Tag Archives: ‘John Wick: Chapter 2’

Review: ‘Parabellum’ is bloody fantastic ‘John Wick’ chapter

“John Wick 3: Parabellum” (R)

Keanu Reeves’ killer franchise has been reignited again – with a blow torch – with “John Wick – Chapter 3: Parabellum,” the third and definitely not last chapter in the ultraviolent tale about a former hitman at odds with the criminal underworld that shaped him. And while the hotly-anticipated follow-up to the 2017 hit comes in a bit long at 2-plus hours, the film like its predecessors is ghoulishly entertaining with all of Reeves’ kill shots and brutal hand-to-hand combat skills and will surely earn enough at the box office to justify a fourth chapter.


AUDIO: Click above to hear Tim’s review of “John Wick 3: Parabellum” with Tom Barnard on “The KQ 92 Morning Show” on KQRS-FM.

Picking up virtually where “John Wick: Chapter 2” left off, “Parabellum” finds Wick roaming the streets of New York with less than a half-hour to go before he’s declared excommunicado. In the dark criminal underworld, that means Wick’s lost all his protection from the covert international assassin’s guild who placed a $14 million bounty on his head for executing a high-ranking member of the High Table on the grounds of The Continental hotel, which is a safe haven for criminals.

“Parabellum,” a Latin word which translated to English means “Prepare for war,” wastes no time in giving fans of the franchise what they want, with hyperkinetic action scenes loaded with inventive hand-to-hand combat, lots of gunplay and truckloads of dead bodies. Not surprisingly, the killing (how this film averted an NC-17 rating is a wonder), will induce endless cringes and bouts of nervous laughter as Wick indiscriminately wipes out every bad guy in his way, and director Chad Stahelski does his best to make sure each death is more gruesomely creative than the last.

Reeves, like before, is charismatic as the stoic assassin still hurting from the loss of his girlfriend to cancer and the puppy she gave him (yep, dogs still play a prominent role in the film series), but as important as he is to the film, he’s not required to do all the heavy-lifting.

Halle Berry is wonderful addition as a badass assassin from Wick’s past, as is Angelica Huston as a crime boss, and Asia Kate Dillion (“Billions”) dominates the screen as the Adjudicator for the High Table, whose job is to lay waste to all people complicit in Wick’s actions. Back for another go-round is the always great Ian McShane as Winston, who owns and operates The Continental, and Laurence Fishburne, who stole the show in “John Wick 2” as the underground criminal leader The Bowery King.

Perhaps the biggest difference between “Parabellum” and the previous “John Wick” chapters is that this new tale seems to take more time to breathe between the mayhem to give us a look into Wick’s past to help shape the story. Easily the film’s biggest downfall is its excessive scenes of violence – not in terms of content: bloody brutality is what “John Wick” is all about – but just in the sheer numbers of times we have to see it. With a 2-hour, 10-minute runtime, “Parabellum” is long in the tooth, and the clipping of some unnecessarily long fight and execution scenes that have little bearing on the plot would have gone a long way.

Lammometer: 8 (out of 10)


AUDIO: Click to hear Tim review “John Wick 3” with Paul Douglas and Jordana Green on “Paul & Jordana” on WCCO-AM.

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

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Reviews: ‘John Wick 2′ twice as great; ’50 Shades Darker’ dumb sequel

“John Wick: Chapter 2” (R)

After the blistering success of the first film in 2014, John Wick (Keanu Reeves) is back with a vengeance in “John Wick: Chapter 2,” a sequel far superior than the already entertaining original.

The plot is simple: Wick is trying to return to retirement with his new dog when a powerful mobster from his past insists he honors a marker — a blood oath to repay a debt — and wants him to carry out a hit. As Wick quickly discovers, though, no hit is ever clean. Before he knows is, Wick is the target, and that’s when the killing machine inside of him kicks into high gear.

The action is frenetic and completely engrossing as Wick takes out the bad guys one by one, whether be with the use of guns, hand-to-hand combat or even a pencil. The 52-year-old Reeves is spectacular form and incredible shape as Wick, and easily carries the movie on his own as the body count piles up in the hundreds.

There is one disappointing aspect to “John Wick: Chapter 2,” as those expecting the big “Matrix” reunion between Reeves and Laurence Fishburne is short-lived. Studio marketers are definitely guilty of a bait-and-switch movie here, since Fishburne – while brilliant – is only in the movie for about  5 minutes.

Hopefully he will be a big part of “John Wick Chapter 3” because a another sequel is inevitable — and unlike most sequels, is completely welcome.

Lammometer: 9 out of 10.

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“50 Shades Darker” (R)

It should be called “50 Shades Dumber.” Dakota Johnson and Jamie Dornan are back in this brutally boring sequel to “50 Shades of Grey,” a dull and predictable “romance” movie about the further sexcapades of Anastasia Steele and Christian Grey.

The movie is like a bad, kinky soap opera, as Christian stalks, er, tries to win Anastasia back after she left him at the hapless conclusion of the first movie.

Any attempts at finding any chemistry between Johnson and Dornan remain futile is “50 Shades Darker,” and the acting is as flat as it was in the first film. Dornan is completely out of his depth, and Johnson, who was actually pretty good in the first film, is terrible here. The only spark in the film is Kim Basinger, who goes the subtle route to play a psychotic older woman who damaged Grey in a previous master-submissive relationship.

Lammometer: 3 out of 10