Category Archives: Film

Interview: ‘Despicable Me 3’ screenwriters Cinco Paul & Ken Daurio

Four years after his last big screen adventure, the former supervillain-turned-agent of good Gru is back with “Despicable Me 3,” the latest animated family comedy from acclaimed screenwriters Cinco Paul and Ken Daurio.

Together with Illumination Entertainment founder Chris Meledandri, the trio became a force to be reckoned with right out of the gate in 2010 with Illumination’s first film “Despicable Me.” The blockbuster hit told the unique story of how the adoption of three orphaned sisters softened the heart of the world’s most devious supervillain, Gru (voiced by Steve Carell). The success of the first film, of course, to the 2013 smash “Despicable Me 2,” where the Gru meets the love of his life with Lucy (voice of Kristen Wiig), an Anti-Villain League super-agent.

“We ultimately landed on the fact that these movies are ultimately about family,” Paul, along with Daurio, said in a phone conversation this week from Los Angeles. “Although I don’t think we’ll be ever able to touch the emotion of that first movie, because there’s something special about Gru becoming a dad and the girls changing his life. We feel like each movie we’re going to expand the family, and deal with the challenges of things like sibling rivalry, or in this film, Lucy becoming a stepmom. She’s so accomplished as an agent, but feeling so insecure about being a mom now.”

New in theaters Friday, “Despicable Me 3” finds Gru and Lucy in a quandary after they’re both fired by the AVL after failing to apprehend the notorious former ’80s child star-turned-supervillain Balthazar Bratt (Trey Parker) after he pulls off an elaborate heist. Out of work and going broke, Gru’s fortunes change when finds out he has a long, lost brother named Dru (also voiced by Carell), a very rich and successful pig farmer. Gru soon discovers, though, that Dru amassed his riches thanks to their dad, who, as it turns out was the world’s greatest supervillain in this time — and Dru wants his brother to get back into the game.

Paul and Daurio said the “Despicable Me” film series was never planned as a trilogy or even a franchise. In fact, their goal was just to get the first film made.

“We were hoping, ‘Maybe they’ll let us make another movie’ — not necessarily a sequel, but we were just hoping the company would get going and we would be on our way making films, never thinking this would become a franchise,” Daurio said. “We just thought, ‘This is this really a fantastic story about three little girls and this supervillain, and how they changed each other’s lives,’ and thought was going to end there.”

But once they were approached by Universal to create the first sequel, they realized that the first film had a theme that they could build upon in a meaningful way.

“When we met with Chris Meledandri about it, we realized, ‘Ah! Gru needs love.’ He found one kind of love by becoming a dad and now he needs another kind of love, so we found him romance with Lucy in the second film,” Paul said. “That was the same process with this third movie. While he has kids and while he has a wife, maybe there’s another kind of love that he hasn’t experienced yet, which would be sibling love — brotherly love.”

“Once the door opened to a sequel, everything became a possibility,” Daurio added. “Now it’s a lot easier for us to think of sequel ideas because we’ve seen how big the family can get and the opportunities we have for exploring the family dynamic.”

Universal Pictures

Also included in the “Despicable Me” family are Gru’s Minons, who, of course, got their own prequel movie last year. Like the possibilities with Gru’s story, Paul and Daurio said the opportunities for new and exciting Minion storylines are endless.

“One of the first ideas for this movie was that the Minions should go to prison. We thought that would be really fun,” Paul said with a laugh. “As writers, we just wanted to lock the Minions up for a little while. We just thought the Minions would play great in jail. That sequence is so much fun.”

While Paul and Daurio originally conceptualized the Minons on the page, they say the characters truly took shape, quite literally, under the auspices of director Pierre Coffin. The filmmaker, who has directed all three “Despicable Me” films and “Minions,” not only came up with the design of the yellow, pill-shaped henchmen, he also does all the voices for them.

Paul and Daurio said that for “Despicable Me 3,” Coffin was also pivotal in the shaping of the scene where the Minions inadvertently land in the middle of a singing competition, putting their unique brand of gibberish to work as only the characters can.

“That was an idea that Pierre came in with early in the process of making the film,” Daurio recalled. “He said, ‘I have this idea for a Minions scene and I can’t explain it to you, so I’m going to just show it to you’ — and he played us the Gilbert and Sullivan song you see performed in the film.”

Movie review: ‘Despicable Me 3’

“Despicable Me 3” (PG)

The evil genius-turned-anti-villain agent Gru is back with “Despicable Me 3,” an amusing sequel that despite its efforts, doesn’t quite live up to its predecessors.

This time around, Gru (voice of Steve Carell) and his super-spy wife, Lucy (Kristen Wiig), are tasked to catch a former ’80s child star-turned-super villain Balthazar Bratt (Trey Parker) — but when their efforts fall short, they’re fired from the Anti-Villain League.

Gru’s fortunes’ change, however, when a mysterious figure shows up at his house to tell him that he has a long lost brother named Dru (Carell again), a rich pig farmer who reveals to Gru that their father was also a super villain, and he wants his brother to get back into the business of evil villainy.


Hear Tim’s review of “Despicable Me 3” with Tom Barnard on KQRS.

While “Despicable Me 3” is loaded with laughs, the film feels like it doesn’t quite have the heart of the original. The element of the first “Despicable Me” that made it so grand was it’s unexpected emotional quality, where Gru took in three orphaned sisters wanting a new home. The whole family is back for “Despicable Me 3” and while they’re dealing with new, relatable issues, the narrative simply feels like it’s missing something.

If you’re hoping for more Minion madness with “Despicable Me 3” you’ll definitely get it, even though they don’t get nearly as much screen time as they did in their own prequel movie last year. The characters make the most out of every second they’re on screen, though, especially in the film’s laugh-out-loud hilarious scenes where the whole gaggle of Gru’s yellow, pill-shaped henchmen are rounded up and sent to prison, striped outfits and all.

Lammometer: 7 (out of 10)

Watch Tim’s review of “Despicable Me 3” with Adrienne Broadus on KARE 11.

Movie review: ‘Cars 3’

“Cars 3” (PG) 

Pixar gets back to basics with mixed results with “Cars 3,” a semi-entertaining sequel that’s better than “Cars 2,” but far inferior to the brilliant 2006 original.

Owen Wilson is back as the Lightning McQueen, the once champion hotrod-turned-aging machine that can’t quite keep up to the high-tech cars that are taking over the racing circuit. Pushing himself to the limit, Lightning gets into a catastrophic crash, and once repaired he must determine whether he’s going to get back on track or come to grips that maybe his best days are far behind him.

The film in many ways repeats what we’ve seen in the original, save a few new characters to help set up the film’s core narrative. Larry the Cable Guy is back and funny as ever as Lightning’s dimwitted best friend Tow Mater, but is woefully underused.

Hear Tim’s review of “Cars 3” with Tom Barnard on KQRS.

On the plus side, the late Paul Newman’s voice (from previously unused material) is also utilized in flashback scenes, which gives weight to the film’s wonderful sub-narrative about the importance of mentorship. Ultimately, “Cars 3” isn’t a bad film, just a barely above average one from a studio that we’ve come to expect a lot more from.

Lammometer: 6 (out of 10)

Watch Tim’s review of “Cars 3” with Zachery Lashway on KARE 11.

Movie review: ‘Wonder Woman,’ ‘Captain Underpants’

“Wonder Woman” (PG-13)

More than 75 years after she debuted in the DC’s comic book universe, the Amazon Warrior Princess has finally gotten her due with Wonder Woman, a wonderful origins movie that marks the first live-action appearance of the character since Lynda Carter’s classic TV series that ran from 1975-79.

Marking the first solo movie for the Wonder Woman/Diana Prince (a stunning Gal Gadot) after she made her scene-stealing debut in “Batman v Superman: Dawn of Justice” in 2016, the movie takes us back to World War I, where an American spy pilot, Steve Trevor (the always great Chris Pine) crash lands in the ocean near the secret island paradise where Diana, Princess of Themyscira, was raised, and by happenstance drags her and her fellow warriors into the conflict.

Leaving behind her home to rid the world of the evil force she believes is responsible for the war, Diana finds adjusting to the outside world is a bit harder than she could have imagined — that is, until she discovers her true identity and destiny. Full of humor, heart and action, “Wonder Woman” is a must-see.

Lammometer: 8.5 (out of 10)

Hear Tim’s review of “Wonder Woman” and “Captain Underpants” with Tom Barnard on KQRS.

“Captain Underpants: The First Epic Movie” (PG) 

A different kind of superhero saves the day (or at least, tries) in “Captain Underpants: The Epic First Movie,” the first (obviously) of hopefully many movies based on the best-selling illustrated children’s book series by Dav Pilkey. Hilarious and full of heart, it’s easily the best animated movie of the year so far.

Kevin Hart and Thomas Middleditch bring glee to the voices of George and Harold, a pair of practical joking grade-schoolers who get revenge on their ultra-strict principal, Mr. Krupp (Ed Helms), who rules the school with an iron fist. Accidentally hypnotizing Mr. Krupp with a cereal box “Hypo Ring,” George and Harold convince Krupp he’s a dimwitted superhero named Captain Underpants, who wears only underwear and a cape made of office drapery. Complicating manners is a Mr. P. (Nick Kroll, who steals the show), as a villainous science teacher who is onto George and Harold’s scheme.

“Captain Underpants” separates itself from most animated movies by relying on its already clever origins material (which is expanded here and there), instead of giving into Hollywood convention and employing pop culture references, sly jokes that only adults would get, and a hip soundtrack in a vain attempt to help tell the story. It’s a refreshing take in any genre, where story matters first — and in this case “Captain Underpants” is ultimately a great story about friendship.

Lammometer: 8.5 (out of 10)

Watch Tim’s review of “Wonder Woman” and “Captain Underpants” with Adrienne Broadus on KARE 11.