Tim joined Tom Barnard and the morning show crew on the “The KQ Morning Show” on KQRS-FM to review the new theatrical release “Jurassic World: Dominion.” Tim also reviewed the films with guest host John Hines on the “Paul and Jordana” show on WCCO-AM on Friday, as well as Kelly Cordes on “It Matters with Kelly Cordes” on WJON-AM and KLZZ-FM. Click to listen to below. All of Tim’s segments are brought to you by Michael Bryant, and Bradshaw and Bryant.
ABOVE: Tim reviews “Jurassic World: Dominion” with Kelly Cordes
Tim Lammers reviews movies weekly for “The KQ92 Morning Show” with Tom Barnard on KQRS-FM, “Paul and Jordana” with Paul Douglas and Jordana Green on WCCO Radio, “It Matters with Kelly Cordes” on WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere, and reviews streaming programming on WCCO Radio’s “Paul and Jordana” as well. On TV, Tim has made hundreds of guest appearances on NBC affiliate KARE on the news program “KARE 11 News at 11”.
Christmas is less than a week out and you’re in panic mode, wracking your brains over what to get family members and friends. But if you think for a minute and realize the people you love are big movie fans, then there are plenty of reel cool ideas, so to speak, right within your reach.
That’s because Christmastime is about toys, and when you combine the passion of moviegoing with the inner child of said moviegoers, there are plenty of cool movie toys that shoppers can find. There’s plenty to pick from out there, whether they’re based on classic characters with cult followings that appeal to adult collectors or those with a broader appeal appropriate for all ages.
So, as you prepare your last-minute lists, here are a few options for the movie lover in your life:
Simply put, specialty toy and collectibles company NECA is a movie lovers dream, producing action figures of characters you never thought were possible. Being a fan of horror films and fantasy, the company this year finished up their Guillermo del Toro Signature Series (more, please?), which produced 6- to 7-inch characters from the Oscar-winning filmmakers’ most acclaimed works. This year’s offerings include Amphibian Man from the director’s best picture Academy Award-winning film “The Shape of Water,” and the Faun from his Oscar-nominated film “Pan’s Labyrinth.”
On the horror film side, the company produced figures this year from the classic “Halloween” films and 40 years-in-the-making sequel (including a butt-kicking Jamie Lee Curtis’ Laurie Strode figure) and more figures based on Stephen King’s “IT” and “IT: Chapter Two”; and from the Conjuring Universe, the title character from “The Nun” and most recently, the Crooked Man from “The Conjuring 2.”
Also, the company has taken the creative route and given several iconic horror characters with their Toony Terrors line with animated, stylized versions of Freddy Kruger from “A Nightmare on Elm Street,” Jason from “Friday the 13th and the 1990 and 2017 versions of Pennywise the Dancing Clown from “IT.” The second wave includes Pinhead from “Hellraiser,” Michael Myers from “Halloween,” Chucky and Tiffany from the “Child’s Play” films and Leatherface from “The Texas Chainsaw Massacre.”
On the sci-fi side, NECA has just released new versions of the Terminator (Arnold Schwarzenegger) and Sarah Connor (Linda Hamilton) based on their appearances in the latest film in the series, “Terminator: Dark Fate” and more aliens and Ripley (Sigourney Weaver) from “Alien: Resurrection.”
According to “Alien” movie legend, “in space, no one can hear you scream,” but that hasn’t prevented Hasbro from making big noise with its “Star Wars” line as the final film in the Skywalker saga, “Star Wars: The Rise of Skywalker,” makes it hotly anticipated debut in theaters Friday.
New in the company’s Black Series line (collector-friendly 6-inch scale action figures) from the film are Rey (Daisy Ridley), KyloRen (Adam Driver) and a Sith Trooper (a red version of a Stormtrooper) and Jet Trooper; as well as figures from the hit new Disney+ series “The Mandalorian” including the title character (Pablo Pascal) and Cara Dune (Gina Carano). Sorry, kids, no Baby Yoda figures and toys are available until spring.
The company also has new versions of the film’s iconic lightsaber and motorized versions of the droid D-O, which makes its debut in “The Rise of Skywalker.” Also, on the kid-friendly side, Hasbro has its Galaxy of Adventures line, which includes droids and characters from all films in the saga presented in a stylized, animated form. And speaking of animation, you can’t browse a toy aisle for too long before finding Anna, Elsa, Olaf, Kristoff and other characters from “Frozen II.”
If dinosaurs are your thing, Mattel has you covered with its “Jurassic Park” and “Jurassic World” line, featuring characters and dinosaurs from the classic trilogy and new films. The company’s latest offering is a 6-inch figure of Dr. Ian Malcolm (Jeff Goldblum) from his appearance in the original films.
Lastly, Mego, which made a splash in the 1970s for its stylized, 8-inch doll line, continues its renaissance with new several new releases based on Universal Monsters characters, “Star Trek” movie greats and characters from Peter Jackson’s “The Lord of the Rings” trilogy.
Tim Lammers reviews movies weekly for “The KQ92 Morning Show” on KQRS-FM, “Paul and Jordana” on WCCO Radio, “It Matters with Kelly Cordes on WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere, and reviews streaming programming on WCCO Radio’s “Paul and Jordana” as well. On TV, Tim has made hundreds of guest appearances on “KARE 11 News at 11” (NBC).
Oh, how the mighty have fallen with “Jurassic World: Fallen Kingdom,” the hotly anticipated sequel to the 2015 mega blockbuster “Jurassic World” and fourth installment in the “Jurassic Park” series. Dark and bleak with no real fun to be had, “Fallen Kingdom” isn’t a bad film, at least from the technical standpoint, where the dinosaurs are as big and loud and scary as ever. Instead, the burden falls on the creatives, who clearly found out that the once-inspired story line of bringing dinosaurs back to life through the wonders of DNA is close to running its course.
“Jurassic World: Fallen Kingdom” is set three years after the last film, and it appears theme park on the (fictional) Isla Nubar off Costa Rica is doomed by erupting volcanos. And while the island is unoccupied by humans, the government is faced with the excruciating decision of trying to save all the cloned dinosaur species or simply let the monolithic creatures become extinct once again, perhaps forever.
Tim reviews “Jurassic World: Fallen Kingdom” with Adrienne Broaddus on KARE 11.
Despite the havoc wreaked by the dinosaurs in the first film, Jurassic World operator Claire Dearing (Bryce Dallas Howard) is intent on preserving the creatures, and she seems to have found a viable solution when the partner to late Jurassic Park founder John Hammond (Richard Attenborough), Benjamin Lockwood (James Cromwell) funds a mission to transport about a dozen dinosaur species to an island sanctuary where they will be free to roam the way nature intended. The mission can’t be completed, however, without the help of Claire and dinosaur wrangler Owen Grady (Chris Pratt), who soon enough learn they are pawns in a plan to use the dinosaurs for sinister purposes.
AUDIO: Listen to Tim’s review of “Jurassic World: Fallen Kingdom” on “The KQ Morning Show” with Tom Barnard.
Admittedly, director J.A. Boyona and co-screenwriters Derek Connolly and Colin Trevorrow (who directed the first “Jurassic World”) are in a tough spot when it comes to expanding the already limited “Jurassic” saga storyline with “Jurassic World: Fallen Kingdom.” Let’s say they move the dinosaurs to a sanctuary where they live in peace and nobody sees or interacts with them, then you have a boring movie. If another park is created, then it’s a rip-off of the previous movies.
All that’s left, at least as far as this film is concerned, is having the dinosaurs fall into the wrong hands of people with (what else?) deadly intentions. Worse yet, the story is predictable almost from the get-go, from the time Claire and Owen meet the operation’s commander (Ted Levine) who is saddled with all the classic traits of ne’er do-well up to no good.
Despite its predictability, “Jurassic World” still manages to be entertaining, especially when its dinosaurs (in particular the genetically altered ones) go on the rampage against their weak human counterparts. No matter how many times you’ve seen it happen, whether in the original “Jurassic Park” trilogy or “Jurassic World,” there’s nothing that gets stale about an effective CG dinosaur relentlessly pursuing their human prey. In fact, like the first film, the sequences are so jarring that it makes you wonder just how the studio got away with a PG-13 rating, when the violence clearly merits an R.
While the first “Jurassic World” felt fresh, fun and inventive, “Fallen Kingdom” is doomed by taking itself too seriously. To begin with, while Pratt played his role fairly straight-up the first time around but was still amusing, he’s only afforded a few times to lighten the mood in “Fallen Kingdom.” Howard seems to be given less to work with in the film, too, including those pesky high heels which were swapped out for boots this time around. The biggest waste of talent, though, comes with the bait-and-switch move Universal pulled with original “Jurassic Park” star Jeff Goldblum, who reprises his Ian Malcolm for a pair of brief scenes where he shows none of his trademark, wry sense of humor whatsoever.
With any luck, Trevorrow, who is on board to helm the third film, will bring Goldblum back and give him some meaningful screen time if “Jurassic World” has any chance of being restored to its former glory.
Lammometer: 6 (out of 10)
Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.
VIDEO: See Tim’s review of the film with Adrienne Broaddus on KARE-TV (NBC Minneapolis).
Chris Hemsworth is back and funnier than ever as the God of Thunder in “Thor: Ragnarok,” an action comedy-style adventure that diverts from the path established by the first two “Thor” movies and as a result, thrives through the kaleidoscopic vision of director Taika Waititi.
The film doesn’t waste any time raising the stakes for Thor, who learns while in the capture of the fiery demon Surtur (voice of Clancy Brown) that his home planet of Asgard is facing Ragnarok – the end of days – which he thinks he puts a temporary stop to.
That all changes, though, when his father, Odin (Anthony Hopkins) warns Thor and his brother, Loki (Tom Hiddleston) that Hela, the Goddess of Death (Cate Blanchett) has broken out of her imprisoned existence and is coming to Asgard to wreak havoc. In their first attempt to stop her, both Thor and Loki are cast off to the junk planet of Sakaar, where its savvy ruler Grandmaster (Jeff Goldblum) features Hulk (Mark Ruffalo) in gladiator-style battles to entertain the planet’s inhabitants.
But with his powers restricted after being captured by the bounty hunter, Valkyrie (Tessa Thompson), Thor must first find a way to convince Hulk (Mark Ruffalo) to revert to Bruce Banner to escape from Grandmaster’s clutches to get back to Asgard to face off against Hela, whose powers are growing stronger by the minute.
While the first two Thor films weren’t overly serious, “Thor: Ragnarok” establishes almost from its opening frames that it will be marching to the beat of a different – and very funny – drummer. Yes, serious things do happen in the film, but through Waititi’s lighthearted approach, we’re treated to a fast-moving, neon-infused adventure romp that’s loaded with action, colorful costumes and sets, and hilarious dialogue created largely through the improv skills of the gifted ensemble cast.
All told, Waititi injects a burst of energy that’s so welcome in the Marvel Cinematic Universe. And while the previous films in the MCU were hardly lacking, it’s exciting to see a filmmaker take risks and break free from the studio’s other offerings and establish its own identity. While some sequels face the danger of falling into a trap and becoming formulaic with each passing film, that’s never the case with “Thor: Ragnarok.” It’s a (Hulk) smashing great time.
Lammometer: 9 (out of 10)
AUDIO: Hear Tim’s review of “Thor: Ragnarok” with Tom Barnard on “The KQ Morning Show.”
