Tag Archives: Charlie Hunnam

Interviews: Tim talks with Zack Snyder, ‘Rebel Moon’ cast for Looper

On assignment for Looper.com, Tim talked with “Rebel Moon” writer-director Zack Snyder and the film’s cast about their new gritty sci-fi epic.

Reflecting on how the film’s story began as a pitch for the “Star Wars” universe, Snyder reflected on what remains in “Rebel Moon: Part One – A Child of Fire” from his original vision: “Mostly what it allowed is that any of the “Star Wars” iconology that you might see in the movie now that’s left over is there by design. In the end, I can’t help myself 100% from being a slight deconstructivist and taking a subversive look at the overall science fiction landscape or the sort of pantheon of mythology that we accept as our cinematic touchstones.

Read the entire interview with Zack Snyder HERE.

Q&A: Sofia Boutella & Ed Skrein

Q&A: Charlie Hunnam & Michiel Huisman

Q&A: Djimon Hounsou & Staz Nair

Q&A: Ray Fisher, Cleopatra Coleman & E. Duffy

 

Tim Lammers reviews movies weekly for the “Tom Barnard Morning Show Podcast,” “Adam & Jordana” with Adam Carter and Jordana Green on WCCO Radio, “It Matters with Kelly Cordes” on WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere, and reviews streaming programming on WCCO Radio’s “Adam & Jordana” as well. On TV, Tim has previously made hundreds of guest appearances on NBC affiliate KARE on the news program “KARE 11 News at 11” and hundreds of appearances on “The KQ Morning Show” with Tom Barnard on KQRS-FM.

Copyright 2023 DirectConversations.com

Click HERE to order the Tim Lammers eBook “Direct Conversations: The Animated Films of Tim Burton (Foreword by Tim Burton).

'Direct Conversations: The Animated Films of Tim Burton'

Movie review: Dull, predictable ‘Triple Frontier’ squanders talent

“Triple Frontier” (R)

The combination of a group of talented actors adds up to nothing in “Triple Frontier,” Netflix’s latest foray into theatrical/streaming territory. Now playing in limited release in theaters across the country, the streaming service waited a week after its big screen debut to launch it on its venerable streaming platform, which is appropriately where it belongs. There’s nothing about the film that feels cinematic, even though it employs such notable actors as Ben Affleck, Oscar Isaac, Charlie Hunnam, Garrett Hedlund and Pedro Pascal.

“Triple Frontier” aspires to be an action heist movie, where a group of struggling ex-Special Forces operatives concoct a plan to travel to zone known as “The Triple Frontier” in South America (a tri-area border located at the junction of Argentina, Brazil and Paraguay) to kill a drug kingpin and boost the $75 million in cash that he’s sitting on in a hidden jungle compound. The operation yields a much bigger stash than they ever imagined, though, and when greed kicks in and the take rises to $250 million, the stakes are raised considerably, and the group of buddies’ plan disintegrates fast.

For as much talent that’s involved in “Triple Frontier” in front of and behind the camera (“All is Lost” helmer J.C. Chandor directed, and the film is co-written and executive produced by “The Hurt Locker” screenwriter Mark Boal), it is surprisingly second rate throughout its duration. The plot is dull and predictable, and the acting, particularly by Affleck, is horrible.

Aside from a couple funny one-liners, the film is just a procedural bore that feels like it’s been told 100 times before. It’s probably a good thing Netflix is releasing the film theatrically on a limited basis, because despite the marquee talent attached, it’s essentially a dud and would have ticked off moviegoers who would have doled out their hard-earned money to see what amounts to a squandered opportunity. At least in streaming mode, they can click away to their next choice without feeling cheated out of nothing more than time.

Lammometer: 4 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2019 DirectConversations.com

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Movie review: ‘Pacific Rim: Uprising’ falls flat

“Pacific Rim: Uprising” (PG-13)

A refreshing idea from five years ago is essentially turned into the latest chapter of the dreadful “Transformers” movie series in “Pacific Rim: Uprising,” an unnecessary sequel to writer-director Guillermo del Toro’s entertaining robots vs. monsters sci-fi action thriller from 2013. Boring and predictable, not even the franchise’s engaging new lead, “Star Wars” star John Boyega, can save this action movie mishmash from being a disappointing misfire.

Boyega stars as Jake Pentecost, the estranged son of the late Stacker Pentecost (Idris Elba), a dying hero who ultimately sacrificed himself to help save the day in the first movie. With the film’s other big hero, Raleigh Beckett (Charlie Hunnam), noticeably out of the picture, Jake, a jaeger pilot who inherited the skills of maneuvering the giant robot like his father, is recruited to serve when a new threat emerges. It seems while the humans have been successfully able to keep the original film’s giant sea monsters (the kaiju) at bay, a shadowy villain has found a way to use the kaiju to turn the robots against one another.

Sadly, it shouldn’t take fans long to realize that “Pacific Rim,” del Toro’s story of monolithic sea creatures emerging from the Pacific Ocean (clearly the man has an affinity for the shape of water), has gone the “Transformers” route, a once-promising film series (the 2007 original was great) that quickly devolved into annoying exercises of crash-boom-bang filmmaking.

The low point for that series came with “Transformers: The Last Knight” last year, where a mechanically gifted streetwise orphan girl (Isabela Moner) enters the fray and joins forces with the film’s lead (Mark Wahlberg). Basically, with “Pacific Rim: Uprising,” the same thing happens, where a mechanically-gifted streetwise orphan girl (Cailee Spaeny) joins forces with Jake, leading to a predictable ending that becomes obvious 10 minutes into the movie. That’s not to say that aren’t impressive new kaiju creatures to marvel at; it’s just that it takes too long to get to them, and in-between, the film seems intent with trying to entertain its audience with a series of robot clashes.

Apart from retreaded plotlines, another huge factor that plagues “Pacific Rim: Uprising” is the film’s lack of interesting characters. True, unlike his turns in the “Star Wars” chapters “The Force Awakens” and “The Last Jedi,” Boyega gets to sport some of his natural charm (and his original British accent), but it’s not nearly enough to carry the film.

Ron Perlman, Elba and Hunnam gave the original quite a bit of weight with their charisma, as did Rinko Kikuchi (who only reprises her character for a few brief scenes), but in their stead, Scott Eastwood seems to have been given a mandate by director Stephen S. DeKnight to mimic his famous dad as much as possible. The always great Burn Gorman is about the only returning cast member who turns in an entertaining performance, while Charlie Day reprises his character with a twist, but is out of his depth considering the burden the sequel assigns his already quirky character. Unless somehow del Toro, Pearlman and Hunnam miraculously return to right the shit, it’s time to set “Pacific Rim” franchise adrift.

Lammometer: 4 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Movie reviews: ‘King Arthur: Legend of the Sword’; ‘Snatched’

“King Arthur: Legend of the Sword” (PG-13) 

Director Guy Ritchie gives the legend of King Arthur a swift kick in the pants with “King Arthur: Legend of the Sword,” an origins story starring Charlie Hunnam (“Sons of Anarchy”) in the title role of a movie that barely resembles anything you’ve seen or read of the tale before. Basically, it’s story before the Knights of the Round Table and before Guinevere, and its definitely more sword and sorcery than it is a medieval battle tale,

Ultimately, “King Arthur: Legend of the Sword” is more like a “Lord of the Rings” or “Hobbit” film than anything else — except that it’s peppered by Ritchie’s breakneck, stylish pacing and fast-talking dialogue until it crumbles into a run-of-the-mill action movie formula in its third act.  If you can free your mind of anything you’ve known of King Arthur before this, you’ll likely find the film fairly entertaining. If you’re a devotee of the Arthurian literary tradition, get ready to hate it with a passion.

Lammometer: 6 out of 10

Listen to Tim’s review of “King Arthur: Legend of the Sword” and “Snatched” with Tom Barnard on KQRS.

“Snatched” (R) 

Two years after the success of her comedy “Trainwreck,” Amy Schumer is back on track — or at least partially — with “Snatched,” an action comedy that co-stars film great Goldie Hawn. Schumer plays Emily, a woman jilted by her boyfriend shortly before a big trip to Ecuador. In an act of desperation, she invites her over-cautious mother (Hawn) with as a replacement.

Charmed by a British man she meets at a resort bar, Emily fails to realize it’s a set-up for something far more sinister. The next day, Emily and her mom are kidnapped by thugs for ransom; but quickly escape and try to navigate the jungles of the Amazon as they bumble their way to safety.

Fans of Schumer’s will enjoy the comedian’s explicit brand of comedy throughout, while others will run out of patience after the film’s funny set-up. There’s just nothing humorous about people getting snatched by murderous thugs in a foreign country, which leads to a very uncomfortable premise for the bulk of the film as Schumer tries to mine humor in a very precarious situation.

Lammometer: 5.5 out of 10

Watch Tim’s review of “King Arthur: Legend of the Sword” and “Snatched” with Adrienne Broadus on KARE 11.