10. “The Greatest Showman” A lot of critics hated it, but I loved it. Hugh Jackman is in his element in this feel-great (albeit not historically accurate) movie about circus impresario P.T. Barnum.

9. “Coco” Disney-Pixar dazzles once more in the colorful spectacle the honors the traditions of family, music and paying respects to the deceased. The film expertly captures emotions across the board.

8. “War for the Planet of the Apes” The perfect ending to one of best movie series reboots ever. Andy Serkis is stellar in his motion capture performance as Caesar, in a medium that he has almost singlehandedly defined.

Hear Tim’s take on the year’s top 5 films with Tom Barnard on “The KQ92 Morning Show” (segment begins 9 minutes in).

7. “Logan” Hugh Jackman finally gets his wish and delivers a hard-edged, R-rated story of Wolverine, a swan song to the character flanked by brilliant performances by Patrick Stewart and newcomer Dafne Keen, and expert direction by James Mangold.

6. “The Disaster Artist” James Franco is otherworldly as the director and star in this bizarre opus about Tommy Wiseau, a mysterious film star wannabe with deep pockets who self-finances what many dubbed the “Citizen Kane of Bad Movies” — a film that went on to become the midnight movie cult classic “The Room.”

5. “Star Wars: The Last Jedi” The eighth film in the Skywalker family saga not only captures the tone of the original “Star Wars” films, it elevates the franchise to a whole new level with unexpected plot turns and developments by writer-director Rian Johnson. After his stunning debut at the helm of “Episode VII,” it will be exciting to see what Johnson creates for the upcoming fourth “Star Wars” trilogy.

4. “I, Tonya” Several critics have called this movie “The ‘Goodfellas’ of figure skating,” and it couldn’t be more on the mark. Often told from a first-person perspective that breaks the fourth wall, Tonya Harding (brilliantly realized by Margot Robbie), should finally feel vindicated after becoming the most hated woman in America after the infamous Nancy Kerrigan leg-rapping incident before the 1994 Winter Olympics.

3. “Three Billboards Outside Ebbing, Missouri” The power trio of Frances McDormand, Woody Harrelson and Sam Rockwell gather to realize writer-director Martin McDonagh’s riveting yet darkly comedic tale about a woman who harasses local law enforcement when they fail for years to yield any leads in her daughter’s murder case.

2. “Darkest Hour” Gary Oldman gives a career performance as British Prime Minister Winston Churchill in riveting historical tale recalling how Churchill stood up to all detractors as Hitler’s forces came dangerously close to seizing all of Europe and changing the face of history forever. If Oldman isn’t awarded a Best Actor Oscar for this, the Motion Picture Academy will have lost all its credibility.

1. “The Shape of Water” Guillermo del Toro meticulously constructs the most fascinating tale of the year, which feels like an homage to “Creature from the Black Lagoon” yet ventures into uncharted waters by playing up the romantic angle between two central characters that was never fully realized in the 1954 classic. Featuring affecting performances by Sally Hawkins and Richard Jenkins, along with an iconic turn by Doug Jones as the filmmaker’s version of the gill-man, “The Shape of Water” is easily del Toro’s best.

Honorable mentions: “Dunkirk,” “Thor: Ragnarok,” “Wonder Woman,” “Loving Vincent,” “Thank You for Your Service,” “IT,” “Split,” “Alien: Covenant,” “Baby Driver,” “Murder on the Orient Express.”

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.