.

“The Happytime Murders” takes its name from a “The Happytime Gang,” a once a popular puppet TV show. Years after the show ended its run, most of the puppet stars are down in and out in Los Angeles, and even worse, somebody looking for vengeance is killing the cast members one by one in a puff of smoke, felt and feathers. Looking to solve the mystery as to why, a human investigator (McCarthy) teams up with her former detective partner (“Muppets” puppeteer/voice actor Bill Barretta) — who is a puppet, to get to the bottom of what is dubbed the Happytime Murders.


AUDIO: Hear Tim’s review of “The Happytime Murders” with Tom Barnard on “The KQ Morning Show.”

A send-up of buddy cop comedies and gumshoe murder mysteries, “The Happytime Murders” is very raunchy, and while only half the lines work, when they do, it’s very funny. Plus, as a spoof movie, the story is very well constructed. It’s politically incorrect, like “Team America: World Police” and “Sausage Party,” where a genre and characters normally associated with kid entertainment are peppered it with filthy language and rude and crude physical humor.

McCarthy’s good as usual in “The Happytime Murders” but she’s been funnier, maybe because it seems her F-bomb-slinging detective feels too close to her role opposite Sandra Bullock in director Paul Feig’s uproarious comedy “The Heat.” The movie also stars Elizabeth Banks, Maya Rudolph, Joel McHale and Leslie David Baker (Stanley on “The Office”) who all deliver as expected, but the movie really belongs the puppets and the people behind them, who show us how it was all done during the end credits.

Perhaps the most amusing aspect of “The Happytime Murders” is that it’s directed by Brian Henson, the son of the late Muppets creator Jim Henson who serves to this day as chairman of the The Jim Henson Company. Clearly has a sense of humor when it comes with messing with the clean image of the Muppets; in fact, the film’s production company, called Henson Alternative, suggests there’s more of this type of “Happytime” humor to come.

Lammometer: 6.5 (out of 10)


AUDIO: Hear Tim’s review of “The Happytime Murders” with Jordana Green and Paul Douglas on WCCO-AM Radio (segment begins 6:30 in).

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie review: Despite promise, ‘Mile 22’ runs short of expectations

“Mile 22” (R)

Despite its tried-and-true actor-director tandem of Mark Wahlberg and Peter Berg, “Mile 22” runs short of expectations following the team’s impressive previous efforts including “Lone Survivor,” “Deepwater Horizon” and “Patriots Day.” That’s not to say “Mile 22” is a bad film, just one that loses its way with an overdose of hyperkinetic action scenes that results in sensory overload.

Wahlberg stars as James Silva, a brilliant CIA operative whose complete lack of social skills allows him to complete his assignments with searing precision that’s uninhibited by emotion. Silva is exactly the man the CIA needs in charge of an off-the-books mission in Southeast Asia where his team needs to transport Li Noor (Iko Uwais) – a highly-valuable government asset who holds the key to saving the lives of millions – 22 miles to the pickup point where he can be safely escorted out of the country.


AUDIO: Hear Tim’s review of “Mile 22” with Tom Barnard on “The KQ Morning Show.”

However, since the information Noor has is so sensitive, the country he betrayed to get it wants him dead, turning his 22-mile route to safety into a war zone. Making matters worse, the plane that will extract Noor can only be on the ground for a 10-minute window to get the asset out of the country.

Ultimately, “Mile 22” is just another entry in the race against the clock action genre, with lots of non-stop if not relentless action, ultra-violent deaths of the good and bad guys, and a plotline held together with slender threads. Wahlberg is good as usual, but the character he plays, a brilliant operative with no social skills, will test your patience.

The film also stars Lauren Cohan, who shows tremendous promise outside of her role as Maggie in “The Walking Dead,” John Malkovich, who delivers as usual as the overseer of the mission, and former MMA star Ronda Rousey, who surprisingly doesn’t have any martial arts scenes. Instead, Uwais (of “The Raid” films) gets a spotlight to strut his martial arts prowess with several scenes that aren’t for the squeamish.

In an odd bit of timing, “Mile 22” comes out almost a year to the day after the 2017 hit comedy “The Hitman’s Bodyguard,” which features a similar premise of a highly-valuable government asset (Samuel L. Jackson) being escorted across an urban war zone by a former CIA operative (Ryan Reynolds). Because the stakes are much higher, and the tone is heavier, “Mile 22” isn’t exactly a repeat of that film, but the groundwork is definitely the same. The big difference, of course, is that “The Hitman’s Bodyguard,” also starring Elodie Yung, is a lot more entertaining and ultimately, hilarious, and would be a good substitute for those looking for a good chase thriller this weekend.

Lammometer: 6 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!