On assignment for Looper.com, Tim talked with “Doctor Strange in the Multiverse of Madness” director Sam Raimi and stars Benedict Wong for Looper. Check back later this week to read the interviews!
Star Benedict Cumberbatch also answered a question from Tim at the “Doctor Strange in the Multiverse of Madness” global press event on May 1. Read what Cumberbatch had to say abouthow Doctor Strange is a role that has defined his career.
Tim Lammers reviews movies weekly for “The KQ92 Morning Show” with Tom Barnard on KQRS-FM, “Paul and Jordana” with Paul Douglas and Jordana Green on WCCO Radio, “It Matters with Kelly Cordes” on WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere, and reviews streaming programming on WCCO Radio’s “Paul and Jordana” as well. On TV, Tim has made hundreds of guest appearances on NBC affiliate KARE on the news program “KARE 11 News at 11”.
On assignment for Looper.com, Tim talked with sci-fi and fantasy icon about her new animated film “The Spine of Night,” “Ash vs. Evil Dead” and more. Click below to read the interviews on Looper!
Tim Lammers reviews movies weekly for “The KQ92 Morning Show” with Tom Barnard on KQRS-FM, “Paul and Jordana” with Paul Douglas and Jordana Green on WCCO Radio, “It Matters with Kelly Cordes” on WJON-AM, KLZZ-FM, “Let’s Talk Movies with Tim Lammers” with Tim Matthews on KRWC-AM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere, and reviews streaming programming on WCCO Radio’s “Paul and Jordana” as well. On TV, Tim has made hundreds of guest appearances on NBC affiliate KARE on the news program “KARE 11 News at 11”.
Without question, one of the most entertaining scenes during the three-season series run of STARZ’s “Ash vs. Evil Dead” happened in Season 2 in 2016, when star Dana DeLorenzo’s kick-ass Ghostbeater, Kelly Maxwell, encounters a Muppet-like hand puppet in villain Baal’s insane asylum. Named “Ashy Slashy” after the institution’s newest resident Ash Williams (Bruce Campbell), the foul-mouthed, wise-ass puppet was first introduced as a warm and fuzzy therapy companion to Ash, but quickly turned to the dark side when he met Kelly.
Two years later … just when you thought it was safe to go back to Sesame Street (or more appropriately Avenue Q) … movie and TV collectibles-maker NECA has released its second full-scale version of the Ashy Slashy hand-puppet, the Possessed Ashy Slashy. Unlike the first release of Ashy Slashy last year, the possessed version has jagged teeth and a chainsaw with its own set of teeth sticking out of its blade. In short, he’s battle-ready for those who dare to bring him to life to take a bite out of anybody who gets in his way.
In a phone conversation about “Ash vs. Evil Dead” earlier this year, DeLorenzo fondly recalled her time filming with the fuzzy little bastard, or as she famously called him in the scene, “you felt f—k!” The scene began with Ashy Slashy trying to sweet-talk Kelly, until he bares his choppers, starts up his chainsaw and an all-out throwdown begins.
Among the most memorable – and disgusting – parts of the scene was Ashy smashing Kelly’s face into a used bedpan. As it turns out, DeLorenzo recalled, producer Rob Tapert didn’t think Ashy Slashy splashy bedpan sequence “wasn’t gross enough” and had her blow bubbles to enhance the effect.
“The blowing bubbles in the bedpan was added later. It was an insane, intense 13-hour day of shooting the original scene with just the puppet, it was exceptionally complicated, it was all crew on deck with stunts and blood rigs, like when Ashy’s puppet head exploded from the gun at the end — that took almost a hour just to set up. So weeks later when Rob Tapert said, ‘We need to reshoot the puppet scene,’ and my stomach dropped, and with big eyes I asked, ‘The whole scene?’ and Rob said, ‘No, just the bedpan scene. We’re going to add something to it … we need you to blow bubbles.’ I guffawed because this is what it means to be an actor on a show called “Ash vs. Evil Dead,” DeLorenzo mused. “But hey, at least the scene was with a puppet! Not many people can say that they were in a scene where they got their head slammed into a bedpan they had to blow bubbles in by a demonic, perverted puppet.”
Of course, the duel ultimately ended with DeLorenzo saying the classic line, “Always bring a gun to a puppet fight,” where Ashy Slashy was effectively reduced to a bloody stump with Kelly’s decisive kill shot.
“That’s one of those lines that you know is sooo good and you have to resist the urge to show that you know it’s a good line and try not hitting the gas, or put your weight on it. I recalled the lessons I learned from Bruce Campbell, which was, ‘Just let it be, say the line,'” DeLorenzo recalled. “Since we filmed the scene in sequence that day, by the end I was exhausted and a little sore so it came out in a authentic way, and I think we got it in one take. What a great line. I’m in perpetual awe of writers, particularly ours.”
As it turns out, DeLorenzo said filming the Ashy Slashy fight scene was one of her favorites during the entire series – and lucky for her, she’s been immortalized in world of toys and collectibles since NECA put a photo of her kicking the puppet’s ass on the both sides of the Possessed Ashy Slashy packaging.
“Filming the scene was one my biggest challenges, but like life tends to be, the biggest challenges end up producing the biggest rewards,” DeLorenzo enthused.
Oddly enough, the Ashy Slashy scene was somewhat wish-fulfillment for DeLorenzo, although she originally imagined being a part of a much more innocent puppet scene.
“My first seedling of being an actor and an entertainer when I was 2 came with watching ‘Sesame Street,'” DeLorenzo recalled. “There were kids on there talking to puppets, and I was obsessed with Big Bird, and Bert and Ernie, so it’s always been a bucket list item. The Ashy Slashy scene was not quite that, since I never knew my puppet dreams would come true by grabbing myself in the thigh and giving myself Charley horses, but man, it was pretty close.”
Look for DeLorenzo to be sharing her stories about Ashy Slashy and other memories from “Ash vs. Evil Dead” at a pair of upcoming horror conventions in the coming months. From September 21-23, she will appear with fellow “Ash vs. Evil Dead” cast members Ted Raimi and Lindsay Farris at the New Jersey Horror Con and Film Festival in Atlantic City, New Jersey; and on October 27 and 28, DeLorenzo will appear at Crypticon Minnesota in Minneapolis along with fellow “Ash” cast member Lee Majors.
Until then, fans can now see the complete “Ash vs. Evil Dead” series with the release of “Ash vs. Evil Dead” Season 3, new on Blu-ray and DVD (STARZ/Anchor Bay).
As for the real Possessed Ashy Slashy, the puppet went for $5,102 in an “Ash vs. Evil Dead” prop auction earlier this summer via VIP Auctions. Sorry, fans: The puppet’s demise in the show was just a stunt — and a bloody good one at that!
Sadly, it’s the end of the road for “Ash vs. Evil Dead” when the series finale airs Sunday night on STARZ, but before fans start mourning the loss the show, they can take comfort in knowing that the amazing memories of it will live on not only in the episodes of the horror comedy, but in the stories about it from the likes of its bloody great cast members.
For Dana DeLorenzo, who made the ass-kicking role of Kelly Maxwell her own, she’ll always hold dear the pilot episode of the series, because it gave her the unique opportunity to work with director Sam Raimi, the architect of the “Evil Dead” universe. For a glorious 22 days, DeLorenzo and her fellow cast members shot the pilot in New Zealand, which would be the production home for the show for the entirety of its three seasons; and where she marveled at Raimi’s passion for the craft of making the impossible possible and giving “Ash vs. Evil Dead” its crucial first breaths of life.
The wonderful thing DeLorenzo discovered about the “Spider-Man” trilogy filmmaker was that he was just as much of a superhero and person off the set as he was on. In one instance, she was a first-person witness to his heroic actions as he rescued her from, appropriately, a demonically-possessed escalator in Auckland, New Zealand.
In a recent phone conversation from Los Angeles, DeLorenzo said it all occurred at SkyCity, which includes a massive tower like the Seattle Space Needle, after Raimi wrapped up his work on the “Ash vs. Evil Dead” pilot.
“It was Sam’s last night in New Zealand and we were all celebrating. Bruce and his wife, Ida, were there, me, Jill (Marie Jones) and Ray (Santiago), as well as Sam,” DeLorenzo recalled. “We were at the Sky Tower and in the center of it — I can’t even give you the scale of it because it is so big – there were two escalators that were the biggest things I’ve ever seen in my life. They went on for days.”
At the end of the night, DeLorenzo said, the group was coming down one of the monster escalators when suddenly the jovial atmosphere turned into something that you would see in, well, “Ash vs. Evil Dead.”
“We were goofing around and dancing on the way down, and I’m the first one off the first of the escalators to turn and go down the final escalator. I was wearing this very loose, stretchy, spandex-y, very wide-legged jumpsuit, and when we got to the bottom I was starting to walk, and something pulled by leg back,” DeLorenzo said. “All of a sudden, because the jumpsuit was all connected, the elastic top – strapless, by the way – starts pulling down. It’s was truly like Kelly trying to get through The Rift and I couldn’t move forward, and the jumpsuit is slowly being ripped off me from the top to the bottom. This all happened in a split-second, but it was very slow in my mind as things very terrifying at the moment are, and I screamed instinctively. I screamed because in a second I was going to be standing in the middle of Sky Tower for all to see, naked!”
DeLorenzo said as she tried to hold her top on, Jones hopped in front of her to cover her chest, and “then comes this hero Sam Raimi.”
“He jumped off the escalator in his suit and gets down on the floor on his hands and knees and starts yanking the bottom of my jumpsuit from the evil, possessed escalator,” DeLorenzo said while literally acting out the madness of the moment. “He was pulling with all his might. He was ripping and grunting because it would not rip, and finally, on the third tug, they did, and half of my pants went up the escalator – they’re gone – but luckily, Sam Raimi saved my life. I was physically being pulled into the escalator because it was that strong. I was not only about to be dragged up the escalator, but humiliation-wise, I was about to be butt-ass naked in front of half the city of Auckland, New Zealand. After saving the day, Sam slowly stood up and started brushing himself off and said, ‘Well that was sobering!’ and everyone laughed.”
While she can laugh now about the time Raimi selflessly jumped in and saved her from the demonically-possessed escalator, DeLorenzo is completely serious about the pure class of the filmmaker from the day she auditioned for “Ash vs. Evil Dead.”
“I’ve said from Day 1 since I had my screen test with Sam and Bruce, and Sam was the man behind the camera – it was an actual camcorder on a little tripod, which I loved – and in a three-piece suit, that he is both the most and least intimidating person in the room,” DeLorenzo said. “When talks to you, he is so disarming and looks at you as if no one is there, no matter what else is going on. So, I’m in this room full of producers, shaking this man’s hand who I know is the great Sam Raimi, and he is just asking me about my shoes, he’s asking how my day was, and it felt more like that I was talking to Sam the butcher at the grocery store. He then walked away, and I realized, ‘Holy shit! That was Sam Raimi!'”
DeLorenzo said she is also grateful to “Ash vs. Evil Dead” casting director Lauren Grey, who brought her in for the initial audition and callback. In addition to Grey and showrunner Craig DiGregorio, DeLorenzo feels Raimi is one of the main reasons she was cast as Kelly Maxwell.
“It was because he made me feel so comfortable,” DeLorenzo said, admirably. “Comfortable enough to do something I’ve never done in any audition – even for a commercial, let alone a production as big as this – and ask for another take and do it again.”
As fate would have it, asking for that second take is the reason fans had the opportunity to watch DeLorenzo not just play – but define – who Kelly Maxwell was through three seasons of “Ash vs. Evil Dead.”
“I owe so much to Sam, and I have taken so much away from not only the screen test with him,” she said. “He set the bar for the show for me and for the character of Kelly, and he showed so much class because of the way he collaborates with people.”
DeLorenzo said that because Raimi is such a high-profile filmmaker, he could have just said, “‘We’re going to do it this way’ and everybody would have said, ‘Yes! Sure! Fine!'”
But he didn’t.
“Instead, he set the bar and not only learned everyone’s names – and go up to everyone in-between shots, to the people doing the thankless jobs that no one ever credits them for – and ask them how their day was,” DeLorenzo said. “With me, regarding Kelly, he asked me to sit down and said, ‘I want you to help me write this scene. I want to rework this thing,’ and I said, ‘Uh, Sam, I’ll just do whatever you want!’ And he corrected me and said, ‘No. I asked you because I want you to help me.’ I was just so blown away by that.
“Sam Raimi was willing to take his baby and say, ‘I want you to have some input. I want to hear you say what you think Kelly’s backstory is and what do you think happened Kelly’s mom. Why did she die six months ago in a car accident?'” DeLorenzo added. “Because of that, it informed Kelly for me for the rest of her journey. It was so vital because that stuff matters. You might ever see that backstory on screen, but that matters and informs who I am playing. I am so indebted to Sam.”
