Category Archives: Film

Movie review: Genius ‘Yesterday’ is fab fantasy for Beatles fans

“Yesterday” (PG-13)

A bright new day is dawning for the music of The Beatles with “Yesterday,” a funny, sweet and oftentimes poignant romantic comedy that examines the simple notion of a world never exposed to the music of the Fab Four until it’s brought to the fore in a most unusual way.

British TV actor and Hollywood newcomer Himesh Patel stars as Jack Malik, a struggling musician who concedes to his longtime manager Ellie Appleton (Lily James) that after 10 years after trying to make it the big time, he’s ready to call it a day with his career. Jack’s fortunes mystically change overnight, though, when, after a worldwide power blackout and his bike’s collision with a passenger bus, he wakes up to learn that people have never heard of the music of The Beatles.


AUDIO: Listen to Tim’s review of “Yesterday” with Tom Barnard on “The KQ Morning Show” on KQRS-FM. Segment brought to you by Mike Bryant and Bradshaw & Bryant.

Having memorized most of the songs by John Lennon and Paul McCartney by heart (moving versions of “Yesterday” and “The Long and Winding Road,” among them) Jack – realizing the profound impact the tunes have on everyone he plays them for – sheepishly decides to pass the songs off as his own, resulting in a meteoric rise to the top of the world’s music scene. But the more successful Jack becomes, the more guilty he feels about living the lie, and the more distant he feels from the true love of his life, Ellie, who seems to be left behind as Jack achieves the fame he was always looking for.

With a story by Jack Barth and Richard Curtis and a screenplay by Curtis (the genius behind “Four Weddings and Funeral,” “Love, Actually” and the undiscovered gem “About Time”), “Yesterday” is a complete breath of fresh air in the Hollywood’s ever-increasing stale environment of sequels and remakes. The source material is completely realized by director Danny Boyle, who adds visual pizzazz to the relatively simple story, which ultimately makes for one of the best films of 2019.

With the “Slumdog Millionaire” Oscar-winning director calling the shots, Boyle clearly had the clout to properly execute Barth and Curtis’ vision, and the first great movie was casting Patel – a relative unknown, at least to American audiences – in the crucial lead role. Patel is a complete revelation as Jack, a clearly talented musician who can not only sing and play guitar and piano but maintain a magnetic presence throughout the film. Patel’s performance is elevated by the undeniable charm of James, who continues to impress with every film she’s in. James’ character’s strength is matched her vulnerability, and complete realization of the role makes James completely relatable. Thanks to stunning turns in “Cinderella,” “Baby Driver” and now “Yesterday,” James has become Hollywood’s quintessential girl-next-door.

While Patel and James anchor “Yesterday,” the film is loaded with several key supporting performances, including “Saturday Night Live” star Kate McKinnon, who is wickedly hilarious as Jack’s agent, Joel Fry as Jack’s gloriously misinformed roadie and pop superstar Ed Sheeran as himself. Sheeran is particularly amazing, given he’s playing a heightened version of himself as he instantly recognized Jack’s talents and brings him aboard his tour as an opening act, effectively swinging his protégé’s door wide open to worldwide fame.

Photo: Universal Pictures

“Yesterday” wouldn’t be complete, though, without the music of The Beatles, as the film perfectly captures the hole left in pop culture as Jack encounters people clueless to the group’s music at every turn (similarly fascinating would be a scenario of a world that never knew Elvis Presley). And while there are arguments to be had with the “What if?” scenario of The Beatles music not existing (if John, Paul, George and Ringo weren’t around, how could the countless acts they influenced be?), Boyle, Curtis and Barth have clearly captured lightning in a bottle with “Yesterday,” as countless filmmakers are no doubt kicking themselves, asking, “Why didn’t I think of that?” On a smaller plane, the film also examines people’s trajectories had not everything in life gone according to plan, resulting in a moment that is bound to leave audience members with goosebumps.

No matter whose idea great art is, somebody has to break the mold to make classic music as The Beatles did, and as it relates to film, “Yesterday,” is a perfectly-formed collaboration of filmmakers and actors who collectively crafted a near-perfect movie. Sure, it’s a fantasy movie that can’t be completely described but only experienced in person in order to realize its full impact; but fans will be happy to  know that it has the same sort of life-altering impact that The Beatles had on people when their music was heard and felt all those years ago. “Yesterday” is not only a movie for today, but many tomorrows to come.

Lammometer: 9 (out of 10)


AUDIO: Tim reviews “Yesterday” and more with Paul Douglas and Jordana Green on “Paul & Jordana” on WCCO-AM. Segment brought to you by Mike Bryant and Bradshaw & Bryant.

Tim Lammers reviews movies weekly for “The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2019 DirectConversations.com

Tim Burton Book 2
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Movie review: Funny, emotional ‘Toy Story 4’ brilliant end to ‘Toy Story’ film series

“Toy Story 4” (G)

Nearly 24 years after the original film revolutionized the movie industry, the wow factor is as big as ever for the “Toy Story” franchise with “Toy Story 4,” a funny, emotional and visually stunning family film that is every bit as great as each one of its predecessors.

Even though it’s been nine years since the release of the tear-jerker “Toy Story 3,” the fourth installment in the Disney-Pixar franchise is set directly after the events of the last film, where Andy gifted his beloved toys Woody the Cowboy (voice of Tom Hanks), Buzz Lightyear (Tim Allen), Jessie the Cowgirl (Joan Cusack) and a host of others to a young girl named Bonnie (Madeleine McGraw), who loves her new play pals every bit as much as Andy did. However, she’s not allowed to bring any toys to her kindergarten orientation, so during playtime she creates a new toy out of a plastic fork and calls it Forky (Tony Hale) and forms an instant bond with the odd-looking utensil-turned-toy.


AUDIO: Tim reviews “Toy Story 4” with Tom Barnard on “The KQ Morning Show” on KQRS-FM. Segment brought to you by Mike Bryant and Bradshaw & Bryant.

But when her family takes one last trip before school starts and Forky flies out of an open window in their RV, Woody springs into action to save Forky, knowing how much it will devastate Bonnie if she loses her new best friend. The quest leads Woody to an antique shop, where he finds the porcelain statute Bo Peep (Annie Potts), from whom he was separated from years before (the character only appeared in “Toy Story” and “Toy Story 2”).

Getting Bo Peep and Forky out of the shop isn’t so easy for Woody, though, as the antique doll Gabby Gabby (Christina Hendricks) and multiple versions of the ventriloquist dummy Benson (Steve Purcell) try to thwart their big plans.

Like the “Toy Story” films before it, “Toy Story 4” is bolstered by an original story that manages to capture the imaginations of kids of all ages, whether through relatable situations for everyone involved and the adult nostalgia that resurfaces as the film visits toys from yesteryear. Naturally, the action in toy story in completely engaging and situations and dialogue is laugh-out loud funny, but amping up the comedy is the sly employment of Gabby Gabby and the ventriloquist dummies as the film’s villains, who have a natural creepy quality about them. It’s not the sort of creepiness that won’t scare little kids, however, as the characters’ presence is really there to evoke memories and nervous laughter from its adult audience members who once owed (and were petrified) by the vintage playthings.

Also providing for huge laughs is the introduction of new characters, including the stuffed animal duo of Ducky (Keegan-Michael Key) and Bunny (Jordan Peele), and the Duke McBoom (Keanu Reeves), the Canadian version of action figure and motorcycle rider Evel Knievel. The characters perfectly fit in with the menagerie of toys the “Toy Story” films have introduced to us over the years, including Hamm (John Ratzenberger), Rex (Wallace Shawn), Dolly (Bonnie Hunt), Trixie (Kristen Schaal), Mr. Pricklepants (Timothy Dalton), Slinky Dog (Blake Clark) and Buttercup (Jeff Garlin) – who all appear once again in this fourth chapter.

Disney-Pixar

For as many feel great vibes that “Toy Story 4” gives, the film is rounded out by its emotion, so get ready to shed the same amount of tears in the film’s third act as you did at the conclusion of “Toy Story 3” when Andy bid farewell to his longtime toy pals. Like “Toy Story 3,” there’s a feeling of finality with “Toy Story 4,” as the film is indeed – at least for now – the last film in the “Toy Story” film series. Easily one of the best films (if not the best) this year so far, there’s no doubt that this final adventure will not only be admired for years, but for generations to come.

Lammometer: 10 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.


AUDIO: Tim reviews  “Toy Story 4” and “Dumbo” (new on video) with Henry Lake on “The Paul and Jordana” show on WCCO-AM. Segment brought to you by Mike Bryant and Bradshaw & Bryant.

Copyright 2019 DirectConversations.com

Tim Burton Book 2
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Movie review: ‘Men in Black: International’ brings franchise back with more of same

“Men in Black: International” (PG-13)

The Men in Black are back with a different alien policing duo in “Men in Black: International,” a big screen reboot of the sci-fi action comedy franchise that aspires to set itself apart from its predecessors but struggles throughout the film trying to break itself out the mold.

The “Men in Black” franchise, of course, helped establish Will Smith’s blockbuster film career, as the actor, fresh off the “Fresh Prince of Bel Air” and hot off the success of “Independence Day,” teamed with Tommy Lee Jones to score $250 million the second-biggest domestic take in 1997 behind James Cameron’s monolithic “Titanic.” And while its first sequel “Men in Black II” earned a respectable $190 million stateside in 2002, it mysteriously took 10 more years for “Men in Black 3” to wrap up the “MIB” trilogy.


AUDIO: Hear Tim’s review of “Men in Black: International” with Tom Barnard on “The KQ Morning Show” on KQRS-FM.

Alas, as Hollywood continues its trend of rebooting popular franchises comes “Men in Black: International,” which retires Smith and Jones’ Agents J & K, respectively, and broadens the playing field from the U.S. to such global destinations as London. Introducing an almost entirely new cast (save Emma Thompson, who debuted in “MIB 3” as Agent O), “Thor: Ragnarok” and “Avengers: Endgame” co-stars Chris Hemsworth and Tessa Thompson step into the lead roles with mixed results.

Hemsworth stars as Agent H, a high-ranking MIB agent who together with his superior, Agent High-T (Liam Neeson), became the first MIB agents to save the Earth from the brink of destruction since Agents J & K (there’s only one visual reference to the roles Smith and Jones established, and it’s only fleeting). Agent H has seemed to have lost his way since the event, so a smart and tough probationary agent, M (Thompson), manages to talk her way into partnering with the decorated agent to prevent a weapon with solar system-obliterating capabilities from falling into the wrong hands. But gnarly aliens aren’t the only problems for H and M; there appears to be a mole in the MIB organization, so no one can be trusted.

Interview flashback: Chris Hemsworth talks ‘Thor’

As they proved in both “Thor: Ragnarok” and “Avengers: Endgame” as Thor and Valkyrie, there’s no question that Hemsworth and Thompson have great chemistry together, which seems to be the only glue that holds “Men in Black: International” together. Essentially, “Men in Black: International” feels like just another “Men in Black” movie without really brining anything new to the franchise.  Essentially, it’s another “we gotta save the world” storyline laced with action comedy, except Smith and Jones have a huge leg up on Hemsworth and Thompson (as is Rip Torn as their boss over the new agency heavy played by Neeson) simply because they established the roles.

Thanks to the film’s lack of originality, “Men in Black: International” feels like a missed opportunity. Ultimately, the “MIB” reboot makes you wish director F. Gary Gray would have brought more of a creative spark to the franchise, a la the magic of helmer Taika Waititi (and with Hemsworth and Thompson, oddly enough) in “Thor: Ragnarok.” At least there are a couple bright spots, with Kumail Nanjiani’s Pawny, a pint-sized alien who has pledged to protect Agent M; and “Mission: Impossible” star Rebecca Ferguson, who ably puts up all four of her alien dukes in some entertaining hand-to-hand combat with Thompson.

MIB International 3

If there’s anything different about “Men in Black: International,” it’s with the obvious advance in visual effects since “Men in Black 3” in 2012. There’s no question that the visual effects are eons ahead of where they were when the first “Men in Black” came out under the auspices of director Barry Sonnenfeld in 1997, but as many special effects-laden sci-fi films have proven over the past couple of decades, the ever-burgeoning field of computer animation can often lead to too much of a good thing. Even the aliens are CGI creations now, and far-less charming that the practical makeup FX produced by Oscar winner Rick Baker in his creature creation for the original “MIB” trilogy.

Of course, the box office tally will ultimately determine whether this new iteration of “Men in Black” moves forward, and lucky enough for the film, it reportedly has a manageable $110 million production that won’t sink the film if it underperforms in its opening weekend. If there is a next time, perhaps Smith and Jones can rejoin the party with Hemsworth and Thompson and perhaps give the franchise the spectacular send-off it deserves.

Lammometer: 6 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2019 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Interview flashback: Hugh Jackman talks ‘X-Men: Days of Future Past’

Note: In celebration of the release of the final movie of the “X-Men” saga, “Dark Phoenix,” this week, here’s an interview with the star of the franchise since the beginning, Hugh Jackman, for the 2014 blockbuster “Days of Future Past.”

Originally published May 22, 2014

Whether he’s sporting adamantium or bone claws, Hugh Jackman is no doubt as sharp as ever as the Logan/Wolverine in “X-Men: Days of Future Past.” But perhaps no performance of the legendary character prior to this new chapter in the “X-Men” and “Wolverine” film series stands out more than his three-word cameo in 2011’s “X-Men: First Class.”

It’s a brief, but memorable scene, where the young Erik Lensherr/Magneto (Michael Fassbender) and Charles Xavier/Professor X (James McAvoy) walk into a bar to recruit the grizzled mutant for a new initiative. After briefly introducing themselves, Logan, sitting at the bar and chomping a cigar, says unflinchingly, “Go f–k yourself.”

“I remember (director) Matthew Vaughn pitching the idea to me, and I asked, ‘Is anyone else swearing in the movie?’ and he said, ‘No.’ So I said, ‘I’m in,'” Jackman told me, laughing, in an interview for the theatrical release of the film. “I literally went in for a half a day, and when I left, I hoped that I’d get a chance to work with these guys again. They were awesome. Michael was in the makeup chair, telling jokes the whole time. We got on really well. Both guys are phenomenal actors.”

Of course, at the time, Jackman had no idea at the time that he’d get his wish to work with Fassbender and McAvoy again, much less in an “X-Men” movie — until the director of the first two films in the “X-Men” franchise, Bryan Singer, approached him about the unique idea of playing the central character in a film that showcased mutants in their past and future incarnations for “Days of Future Past.”

“When he sent me a one-pager of the idea, I got about halfway through it, knowing I’d say, ‘Yes’ to the movie. It was such of an awesome idea,” Jackman recalled. “It was such an organic way to bring everyone together.”

Hugh Jackman in 'Days of Future Past'

“X-Men: Days of Future Past” begins in a dystopian future where Wolverine, Professor X (Patrick Stewart), Magneto (Ian McKellen), Storm (Halle Berry) and a host of other mutants are clinging to survival. The world has become overrun by Sentinels — giant robots infused with mutant DNA — which have not only decimated the mutant population, but targeted any humans sympathetic to the mutant cause.

As it turns out, there was a key event involving a mutant 50 years earlier which led to the creation of the Sentinels. In the hope of changing the course of events, Kitty Pryde (Ellen Page) uses her powers to enable Wolverine’s mind to travel back to 1973, where his consciousness would be implanted in a younger version of himself to find the young Professor X, Magneto and Mystique (Jennifer Lawrence) in a desperate attempt to avert disaster.

While Jackman has been heavily involved in the X-Men universe since the film franchise kicked off in  2000, the actor admits that he was only vaguely familiar with the fan-heralded “Days of Future Past” storyline from Marvel Comics’ X-Men  canon.

“I had heard about it, but had never read the comic book. So the idea of doing it on film never even crossed my mind until I read the one pager, actually,” Jackman explained. “It was really great for all of us. Everyone really loved getting back together again, because we’re all like family now.”

As Jackman found, however, the storyline turned out to be a double-blessing in a sense for the filmmakers: With a narrative that examines the idea of altering the course of history, it gave them the opportunity to right some wrongs in previous “X-Men” movies that raised the ire of the fan base.

“The fact that it came from a part of the X-Men lexicon only helped give this new movie some credibility,” Jackman said. “It’s a brilliant device to clear up some of the inaccuracies we had before, and to make it feel like a fresh beginning. It’s very, very clever and Wolverine feels more complete now. It was great playing him and doing something a little more out of the box for my character. It’s also sort of a wonderful throwback to the first movie, but now it’s a complete reverse of what Professor Xavier was doing for my character. Now I’m doing it for his.”

Tim Burton Book 2
Click book cover for info on how to buy!

Secret weapon
There’s no doubt an immeasurable amount of brutal training and commitment for Jackman that went into the creating the incredible physique of Logan/Wolverine for seventh time with “X-Men: Days of Future Past.” But the vital element that’s often overlooked in Jackman’s physical transformation into the character is an unseen weapon that doesn’t necessarily happen while he’s preparing to play the character for a film, but what transpires in the theater.

The actor’s Weapon X, if you will, is called stamina, and it’s all thanks to Jackman’s three turns on Broadway, and he’s soon heading back for a fourth with “The River” (after hosting the Tony Awards for the fourth time, no less) to stay with the flow.

“I often feel after being on stage and going to fill that I feel sharper. It’s a great discipline,” Jackman enthused. “You have to do eight performances a week and hit it 100 percent. You have to be there at the top of your game. Nothing’s harder than eight shows a week. There’s performing, dancing, singing. I think the hardest I ever worked was doing ‘The Boy from Oz’ (which earned him a Best Actor Tony in 2004). I can still tell you the finish date of the production, which was the 16th of September, because it was kind of like crossing a marathon finish line.”

Giving it his all, after all, isn’t a choice for the Tony winner and Oscar nominee – it’s a way of life, and he’s committed to being all there all the time. He’s keenly aware of the fact that people spend their hard-earned money to see him, and he never, ever, wants to disappoint.

“For any member of the audience, it could only be the once-a-year thing for them. The theater could be a special outing for somebody, as is the movies. Hey, I know. I have two young kids, so getting to the movies is not so easy,” Jackman added.

X-Men Days of Future Past

With any luck, Jackman will continue his trek as Wolverine and entertain audiences for years to come. Of course, in the age of franchise reboots, the fact that role will go to another actor someday is inevitable. At age 45, Jackman admits the idea is definitely weighing on his mind, but he’s not going to preoccupy himself with it.

“There’s got to be an end date, but I think I can do 21 or 22 more movies, something like that,” Jackman told me, laughing. “I just want see the party finishing before someone pushes me out the door. You need to help me out there. Just call me up and say, ‘Buddy, this should be our last interview for this character.'”

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2019 DirectConversations.com