Category Archives: Movie Reviews

Movie review: Melissa McCarthy brings much-needed life, laughs to ‘Life of the Party’

‘Life of the Party’ (PG-13)

Melissa McCarthy brings plenty of life, love and laughs to “Life of the Party,” a feel-good comedy that marks her best collaboration yet with husband, co-writer and director Ben Falcone. Instead of going for the same bawdy, obnoxious comedy route that doomed their 2014 comedy “Tammy” and hampered their slightly-improved 2016 effort “The Boss,” the comedy star and her close collaborator opted for a softer and sweeter approach with the PG-13-rated “Life of the Party,” and as a result, the duo has finally found a winning combination.

McCarthy stars as Deanna, a sickly sweet-as-pie mom who is suddenly kicked to the curb by her longtime husband, Dan (Matt Walsh) immediately after they drop their daughter, Maddie (Molly Gordon) off for her senior year at college. Left with no home since Dan on the sly put the house in his name thanks to his new lover, a crafty real-estate mogul (Julie Bowen), Deanna is inspired to finish out the final year of college she never got around since she was pregnant with Maddie. So, in a bit of symmetry, Deanna returns to he alma mater where Maddie is now a senior and discovers times have changed quite a bit in the 20 years since she left the school to become a homemaker.


AUDIO: Tim reviews “Life of the Party” with Tom Barnard on “The KQ Morning Show” (segment begins 2:30 in).

While “Life of the Party” gets off to a slow start as McCarthy goes through the paces of a cheesy, out-of-touch mother who has an accent reminiscent of Frances McDormand’s Marge in “Fargo,” things quickly pick up when she engages in the fish-out-of-water antics that go with being a non-traditional 40-something student trying to fit in with a bunch of modern-day academics. Whether she’s well, partying, or having a romantic liaison with a much younger man, McCarthy’s natural gift for comedy kicks in, and she raises the game of her co-stars (including Gillian Jacobs – who is wonderful as a clueless student who returns to school after spending eight years in a coma – former Disney Channel star Debby Ryan playing against type and Luke Benward as Deanna’s new boy-toy).

McCarthy’s at her absolute best, though, in her laugh-out-loud hilarious scenes opposite her “Bridesmaids” alum Maya Rudolph (who plays Deanna’s best friend), as the pair’s naturally comedic yin and yang take “Life of the Party” to a whole new level. Quite simply, McCarthy and Rudolph need to work together more often – on second thought, make that every single project they sign up for. Watching them together is high comedy at its very best.

While “Life of the Party” isn’t nearly as polished as McCarthy’s films with director Paul Feig (“Bridesmaids,” “The Heat” and “Spy”), the film is a big step forward from what she and Falcone have done in the past. By going the PG-13 route (there’s not one F-bomb to be had in the entire film), McCarthy gets to show off the sort of sweet side that made her so lovable in her brilliant supporting turns in “Bridesmaids” and the Bill Murray comedy “St. Vincent.” That’s not to say there’s anything wrong with the bawdy humor and all the F-bombs her characters have slung around in her previous films, it’s just after so many times, McCarthy has put herself in danger of being typecast in the same sort of role.

Thankfully, McCarthy avoids that trap with “Life of the Party,” giving her career, ironically, new life and as a result, the relatable heart this film needed to succeed.

Lammometer: 7 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie review: ‘Avengers: Infinity War’ falls short of hype

“Avengers: Infinity War” (PG-13)

Almost 10 years since the debut of “Iron Man” and the birth of the Marvel Cinematic Universe under the auspices of Marvel Studios, the long-awaited gathering of Earth’s Mightiest Heroes and beyond are assembling for “Avengers: Infinity War,” an ambitious yet ultimately underwhelming superhero extravaganza. While the gathering of nearly two dozen Avengers worked wonders for “Captain America: Civil War” in 2016, the addition the Guardians of the Galaxy and the full reveal of the cosmic supervillain Thanos has led to an overstuffed film that is forced to water down even the most basic of a plotline as it trudges through its 2 hour, 29 minute run time.

The set-up for “Avengers: Infinity War” has been a long-time coming: Thanos (the voice of Josh Brolin), the all-powerful alien hell-bent on destruction who was first introduced in the after-credits scene in 2012’s “The Avengers,” is on a straight-forward mission. He possesses a gauntlet that has room to hold six Infinity Stones – the combination of which will give him the power to wipe out billions of beings in the universe. Some of the stones are hidden in distant worlds, but two that he is seeking are in the possession of a pair of superheroes on Earth, which means the Avengers, who were left fractured by different ideologies at the end of “Captain America: Civil War,” must regroup if they’re to thwart Thanos’ plan. That means sacrifices will undoubtedly be made, changing the makeup of humanity’s greatest guardians forever.


VIDEO: Watch Tim’s review with Zac Lashway on “KARE 11 News at 11.”

Directed by brothers Anthony and Joe Russo, perhaps the biggest obstacle “Avengers: Infinity War” faces is trying to find a meaningful way to incorporate several iconic characters under one giant umbrella without cheating viewers of brilliance several of the superheroes showed us in their individual films. The directing duo does their best by breaking the conglomerate into smaller teams, but the problem there is, some groups and subplots far stronger than others.

While the roster of actors for the film boasts talent across the board (among the cavalcade of stars are Chris Evans, Chris Hemsworth, Scarlett Johansson, Chadwick Boseman, Tom Hiddleston, Chris Pratt and Zoe Saldana), it no doubt is a tough act to follow the always-great Robert Downey Jr. as Tony Stark/Iron Man, who along with Tom Holland (Peter Parker/Spider-Man) and Benedict Cumberbatch (Doctor Strange), Mark Ruffalo (Bruce Banner/Hulk) and Benedict Wong (Dr. Strange’s assistant Wong) — who provide the film a stellar action segment early on. Naturally, a film is going to suffer when all the air is let out of that balloon and we don’t hear from the group for at least another half-hour, which contributes to the film’s pacing problem.

Is “Infinity War” a disaster? Not by any means, it just feels like Marvel Studios has finally pushed its luck too far and produced an uneven film that has far too many peaks and valleys, occasionally made confusing by the introduction of new worlds that will be lost on everybody in the audience apart from the faithful readers of the original Marvel comic books. True, the visuals are spectacular as expected in “Infinity War,” but long gone are the days where audiences can merely be wowed by eye candy alone.

One sensibility “Infinity War” has maintained, fortunately, is the sense of humor that has been a benchmark for most of the Marvel movies, and there are plenty of laugh-out-loud moments in the film. That’s a good thing considering “Infinity War” is by far the darkest Marvel Studios film to date, where the teases of major characters dying are finally realized. Thanos by far is Marvel’s most ruthless villain to date, and he doesn’t think twice about dispatching his adversaries in quick and decisive manner. In an odd sort of way, though, the quick deaths will make audiences feel cheated because after knowing some of these characters for so long, you’d expect much more fanfare in their exits than you actually end up getting.

There’s one other issue with the film, which won’t be revealed here, regarding one of the Infinity Stones and its power. It will no doubt be addressed in the untitled fourth chapter of “The Avengers” set for release a year from now, and it’s a plot detail so crucial that it could end up making “Infinity War” seem irrelevant. With any luck, Marvel Studios will hold steady and continue the path this storyline is on if they want “Infinity War” to hold a significant place in the studio’s short, but illustrious history, no matter how lesser of a film it already is compared its predecessors. Ultimately, the willingness to embrace change, no matter how dark it is, is the best thing “Infinity War” has going for it.

Lammometer: 6 (out of 10)

AUDIO: Tim reviews “Avengers: Infinity War” with Tom Barnard on “The KQ Morning Show” (segment begins 2:30 in).

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie review: ‘I Feel Pretty’ is pretty average

“I Feel Pretty” (PG-13)

After an impressive supporting turn in the military drama “Thank You for Your Service,” Amy Schumer has returned to comedy territory with “I Feel Pretty,” a mildly entertaining, light fantasy that’s far from the sort of raunchy humor that Schumer has come to be known for with her stand-up act and in films like “Trainwreck.” And while it’s great that Schumer is not relying on the same brand of ribald humor that helped her make her name, “I Feel Pretty” ultimately feels like the comedian is trying to find her way to a new, much milder type of comedy. Unfortunately, you get the feeling that it’s a type of comedy Schumer’s not entirely comfortable with it.

Schumer stars as Renee Bennett, a sheltered employee of an elite cosmetics comedy who lacks complete confidence in her looks. Yearning for the same sort of supermodel appearance that represents the face of the company she works for, Renee in a painful way gets her wish with a nasty crack on the head during power workout. When she awakens, she sees herself as the most beautiful woman in the world, although people’s perceptions — particularly snooty supermodels — of Renee haven’t changed; leaving the one-time wallflower the opportunity (albeit in a blissfully unaware way) to prove that true beauty lies in one’s confidence of themselves, and nothing more.

Especially to fans of the Farrelly brothers, “I Feel Pretty” will feel like the mirror opposite of “Shallow Hal,” the 2001 hit comedy where a shallow, single man (Jack Black) is hypnotized into seeing people’s “inner beauty,” thus completely changing the perceptions of other people around him. In comparison to that film alone, “I Feel Pretty” hardly feels original, although the message of the film — where beauty lies in confidence, is well-intended and should  be taken to heart.

The problem is, the  predictable nature and restraint Schumer imposes upon herself in “I Feel Pretty” does more harm than good. It’s a double-edged sword. One, while it’s great Schumer isn’t leaning on her brand of gross-out humor, you almost feel like “I Feel Pretty” could have benefited by just a little bit of it.

Thankfully, impressive supporting turns from the likes of Michelle Williams as the cosmetics company CEO,  Rory Scovel as Schumer’s love interest, and Busy Phillips and Aidy Bryant as her best friends all work to elevate the film, but just not to make “I Feel Pretty” anything more than a pedestrian comedy. Ultimately, “I Feel Pretty” is pretty average.

Lammometer: 5.5 (out of 10)


AUDIO: Listen to Tim’s review of the film with Tom Barnard on “The KQ Morning Show.”

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie review: ‘Rampage’ big, loud, chaotic but fun

“Rampage” (PG-13)

Following the worldwide blockbuster success of “Jumanji: Welcome to the Jungle,” Dwayne “The Rock” Johnson is back in action hero mode in “Rampage,” a big and loud yet entertaining giant monster movie that doesn’t quite live up the greatness of last year’s smash “Kong: Skull Island,” yet manages to deliver on the expectations of people looking for a mindless escape for a couple hours.

“Rampage” begins with an outlawed man-made pathogen infecting three inhabitants of a San Diego nature preserve – an albino gorilla, a wolf and a crocodile – which weaponizes their DNA and turns them into raging, mutated monsters that destroy everything living creature in their path. Continuing to increase in size and ability, only primatologist Davis Okoye (Johnson) and geneticist Dr. Kate Caldwell (Naomie Harris) – who has ties to the laboratory that created the pathogen – can prevent a catastrophe by obtaining an antidote that will calm the monsters’ raging tendencies.

Despite a ridiculous scenario and over-the-top action, “Rampage” is wildly entertaining, as it doesn’t pretend to be anything more than a popcorn movie intent on taking its audiences for a ride. The film reteams Johnson with his “San Andreas” and “Journey 2: The Mysterious Island” director Brad Peyton, and both clearly have the same vision to wow their audience with movies that revel in ridiculous premises. The film isn’t nearly as funny or inventive as Johnson’s “Jumanji: Welcome to the Jungle,” but it does have a fine share of unexpected humor to break up the action.

If there are any ties to the 8-bit 1980s arcade game it takes its name from, it’s only with the three creatures – George the gorilla, Ralph the wolf and Lizzie the crocodile – and how they wreak major havoc on buildings in a metropolis. Anyone without prior knowledge wouldn’t begin to suspect that a video game was the source of the film, as Warner Bros. clearly acquired the “Rampage” video game title for branding purposes and hopefully attract viewers with some sort of nostalgia factor.

For movie viewers who don’t care about the source material, “Rampage” has plenty of things going on its own as a movie experience, including winning performances by the always charming Johnson and Naomie Harris, as well as Jeffrey Dean Morgan delivering a kinder, good guy version of his despicable character Negan from “The Walking Dead.” Malin Akerman and Jake Lacy turn in pair of caricature-like performances as the villains in “Rampage” – a pair of siblings who run the corporate lab that hopes to cash in on the promise of weaponized DNA – while Joe Manganiello only appears briefly as mercenary trying to take the mutated creatures out.

While the plot for “Rampage” is as predictable as it gets, at least the special effects are interesting enough to keep the film lively from a visual standpoint. Naturally, “Rampage” sets itself up for a sequel, although Johnson would probably be better off pouring all his energies into another “Jumanji” movie. While also a movie with video game sensibilities, at least there’s a lot more potential for character development than a film that highlights three large creatures crushing vehicles and punching holes in skyscrapers.

Lammometer: 6.5 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com