Tim joined Tom Barnard and the Morning Show crew on the “The KQ Morning Show” on KQRS-FM Thursday to review the new theatrical release “No Time to Doe” and theatrical/Premium Video on Demand release “The Addams Family 2.” On Friday, Tim joined Paul Douglas and Jordana Green on the “Paul and Jordana” show on WCCO-AM to talk about the films as well. Click to listen to below. All of Tim’s segments are brought to you by Michael Bryant and Bradshaw & Bryant.
Tim Lammers reviews movies weekly for “The KQ92 Morning Show” with Tom Barnard on KQRS-FM, “Paul and Jordana” with Paul Douglas and Jordana Green on WCCO Radio, “It Matters with Kelly Cordes” on WJON-AM, KLZZ-FM, “Let’s Talk Movies with Tim Lammers” with Tim Matthews on KRWC-AM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere, and reviews streaming programming on WCCO Radio’s “Paul and Jordana” as well. On TV, Tim has made hundreds of guest appearances on NBC affiliate KARE on the news program “KARE 11 News at 11”.
Lisbeth Salander is back on the big screen after a seven-year absence in “The Girl in the Spider’s Web: A new Dragon Tattoo Story,” a sequel of sorts to the critically acclaimed but financially disappointing “The Girl with the Dragon Tattoo.”
Despite the star power of Rooney Mara (who earned a Best Supporting Actress Oscar nomination) as Lisbeth and Daniel Craig as investigative journalist Mikael Blomkvist, the David Fincher-helmed crime thriller clearly didn’t excite Sony Pictures enough to move forward and adapt the final two books in late Swedish author Steig Larsson’s Millennium Trilogy; yet the studio found a way to revive the franchise with completely new faces in front of an behind the camera. As a result, movie fans are getting a soft reboot with “The Girl in the Spider’s Web,” based on the 2015 novel by David Lagercrantz that continues Lisbeth’s story where Larsson left off.
With “The Girl in the Spider’s Web,” “The Crown” star Claire Foy assumes the mantle of Lisbeth Salander, who remains haunted by the abusive father and the sister held captive by him after she managed to escape from their massive estate. A survivor of sexual abuse herself (which she exacted revenge for in “The Girl in the Dragon Tattoo”), Lisbeth continues to be a vigilante for women who have suffered a similar fate, as well as continues to use her brilliant mind to hack into a government computer to recover nuclear launch codes that could mean the end of the world if they fall into the wrong.
Yes, “The Girl in the Spider’s Web” has the gritty feel and the twists and intrigue of ‘The Girl with the Dragon Tattoo,” but ultimately, with its hyperkinetic action and high-tech ambitions, it feels more like a James Bond adventure … without Daniel Craig. Perhaps that’s why they couldn’t lure Craig back to the franchise, because it’s too much like a James Bond film, and a faded version of 2011’s “Dragon Tattoo” that couldn’t quite find enough steam to launch a lucrative movie series.
Lammometer: 6 (out of 10)
Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.
James Bond has tumbled from the greatness of “Skyfall” back into familiar territory with “Spectre,” an underwhelming follow-up to the phenomenal 007 blockbuster in 2012. Diehard fans of the famed British superspy will still likely be satisfied with the film, but those looking for something new and fresh from the character will be disappointed.
The plot feels familiar, and in some ways it should since the film reboots a classic character and underground criminal organization. Bond (Daniel Craig), acting on a posthumous message from M (Judi Dench), is told to hunt down and kill a member of a nefarious organization (which plays out in a spectacular opening sequence), which will lead him to a much bigger conspiracy. The organization is SPECTRE, led by the mysterious villain Oberhauser (Christoph Waltz), who, through global surveillance, is about to put a chokehold on the world. As the plot unfolds, a familiar name in Bond lore emerges, a move that actually hearkens “Austin Powers” more than 007.
Clocking in at nearly 2 1/2 hours, “Spectre” works from an action standpoint, as director Sam Mendes creatively finds way to keep the film moving as the plot unfurls. The acting, naturally, is solid, led by the edgy Craig in his fourth turn as 007, joined by Ralph Fiennes as the new M, Naomie Harris as Moneypenny and Ben Wishaw as Q. New to the cast is Lea Seydoux, who is alluring as Madeleine Swann, the daughter of a SPECTRE defector who knows her way inside the organization; and Dave Bautista has a big presence as Hinx, an Oddjob-like henchman who, sadly, is only given one word of dialogue throughout the whole film.
Unlike “Skyfall,” which concentrated more on the mystery behind Bond the man, “Spectre” retreats back to the sort of procedural plots that has plagued so many 007 movies. In fact, the movie is so by-the-numbers – Bond is an insubordinate and the 00 program is threatened; Bond meets and seduces women; the bad guy plans world domination, etc. – that you can’t help but wonder how much longer the 007 franchise can last. Bond’s world needs to be shaken up (not stirred) — and fast.
In brief …
“The Peanuts Movie” (G) 3 1/2 stars (out of 4)
The late, great Charles M. Schulz’s comic-strip-turned-hand drawn animation characters vibrantly come to life in computer-animated form in “The Peanuts Movie,” a wonderfully warm reintroduction to Charlie Brown, Lucy, Linus, Schroeder, Snoopy and the entire Peanuts gang.
The premise is fairly simple – Charlie Brown (voiced by Noah Schnapp), troubled by insecurity and perceived failures, vies for the attention of a new girl in class, all while learning to cope with positive attention when he pulls off a remarkable score on a test. Meanwhile, Snoopy’s nemesis the Red Baron is back, and the intuitive beagle takes chase while typing out his thoughts atop his dog house in Charlie Brown’s yard.
“The Peanuts Movie” has everything you love about Peanuts and Charlie Brown – the music, vibe, humor, heart and overall spirit of the characters as the voices sound exactly like the voices of the classic TV specials. It’s a perfect film for kids and parents – especially those who grew up with the Peanuts holiday specials. The big difference is the 3D, which is terrific. Don’t be late, as a pre-movie segment by the cast features some 3D visuals that jump off of the screen.
Original Interviews, Reviews & More By Tim Lammers