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Interview flashback: Talking ‘Thor’ with Chris Hemsworth in 2011

In May 2011, I had the opportunity to talk with a relative newcomer to Hollywood, a nice Aussie actor named Chris Hemsworth, who would go on to star in one of the most successful film franchises of all-time in the Marvel Cinematic Universe. In celebration of the release of “Avengers: Endgame,” here’s that interview:

Although his appearance in “Star Trek” was brief, Chris Hemsworth’s emotionally-charged turn as Captain George Kirk in the 2009 blockbuster certainly made people take notice — including director Kenneth Branagh, who was looking for a star to anchor his film about the Norse God of Thunder.

“‘Star Trek’ actually came out when I was auditioning for ‘Thor’ — and Ken has said he had seen the film and was impressed,” Hemsworth said in a recent interview. “It was perfect timing.”

Oddly enough, Hemsworth, an Australian native, had precious little time to prepare for small, but pivotal role as the father of the iconic James T. Kirk.

“I was cast on Friday night at (director) J.J. Abrams’ office. He said ‘You got the job — you start Monday,'” Hemsworth recalled with a laugh.  “I didn’t know much about what I was doing, but I left myself open and available to what I was doing and tried to find the truth in it. It was a lot of fun.”

While George Kirk was captain of his ship for 12 minutes, “Thor” definitely puts Hemsworth in command of the whole film, opening in theaters nationwide on Friday. The major difference is, while Kirk was a selfless individual who sacrificed himself for 800 others, Thor, when we first meet him, is the complete opposite: arrogant, selfish and hot-headed.

Lucky for Hemsworth, Thor’s attitude only represented his beginnings in an eventful character arc.

“That was the big incentive for me in wanting to get the part — I prefer, personally, a part that presents a lot of contrast,” Hemsworth said. “I wanted to get a part that was unpredictable because as people we’re unpredictable. You want to surprise an audience, and challenge their interpretation or views on who they think the character is. It makes the character certainly more interesting to watch, and certainly the script allowed for room to do that.”

Based on the legendary Marvel comic book series created by Stan Lee and Jack Kirby, “Thor” chronicles the character’s exploits in epic fashion: from his reckless ways as a powerful but petulant warrior in the mystical realm of Asgard, to his banishment to Earth by his father, King Odin (Anthony Hopkins). It’s there where Thor meets research scientist Jane Foster (Natalie Portman), and must adapt from prince to pauper if he is to live among the humans and ultimately learn humility. And it’s where he will eventually have to face the dark forces sent from his world to protect the innocent of his new home.

Photo: Marvel Studios
Chris Hemsworth and Anthony Hopkins in “Thor”

The Shakespearean factor

While there were concerns expressed by the comic book’s faithful fans with the selection of a Shakespearean director in to helm “Thor,” Hemsworth said he never had a doubt in his mind that Branagh — who’s film adaptations include The Bard’s “Hamlet,” “Henry V,” “Much Ado About Nothing” and “As You Like It” — was more than suited for the job.

“He’s kind of perfect if you think about it, with his Shakespearean background, because there’s an old English feel to this film and he knows that feel better than anyone,” Hemsworth observed. “Odin, Thor and that world pretty much represents the Royal Family with kings and queens. Thor’s journey is pretty much like ‘Henry V,’ which he did an Academy Award-nominated version of. For me, he was perfect — a resource of knowledge of the regality of that world.”

The bonus, Branagh offered in a separate interview, is that the tale of “Thor” has inherent Shakespearean qualities.

“The Marvel treatment of the Norse myth to attain, achieve and aspire to a god-like quality in themselves, whatever that might be — piece of mind or generosity of spirit — and reassessing what that means,” Branagh said. “That dichotomy, that paradox, that tension — between god and man, man aspiring to be god-like, and gods dealing to be human-like — is a kind of tension and exploration of the inner-life of a character that is very Shakespearean. ”

“I think in both cases, with a Shakespeare play like ‘Henry V’ and with a tale like ‘Thor,’ all of that is wrapped up adventure tale,” Branagh added. “That’s where those two intersect.”

Building the perfect Thor

While Hemsworth said he benefited from being in the company of Branagh, as well as such acting stalwarts as Hopkins, Portman, Stellan Skarsgard and Tom Hiddleston (who plays Thor’s conniving brother, Loki), it was entirely up to 6-foot-3 performer to when it came to building Thor’s massive, sculpted body.

“It took a good five or sixth months of force-feeding myself buckets of protein, and then spending six or seven days a week in the gym,” Hemsworth said. “I’ve always been pretty active and played a lot of sports, but I’ve never lifted weights, so this was a whole new thing for me. My body didn’t set well with that weight, eating tons and tons.”

And, as Hemsworth found, the regimen didn’t stop when filming began. After all, he had to be ripped when it came time for removing his shirt (and see Portman’s and co-star Kat Dennings’ jaws drop collectively).

“I had to keep up with it because the shirtless scene was about three-quarters through the shoot,” Hemsworth said. “It meant at the end of a 16-hour day, I’d have to get into the gym. It was very exhausting. It was a good thing that I was prepared for it all.”

Photo: Marvel Studios
Chris Hemsworth in “Thor”

For the time being, Hemsworth, 27, said the workouts will continue, thanks to his role in writer-director Joss Whedon’s Marvel superhero ensemble extravaganza “The Avengers,” which is set for a May 4, 2012, release. Thor and Loki will be featured in the film, along with several other Marvel legends including Ironman (Robert Downey Jr.), Captain America (Chris Evans), Nick Fury (Samuel L. Jackson), Black Widow (Scarlett Johansson), Hawkeye (Jeremy Renner) and Bruce Banner (Mark Ruffalo)/The Incredible Hulk (voice of Lou Ferrigno).

Hemsworth, naturally, couldn’t provide any plot details of the film, but assured his turn in the film will be much more than a cameo.

“The film certainly is the next step for Thor, and I was impressed how Joss managed to bring all these characters together and give them and equal sort of story and time,” Hemsworth said. “It’s going to be quite an iconic moment to see all those superheroes on screen together.”

Plus, being on the film will give Hemsworth another chance to snag Thor’s thunderous hammer — formally known as his Mjolnir — since he didn’t get to keep the prop from the first time around.

“They didn’t offer me one so I had every intention of just stealing it — so I missed my opportunity, unfortunately and came away hammerless,” Hemsworth joked. “In ‘The Avengers’ I’ll try getting another one.”

If they see Hemsworth driving off with a weighed down trunk, though, he’s sure to get busted.

“Security will strip me down and take it back,” Hemsworth said, laughing.

But hey, at least he’ll get to embarrass them with his ripped body.

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2019 DirectConversations.com

Tim Burton Book 2
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Movie review: ‘Endgame’ exhilarating, emotional ending to ‘Avengers’ saga


VIDEO: Tim reviews “Avengers: Endgame” with Adrienne Broaddus on “KARE 11 News at 11.”

“Avengers: End Game” (PG-13)

The end is here at last for the first sprawling saga in the Marvel Cinematic Universe with “Avengers: Endgame,” an exhilarating and emotionally charged wrap-up of the 22-film saga that began with Robert Downey Jr. and “Iron Man” in 2008.

Of those 21 previous MCU films, three involved the gathering of the Marvel’s mightiest superheroes to form the Avengers – lighter films that took a deathly serious turn with “Avengers: Infinity War” last year. In it, of course, the omnipotent villain Thanos acquired all six Infinity Stones, which together gave him the power to wipe out half the universe’s population with the snap of his fingers.


AUDIO: Hear Tim’s spoiler-free review of “Avengers: Endgame” with Tom Barnard on “The KQ Morning Show” on KQRS-FM.

Now, avoiding spoilers at all costs, it’s safe to say Earth looks holy hell in the wake of Thanos’ purging, and the surviving members have a choice to make: To cut their losses and embrace what little life has left for them — or take a risk and act on a couple glimmers of hope that emerge that will give them a chance to turn the tables on Thanos.

While “Avengers: End Game” is 3 hours and 1 minute long, it surprisingly doesn’t feel any longer than “Infinity War,” which was 2 hours and 29 minutes. The extensive run time allows for “Endgame” a more human story than we’ve seen from “The Avengers” before, and a much larger and yes, very complicated build-up to an inevitable showdown in the film’s third act.

The great thing about “Endgame “is that it doesn’t take the obvious route I thought the film would take assessing the ending of “Infinity War.” Instead, it goes with a much more challenging route, and despite the plot’s complexities, “Endgame” still manages to be extremely entertaining from an action and comedy standpoint before it packs some serious emotional wallop to wrap up the film.

Downey saves his best performance as Iron Man for last, shuttering his wise-ass, billionaire industrialist attitude to become a broken yet grateful man humbled by events of “Infinity War.” Instead, Thor (Chris Hemsworth) and Hulk (Mark Ruffalo) are the scene-stealers this time around from a comedic standpoint, surrounded by familiar faces from the “Avengers” films who keep the story in a proper balance. The film also includes an appearance, naturally, from Captain Marvel (Brie Larson), the latest MCU member who promises to lead future films in the franchise.

Despite the overly ambitious narrative that drives the film (that will no doubt challenge its audiences as they try to unpack it all), fans will no doubt be enamored by “Endgame.” True, some tough creative decisions were made to give this chapter of “The Avengers” some emotional weight, but in the end, they were necessary to serve the story; the culmination of one of the greatest superhero franchises of all time.

Lammometer: 8 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2019 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie review: ‘The Curse of La Llorona’ earns rightful place in Conjuring Universe

“The Curse of La Llorona” (R)

The Conjuring Universe has added another thrilling new chapter to its already impressive library of films with “The Curse of La Llorona,” a scary good ghost chiller that tells the haunting story of the “Weeping Woman” of Latin American folklore. True, “The Curse of La Llorona” is far from a groundbreaking, but it still importantly maintains the tone and creepy atmosphere of the previous Conjuring Universe films.

For those unfamiliar with the tale, “The Curse of La Llorona” is rooted in a tragedy in the early 1600s, when a young mother drowns her sons as a way of punishing her husband for his cheating ways. Fast-forward to the early 1970s, where the evil spirit of the Weeping Woman attaches herself to a social worker (Linda Cardellini) with two young children who she wants to claim as her own.


AUDIO: Reviewing “The Curse of La Llorona” with Tom Barnard on “The KQ Morning Show” on KQRS-FM.

Much like the previous chapters in producers James Wan and Gary Dauberman’s Conjuring Universe (“The Conjuring and its sequel, “Annabelle” and its sequel, and “The Nun”), “The Curse of La Llorona” expertly employs basic but very effective filmmaking techniques. All of the right elements are there, from tension building up to jump scares to a piss-your-pants scary apparition of the Weeping Woman (Marisol Ramirez) to a very capable cast telling the story – even though the script has the human characters woefully walking into situations most people with common sense would avoid.

Interview: Patrick Wilson talks “The Conjuring”

Like the other Conjuring Universe entries, “The Curse of La Llorona” includes crossover characters as a way to tie sprawling tale together. Since the scenes involving these crossover characters enter the story in a sensible way, it will be interesting to see how any of the other characters – including an ex-priest-turned-evil-spirit-vanquisher (Raymond Cruz, who effectively brings the film its comic relief) – will come into play in future Conjuring Universe offerings.

Given the fact that “The Curse of La Llorona” is largely set in 1973 (the same time frame as the first “Conjuring” movie) and director Michael Chaves is also set to helm “The Conjuring 3” in 2020, chances seem good that we haven’t seen the last of the Weeping Woman, a menacing spirit who has rightfully earned her place in the inventive halls of horror created by Wan and Dauberman.

Lammometer: 7.5 (out of 10)


AUDIO: Reviewing “The Curse of La Llorona” with Paul Douglas on “Paul and Jordana” on WCCO-AM.

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2019 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Interview: Olivia Newton-John talks new memoir ‘Don’t Stop Believin”

No, the title of Olivia Newton-John’s new memoir “Don’t Stop Believin’’” wasn’t inspired by a certain rock band’s legendary rock anthem, but the legendary singer and actress’ life has been a journey, nonetheless.

Newton-John, 70, admitted in recent phone conversation from California that she never intended on revealing several intimate details about her amazing life in the spotlight and behind the scenes, until news of an unauthorized biopic being made in her home country of Australia prompted her to start writing the tome simply because she wanted admirers to get the right story directly from the source.

“I haven’t seen it yet, but by all accounts, it isn’t bad,” Newton-John said. “I didn’t know that at the time, though, so I thought I better cover myself and that film was what inspired me to get the book started, and I enjoyed it.”

Taken from the name from her own hit single, “Don’t Stop Believin’” (Gallery Books/Simon & Schuster) chronicles several personal moments in Newton-John’s life extending back to childhood, yet covers many of her professional achievements as a chart-topping singer (with hits like “If Not For You,” “I Honestly Love You,” “A Little More Love” and the monster hit “Physical”) and starring opposite John Travolta in the legendary movie musical “Grease” (which spawned the hits “Summer Nights” and “Hopelessly Devoted to You”).

Released 41 years ago this June, Newton-John is thrilled that “Grease” became not only a hit in the United States, but a worldwide blockbuster — and she doesn’t mind that fans continue to associate her with the iconic role of Sandy Olsson. After all, the film, along with the 1980 musical “Xanadu” has had such of a positive impact on people’s lives — and being positive is what Newton-John is all about.

“I’m happy to embrace ‘Grease.’ I’m very lucky to be part of a movie that is still so beloved,” Newton-John enthused. I mean, how many people can have the experience of being in a film that not only people love, but that is still being talked about 40 years later? I’ve always been very grateful for it. I haven’t been in many films, but to be in ‘Grease’ and ‘Xanadu’ — both musicals that people have really enjoyed — and to dance with John Travolta and Gene Kelly in one lifetime? I was dancing with the stars way before it was popular, so I think I was very lucky.”

Winning over cancer

Newton-John isn’t afraid to broach painful topics in her memoir, though, including three challenges with breast cancer (she doesn’t like to characterize them as battles, but “winning” instead). Even then, Newton-John found a silver lining, raising awareness of the disease by becoming an advocate. Among her proudest achievements is her help creating and lending her name to the Olivia Newton-John Cancer Wellness and Research Centre in Melbourne.

It was an amazing gift to be offered that opportunity. I didn’t know how we were going raise the money when we started since we had to raise nearly $200 million (to build it), Newton-John recalled of the beginnings of the facility, which opened in 2012. So, we just started doing a bunch of things to raise money for it like walking the Great Wall of China. It was such of an amazing thing to see the dream come true and now it’s a wonderful, functioning cancer wellness and research center and I got to experience it on my 70th birthday. It was the culmination of an amazing dream.

Essentially, Newton-John has always lived a life reinforced by positivity. True, she recognizes that cancer is dreadful disease, but she’s also maintained the will that, in a way, echoes a line in her classic hit “Magic” — “nothing can stand in our way.”

You can’t talk about your illness all the time and feel sorry for yourself. There is someone always worse off, Newton-John said.I’m breathing and lucky, and you have to keep that in mind because you create your world by what you think, what you believe. It’s all in your head. So, you have to keep your thoughts positive and make your world that way.

Photo: Gallery Books/Simon & Schuster

Being positive is something that was instituted in Newton-John as a young girl by her parents, and because of that, she’s essentially adopted the mantra, If you want it, create it. We create what we believe.

It’s worked for me in my life. If you work toward things and you can’t make them happen, you keep working toward them and you don’t give up, Newton-John said. The show must go on and you don’t give up. I learned that from my mom and dad, who were both really hard-working people and were very inspiring to me. I wasn’t overly praised, though. My dad would say, ‘Well done,’ and that was big praise. I’ve had an interesting life and a fabulous one.

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2019 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!