Category Archives: Movie Reviews

Movie review: ‘The 15:17 to Paris’ deserves full salute

“The 15:17 to Paris” (PG-13)

If you go to director Clint Eastwood’s compelling new true-life drama “The 15:17 to Paris” to focus on the acting, you’re missing the point. Spencer Stone, Alek Skarlatos and Anthony Sadler are not professional actors,  they’re re-enactors of the biggest story of their lives.  They were brought aboard the film by Eastwood to give its audience the only true perspective of what went into the trio of lifelong friends’ daring move to take down an ISIS terrorist armed with rifles and 300 rounds of ammunition to kill as many innocent people as possible on a passenger train bound for Paris in August 2015. Even if Eastwood would have cast the best actors in the business to play Stone, Skarlatos and Sadler, “The 15:17 to Paris” wouldn’t have had nearly as much impact.

The focal point of “The 15:17 to Paris,” naturally, is how the trio thwarted the terrorist attack, as Stone selflessly charged toward the gunman with a weapon pointed at him, a move that would have certainly been the Air Force member’s last if not for the fact that the terrorist’s weapon malfunctioned. As Stone desperately tried to subdue the terrorist, Army National Guard Specialist Skarlatos and Sadler jumped in and attempted to beat the would-be killer into submission until Stone choked him out. Perhaps even more amazing, Stone, who was slashed and nearly had his left thumb cut off by the terrorist, ignored his wounds as he attended to a shooting victim with blood gushing from his neck.

The 1517 to Paris

Unfolding in the same natural way Eastwood’s harrowing true-life tale “Sully” did in 2016, Eastwood gives context to “The 15:17 to Paris,” first by examining how the three friends came to be as middle schoolers in Sacramento, California. Separated by different circumstance soon thereafter, their friendship endured, and the action picks up again as Stone joins the Air Force, Skarlatos enlists in the Army, and Sadler — never showing any interest in the military –sits it out but supports his best friends.

While “The 15:17 to Paris” is far from Eastwood’s best directorial effort, the film still shows how phenomenal of a filmmaker he truly is. Yes, the scene where the trio takes down the ISIS terrorist is masterfully done, but where Eastwood truly excels is finding a profound meaning in the trio’s back story. Stone, Skarlatos and Sadler were all bullied and were outcasts, and while they didn’t fit in at their school, they still found each other. If not for that fortuitous friendship and establishment of a solid foundation that guided them throughout their turbulent young lives, their destiny to save as many of 500 people on August 21, 2015, simply never would have been realized. For that reason alone, all those involved in “The 15:17 to Paris” deserves our full salute.

Lammometer: 8 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2017 DirectConversations.com

Movie review: Despite impressive cast, ‘Hostiles’ plods


AUDIO: Listen to Tim’s review of “Hostiles” on “The KQ Morning Show” with Tom Barnard. Segment begins 12 minutes in.

“Hostiles” (R)

Christian Bale leads an impressive cast in a film that never realizes its full potential in “Hostiles,” a meandering, post-Civil War period film from Scott Cooper (“Crazy Heart,” “Black Mass”). Finally expanding into theaters after an unsuccessful awards season run, “Hostiles” likely won’t have the steam to last long in theaters despite the best efforts of Bale and company.

“Hostiles” is set in 1892, when a well-regarded Calvary captain (Bale) is tasked by the U.S. president to transport a dying Cheyenne war chief (Wes Studi) and his family from New Mexico back to the chief’s tribal land in Montana. Reluctant to take on the mission because the chief was responsible for the deaths of several of his friends, the captain embarks on horseback with a traveling party for what is supposed to be his last mission before he retires. Sworn enemies at the beginning, as the captain and the chief trek through brutal territory where they are safe from no one, and eventually realize they must band together if they are going to survive the brutal environs.

Although “Hostiles” shows tremendous promise at the beginning, the film never gains any momentum, despite the best efforts of Bale, Studi and Rosamund Pike as woman who suffered a horrific family tragedy that the dangerous, unforgiving ride. The film moves as slow as the horses the cast members ride upon, as any moments of intensity are far outweighed by long, uneventful stretches that sadly lead to a predictable outcome.

Lammometer: 6 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2017 DirectConversations.com

Movie review: More emotion, less action needed in ’12 Strong’


VIDEO: See Tim’s review of “12 Strong” with Adrienne Broadus on KARE 11 above.

“12 Strong” (R)

It’s hard not to have mixed feelings about “12 Strong,” a new war drama based on a declassified story of the first 12 soldiers on the ground in Afghanistan after the terrorist attacks on America on September 11, 2001. For compelling historical reasons, it’s an important film, yet in terms of the way the film is presented, it comes off as more of a Jerry Bruckheimer action movie than it does a serious chronicle of the first Americans soldiers who set foot in Afghanistan to take on the Taliban.

Perhaps not surprisingly, Bruckheimer is the producer of “12 Strong,” which is a good and bad thing. It’s good in the fact that Bruckheimer been making movies for a long time and clearly knows how to assemble the right team needed for action adventures, but bad in that the movie’s narrative is far more concentrated on action than emotion.

AUDIO: Listen to Tim’s review of “12 Strong” with Tom Barnard on “The KQ Morning Show” (Segment begins 5 minutes in).

Simply put, a movie like “12 Strong,” where 12 Special Forces members selflessly volunteer for a mission where the odds of survival are slim, needed much more emotional impact than we get. Sadly, the film, while it chronicles the events of the Green Beret soldiers of the ODA 595 Special Forces Unit, comes off as more of a Cliff’s Notes version of the story where the true heart of the people involved in the story is left back home.

Directed by Danish filmmaker Nicolai Fuglsig, “12 Strong” begins with a look at the real-life terror Osama bin Laden caused in the years leading up to 9/11, beginning with the bombing attack on the World Trade Center beneath the North Tower in 1993. The film then shifts gears to coverage of the 9/11 attacks, where the likes of Capt. Mitch Nelson (Chris Hemsworth) and Chief Warrant Officer Hal Spencer (Michael Shannon) — who could have both settled for desk jobs at their respective points in their careers — without hesitation volunteer to go to Afghanistan to hunt down the Taliban.

Assembling a group of 10 more elite soldiers (Michael Pena and Ty Sheridan among them), the mission — dubbed Task Force Dagger —  is to meet up with an Afghan warlord (Navid Negahban), combine forces with the Afghan Northern Alliance and break the Taliban stronghold in Mazar-i-Shariff. If it’s successful, the plan will gut the heart of the enemy’s operation.

The story of “12 Strong” is no doubt interesting, considering U.S. soldiers in the year 2001 had no choice but to ride horses in Afghanistan because of the country’s rugged terrain. It was an extraordinary feat no doubt, but with the cinematic telling of the story, Fuglsig seems more intent on making “12 Strong” feel like a heightened, Hollywood action movie with one-dimensional characters rather than digging into the souls of these brave soldiers who knew that the mission could very well be their last. As Steven Spielberg proved with “Saving Private Ryan,” Clint Eastwood with “American Sniper” and Mel Gibson with “Hacksaw Ridge,” there’s a lot of emotional complexity involved in war, and nothing in “12 Strong” comes close to conveying those feelings.

Appropriately, “12 Strong” ends with an epilogue, including a photo of the 12 Green Berets of Task Force Dagger. It makes you proud seeing the faces from one of the most important (yet unknown) missions in the wake of 9/11, yet at the same time makes you wish it was better represented as a feature film about the story about what the Taliban considers its worst defeat. The soldiers of the mission — and those who keep up the fight today — deserve much better.

Lammometer: 6.5 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2017 DirectConversations.com

Movie review: ‘The Commuter’ is ridiculous train wreck

Hear Tim Lammers’ review of “The Commuter” with Tom Barnard on “The KQ Morning Show” (Segment begins 10:30 in).

“The Commuter” (R)

Liam Neeson is rolling down an all-too familiar path with “The Commuter,” an action thriller that’s a mishmash of several action films, including “Non-Stop” (an in-air thriller that closely mimics this film), “Phone Booth,” “Murder on the Orient Express” and countless others. It’s clear at this point in his career that Neeson, who flirted with the idea of retiring from action films, is in it for the paycheck for this one, and he sleepwalks through what starts as interesting premise but quickly devolves into a manic, monotonous, well, train wreck.

The initial premise of “The Commuter” is promising, as Michael McCauley (Neeson) seems to have found a comfortable life as a life insurance salesman in the 10 years since he left the NYPD. But time has finally caught up with the 60-year-old worker, who is suddenly let go from his firm. Wracked with worry about how he and his wife (Elizabeth McGovern) are going to make ends meet and send their son to college, Michael is suddenly approached by a mysterious woman (Vera Farmiga) on his commuter train ride home. Her proposition is simple. Find a person on the train named Prin, who is carrying a backpack containing stolen device, and plant a GPS bug on them.

It’s a seemingly easy enough gig until Michael realizes that he’s made a deal with the devil. If he decides to walk away from the job, it will put his loved ones in peril, and if he carries through the job, there will be repercussions on that end, too. Looking for ways to get out of the quandary, Michael only makes the situation for himself worse by the minute.

Directed by “Non-Stop” helmer Jaume Collet-Serra (who also directed Neeson in “Run All Night”), the prospects of “The Commuter” building on the promise of its bright premise quickly fade as Neeson finds himself in implausible predicaments, yet, given the fact he is the man who will forever have “a particular set of skills,” manages to wrangle his way out of every single one of them. The film is also hopelessly predictable, which makes this ride a long and agonizing commute that’s in the end, just loud and annoying. The only way you could enjoy this movie is laugh at the ridiculousness of it all. But it’s not an action comedy. It’s an action farce.

Lammometer: 3 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2017 DirectConversations.com

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