Category Archives: Film

Interview: Nia Vardalos talks ‘My Big Fat Greek Wedding 2’

When it comes to the success of “My Big Fat Greek Wedding 2,” star and writer Nia Vardalos said the movie’s a hit, no matter the financial outcome. For Vardalos, who earned a Best Original Screenplay Oscar nomination for the first “Greek Wedding,” the second “Greek Wedding” is already a great success for the simple fact that, like the first film, it’s connecting with the audiences.

That’s all she could ever hope for, Vardalos told me in a phone conversation Friday, some 14 years after we first met to talk about the first “Greek Wedding.”

“I cannot believe it happened with the first movie, and for it to happen again with this one — it’s not about the box office financial success. It’s about people seeing their family in my family again,” Vardalos said, giddily. “I love that. It’s like a big fat family reunion … what we love is watching the audience come out of the theater laughing, smiling and talking. We go from theater to theater and hide and watch audiences, because seeing their reactions makes us feel like we’ve reached out and connected with people again. It’s a feeling of being understood by a generation of people saying, ‘That’s my family!'”

Now playing in theaters nationwide, “My Big Fat Greek Wedding 2” picks up 17 years after the nuptials between Toula (Vardalos) and Ian (John Corbett), where the couple is fretting the decision of where their 17-year-old daughter, Paris (Elena Kampouris), will attend college. Trying to manage her daughter’s life, her life with Ian and her parents’ lives, the exhausted Toula’s life is turned completely upside down when a Portokalos family secret is uncovered, leading to a chaotic tiff between her mom, Maria (Lainie Kazan) and dad, Gus (Michael Constantine).

Of course, given the blockbuster success of the first “Greek Wedding,” it shouldn’t come as a big surprise that Vardalos was immediately approached about doing a sequel. Also a surprise was that she opted to live a life that would truly inform a follow-up narrative, which explains why it’s been 14 years since the last invitation to another “Greek Wedding.”

“My family and friends were shocked when I said ‘No’ to the sequel offer that was immediately extended to me after the success of the first film,” Vardalos said. “I said, ‘I can’t, and here’s the truth why. I’m in a private struggle to become a mom, and it’s not happening. How would I write that Toula and Ian are parents, which I had written at the end of the first movie in a moment of wishful thinking, but not having experienced it myself?’ My producers and John Corbett were so kind about it, and everybody immediately understood and said, ‘Got it.’ But then, my producers said, ‘The door’s always open.'”

Vardalos, who chronicled her and husband Ian Gomez’s struggle to become parents and the wonderfully blessed adoption of their daughter in her book, “Instant Mom” (HarperOne, 2013), said she realized on the promotional tour of the book that the time had come to tell the story of the second “Greek Wedding” the way it was supposed to be told — naturally.

“I believe now in the order of things. I believe everything was supposed to happen to me, and not work, so that I could meet my real daughter. I get it now,” Vardalos said. “This is why I feel this was the time for the sequel. There was no way I could have written the story of wanting to stay close to my daughter if I didn’t experience motherhood. So, I’m grateful for all the years I’ve waited, and I’m grateful that my producers waited for me.”

Since Vardalos and Gomez became parents, the actress-filmmaker has become a major advocate for adoption. In fact, there’s a mention of adoption in “My Big Fat Greek Wedding 2” that put a huge smile on this writer’s face, since adoption has played a huge part in my family’s history.

“I like to float the idea of adoption out there to open people’s minds up so they think, ‘Hey … maybe,'” Vardalos said.

For Vardalos’ part, she’s been making prospective parents adoption dreams a reality since she’s been donating all proceeds of “Instant Mom” to adoption charities.

“We found out recently that the proceeds have gotten close to 1,000 children adopted,” Vardalos enthused.

The beauty is, the adoptions Vardalos has helped make possible all stem from the success of the first “Big Fat Greek Wedding,” the life-altering event that provided her an opportunity to not only forge a wonderful career, but off-screen, to make a difference in other people’s lives.

Suddenly, that funny, honest and heartfelt celebration of Vardalos’ family 14 years ago seems to have taken on a profound new meaning. Think about it: Because of Vardalos’ kindness, 1,000 more families, no matter their heritage, will be able to celebrate weddings of their own someday.

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Movie reviews: ‘Midnight Special,’ ‘I Saw the Light’

Warner Bros.

By Tim Lammers

“Midnight Special” (PG-13) 2 1/2 stars (out of four)

Writer/director Jeff Nichols partially channels “Close Encounters of the Third Kind” with uneven results in “Midnight Special, an indie sci-fi thriller that keeps you at arm’s length for most of the film, only to deliver an underwhelming payoff. Michael Shannon stars as Roy, the desperate father of an 8-year-old boy (Jaeden Lieberher) who has otherworldly abilities. Escaping a religious cult that believes the boy is their savior, the two, along with Roy’s best friend, Lucas, find themselves also on the run from the NSA, which perceives the boy as a weapon because he can bring down objects out of the sky. Roy has different plans, to bring his son to a specific location for reasons unexplained.

Although “Midnight Special” is slow to and uneventful at times, it’s almost a relief that it’s also not overwhelmed by special effects, especially given the genre it has originated from. Even though the cast – which also includes Adam Driver, Kirsten Dunst and Sam Shepard – is stellar all around, the film seems empty when all is said and done. Ultimately, “Midnight Special” is not special, but merely above average.

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“I Saw the Light” (R) 3 stars (out of four)

Loki actor Tom Hiddleston puts aside his usual brand of mischief to take on a risky performance of an American music icon with “I Saw the Light,” a biopic about Hank Williams’ rise and untimely death at the age of 29 in 1953. The film largely centers on Williams’ struggle with alcoholism and his relationship with his first wife, Audrey (an excellent Elizabeth Olsen) and how their tumultuous marriage effectively inspired the country and western star’s classic songs.

Interview: Tom Hiddleston, Elizabeth Olsen talk ‘I Saw the Light’

Hiddleston, who also sings such Williams classics as “Cold, Cold Heart” and “Your Cheatin’ Heart,” is spectacular in the film, yet somehow we come away from “I Saw the Light” with little insight into what tortured Williams’ soul to begin with. There’s no question he was a creative genius, but the film doesn’t fully explain why.

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Interview: Tom Hiddleston, Elizabeth Olsen talk ‘I Saw the Light’

I Saw the Light

By Tim Lammers

Though he’s phenomenal playing Loki in the Marvel movie universe, acclaimed actor Tom Hiddleston isn’t about to rest on his laurels and settle into playing only the God of Mischief the rest of his career.

In fact, he’s continuing to take risks acting in different genres by doing everything from comedy to drama and horror; and with his new film, “I Saw the Light,” he’s strumming (and singing) a new tune, quite literally, as country and western music icon Hank Williams.

“When the script for the movie came across my desk, it seemed like the most foreign territory,” Hiddleston said this week in a phone conversation from Los Angeles. “Hank Williams’ life is so dissimilar than mine. I was born in London in 1981 and he was born in Mount Olive, Alabama, in 1923. He is so much a part of America in so many respects, and I’m British, and yet, there was a human soul in the screenplay that I could relate to because he was a performer, generosity of spirit and a joy in his performances. He garnered so much from the genuine connection he had with the audience and I can relate to that.”

On top of that, Hiddleston said he was fascinated with the musician’s “spiritual struggle,” and how the emotional pain expressed through his work often stemmed from the troubled relationship Hank had with his wife, Audrey (another Marvel film star, Elizabeth Olsen, the Scarlet Witch in “Avengers: Age of Ultron” and upcoming “Captain America: Civil War”).

“He was obviously wrestling with some pretty formidable personal demons,” Hiddleston said. “To me, the ultimate appeal that’s so much a part of acting is to satisfy my amateur interest in psychology. (Director) Marc Abraham’s great pitch to me was that he was making a connection to the great power of Hank’s great songs with Audrey, and the turbulent and passionate nature of his marriage gave Hank the inspiration to write great songs like ‘Cold, Cold Heart,’ ‘I’m So Lonesome I Could Cry’ and ‘Your Cheatin’ Heart.’ I thought that was a beautiful suggestion that the personal circumstances of this great artist generated such extraordinary music.”

In a separate interview, Olsen said while Audrey wasn’t as well-known as Hank, it didn’t make bringing the character to life any easier. After all, Audrey had to be believable character that audiences could relate to, because portraying the love and strife the couple shared was pivotal to the story.

“We wanted the fights to feel angry and important, and there were so many arguments,” Olsen said. “But, we also tried so hard to make sure that their love was very clear. When we had the opportunity to show the love that they had with each other, we needed to embrace that. You can’t care about someone falling out if you don’t believe in why they are together.”

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Now playing in New York, Los Angeles and Nashville, Tennessee, and expanding to more theaters this week, “I Saw the Light” begins the night Hank and Audrey Williams was married, and follows the couple through their doomed marriage as Hank rises to the top of the music world – a rise and eventual fall that’s beset by Hank’s alcohol abuse and a painful, chronic back condition.

Suffering with Hank throughout his long bout with alcoholism was Audrey, and it was very difficult to contemplate how she dealt with the pain, Olsen said.

“At a certain point, obviously people who are dealing with their own demons, you can’t ever understand what that is and to be in their shoes,” Olsen said. “But to love someone deeply experiencing that and being on the other end of it, I think is a very painful place to live in.”

Sadly, Audrey met the same fate as Hank did, Olsen noted.

“She died of alcoholism as well, when she was in her 40s and there was a lot of pain, I’m assuming, on her part from being connected to his demons, and that conflict of living and loving that man,” Olsen said.

The film only follows Hank to his premature death in 1953 at age 29, revealing, that, while his career was on the downslide near the end of his life, he still wrote and performed classic pieces of Americana, such as “Your Cheatin’ Heart.”

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“He was so authentic from top to bottom and beginning to end,” Hiddleston observed. “So the heartbreaking tragedy of Hank is, the more he suffered, the better his music was. There may be a part of him that was aware of that. Famously, in trying to appease Audrey, when they moved to Shreveport, he spent 1948 largely sober. He was on time, he was well-mannered, he was professional.

“The suggestion is, he didn’t write any good songs in 1948, and somehow the well dried up,” Hiddleston added. “I don’t subscribe to the belief that the more screwed-up your personal life is, the better your work. I think it’s possible to create great work from a healthy place, but Hank, as the facts say, he wrote some of his best songs when he was in the middle of enormous personal suffering.”

While Hiddleston perfectly embodies Hank in looks in “I Saw the Light,” perhaps more amazing is how he flawlessly sings the country music legend’s songs throughout the film. Hiddleston is humble in any praise he receives for his vocal performances, suggesting that we won’t see him on tour, guitar in hand, anytime soon.

“I’m not going to give up the day job just yet,” Hiddleston said, laughing.

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Movie reviews: ‘Batman v Superman,’ ‘My Big Fat Greek Wedding 2’

Warner Bros.

By Tim Lammers

“Batman v. Superman: Dawn of Justice” (PG-13) 3 stars

Director Zack Snyder creates an exciting template for the long anticipated “Justice League” movie with “Batman v Superman: Dawn of Justice,” which finally pits DC Comics’ two most iconic superheroes against each other on the big screen. The film picks up 18 months in the aftermath of General Zod’s attack on Metropolis, where, as we find out, involved a personal loss for Bruce Wayne (Ben Affleck). Unlike others who look upon Superman (Henry Cavill) as a savior, Wayne perceives the alien from Krypton a threat to humanity, and he devises a plan to suits up as Batman to stop him.

The introduction of other members of the Justice League are sensible, especially the stunning Gal Gadot as Diana Prince and the butt-kicking Wonder Woman. The casting is terrific all around, including the return of Amy Adams as Lois Lane and Laurence Fishburne as Perry White, and the introduction of Jeremy Irons as Bruce Wayne’s caretaker, Alfred, and Jesse Eisenberg — who’s great as the sniveling, off-kilter Lex Luthor.

Snyder squeezes a lot of material into the 2 hour, 33 minute frame of “Batman v Superman,” including some huge plot developments that you won’t see coming. It’s not a perfect movie: the ending feels drawn out and the special effects in the third act get to be a bit exhausting, but overall the movie is a rousing, crowd-pleasing experience that’s made for fans and not highbrow critics.

“My Big Fat Greek Wedding 2” (PG-13) 3 stars

It’s taken 14 years, but Nia Vardalos and John Corbett are back with another look at the delightfully eccentric Portokalos family in “My Big Fat Greek Wedding 2,” a heartfelt and funny follow-up to the surprise blockbuster original. The story picks up 17 years after the events of the first “Greek Wedding,” where Toula (Vardalos) and Ian (Corbett) are fretting over the decision of where their 17-year-old daughter, Paris (Elena Kampouris) will be going to college.

Exhausted already over the day-to-day happenings, Toula’s life becomes even more complicated when a huge family faux pas involving her dad and mom, Gus (Michael Constantine) and Maria (Lainie Kazan), is revealed. The film has several moments of inspired humor, and other moments that feel familiar, but overall, if you loved the first film, you’ll embrace this second invitation to a “Greek Wedding” whole-heartedly.