Tag Archives: Kevin Hart

Movie review: Uplifting ‘Upside’ soars thanks to Hart, Cranston

“The Upside” (PG-13)

Fans are bound to be uplifted by “The Upside,” an inspiring comedy drama that’s heavy on laughs thanks to the magnetic presence of Kevin Hart and grounded in emotion thanks to the wonderful subtlety of Bryan Cranston. “The Upside” is far from perfect, but thanks to the winning combination of Hart, Cranston and Nicole Kidman in a pivotal supporting role, it’s easy to overlook the narrative flaws of the film and just sit back and enjoy the spotless work of the talented trio.

A remake of the acclaimed 2011 French film “The Intouchables,” “The Upside” tells the true story of a wealthy business author (Cranston) who was left quadriplegic after a paragliding accident. Feeling little incentive to live following his wife’s death from cancer, the author, Phillip, flippantly hires an ex-con named Dell (Hart) to be his personal caregiver, who applied for the job simply because he’s looking to fulfill his parole obligations.


AUDIO: Tim reviews “The Upside” with Tom Barnard on “The KQ Morning Show” beginning at the 7 minute mark.

Despite the scrutiny Dell faces by Phillip’s business manager, Yvonne (the always terrific Kidman), the two men instantly hit it off, as Dell enlightens the lives of the everyone around him and Phillip regains some joy in life. But when the author is smacked with another cold dose of reality, their friendship becomes threatened and faces the danger of never being repaired.

The release of “The Upside” comes at an interesting time in Hart’s career as his Oscar hosting controversy has been dominating the headlines. Lucky for the actor, his naturally funny demeanor instantly makes you forget about any of the battering he’s been taking in the media and reminds us why he was considered to host the event in the first place.

The great thing is, Hart has an undeniable chemistry with Cranston, who has little to work with apart from his facial expressions. But anyone even vaguely familiar with Cranston’s work knows the actor has tremendous depth; and in the case of “The Upside,” it’s fascinating to watch the wheels in his mind turning as Phillip struggles to hold in the pain of a man who has literally lost feeling for everything.  But Phillip’s loss is the audience’s gain in this case, and the emotion he projects brings a satisfying balance of heart and humor as film soars to its inspiring conclusion.

Lammometer: 7.5 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

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Movie review: ‘Wonder Woman,’ ‘Captain Underpants’

“Wonder Woman” (PG-13)

More than 75 years after she debuted in the DC’s comic book universe, the Amazon Warrior Princess has finally gotten her due with Wonder Woman, a wonderful origins movie that marks the first live-action appearance of the character since Lynda Carter’s classic TV series that ran from 1975-79.

Marking the first solo movie for the Wonder Woman/Diana Prince (a stunning Gal Gadot) after she made her scene-stealing debut in “Batman v Superman: Dawn of Justice” in 2016, the movie takes us back to World War I, where an American spy pilot, Steve Trevor (the always great Chris Pine) crash lands in the ocean near the secret island paradise where Diana, Princess of Themyscira, was raised, and by happenstance drags her and her fellow warriors into the conflict.

Leaving behind her home to rid the world of the evil force she believes is responsible for the war, Diana finds adjusting to the outside world is a bit harder than she could have imagined — that is, until she discovers her true identity and destiny. Full of humor, heart and action, “Wonder Woman” is a must-see.

Lammometer: 8.5 (out of 10)

Hear Tim’s review of “Wonder Woman” and “Captain Underpants” with Tom Barnard on KQRS.

“Captain Underpants: The First Epic Movie” (PG) 

A different kind of superhero saves the day (or at least, tries) in “Captain Underpants: The Epic First Movie,” the first (obviously) of hopefully many movies based on the best-selling illustrated children’s book series by Dav Pilkey. Hilarious and full of heart, it’s easily the best animated movie of the year so far.

Kevin Hart and Thomas Middleditch bring glee to the voices of George and Harold, a pair of practical joking grade-schoolers who get revenge on their ultra-strict principal, Mr. Krupp (Ed Helms), who rules the school with an iron fist. Accidentally hypnotizing Mr. Krupp with a cereal box “Hypo Ring,” George and Harold convince Krupp he’s a dimwitted superhero named Captain Underpants, who wears only underwear and a cape made of office drapery. Complicating manners is a Mr. P. (Nick Kroll, who steals the show), as a villainous science teacher who is onto George and Harold’s scheme.

“Captain Underpants” separates itself from most animated movies by relying on its already clever origins material (which is expanded here and there), instead of giving into Hollywood convention and employing pop culture references, sly jokes that only adults would get, and a hip soundtrack in a vain attempt to help tell the story. It’s a refreshing take in any genre, where story matters first — and in this case “Captain Underpants” is ultimately a great story about friendship.

Lammometer: 8.5 (out of 10)

Watch Tim’s review of “Wonder Woman” and “Captain Underpants” with Adrienne Broadus on KARE 11.

Movie reviews: ‘Home,’ ‘Get Hard’

'Home'

“Home” (PG) 2 1/2 stars (out of four)

“Big Bang Theory” star Jim Parsons brings a sparkling voice performance to a lovable loser of an alien in “Home,” a DreamWorks Animation family comedy feature that will mostly hit home with the 8-and-under set and leave adult viewers itching to get, well, home.

Parsons voices Oh, a member of the friendly alien race called the Boov that invades Earth and relocates its residents to own utopia in a separate corner of the planet in Australia. Lost in the relocation shuffle, however, is Tip (Rihanna), a young teen girl hoping somehow to be reunited with her mom (Jennifer Lopez) on the other side of the planet.

Befriending Oh, Tip and the misfit set off to find her mom; but before along the way encounter trouble with the Boov and its leader, Captain Smek (Steve Martin) and the race’s sworn enemy — who has located the Boov thanks to a bumbling mistake by Oh.

“Home” offers mostly humor that the kid set will enjoy, unlike previous DreamWorks offerings like “How to Train Your Dragon” and its sequel, as well as the “Shrek” series, which appeal to all ages. And while adults won’t find the proceedings as nearly as entertaining as the younger audience members, there’s no question the animation is as gorgeous as anything DreamWorks has ever offered; especially, the ever-changing iridescent-colored aliens. Not surprisingly, Rihanna and Lopez songs pepper the soundtrack to help liven up the action (a move that was also clearly designed to bolster record sales).

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“Get Hard” (R) 2 stars (out of four)

Will Ferrell is back with yet another oafish, misinformed character (does he play another kind?) in “Get Hard,” an average comedy that survives on the likability of Ferrell and his winning co-star Kevin Hart. A politically incorrect comedy in its blunt observations of racial stereotypes and the prospect of prison rape, the success of the film solely depends its audience’s tolerance for the film’s button-pushing material. If you’re easily offended, “Get Hard” is not a movie for you.

Ferrell stars as James King, a multi-millionaire California businessman who, proclaiming his innocence, skips a plea deal and goes to trial on fraud and embezzlement charges after being accused of bilking clients out of millions. Sentenced to 10 years in maximum security at San Quentin prison with 30 days to get his affairs in order, King mistakes his car washer, Darnell (Hart), for an ex-con, and hires him toughen him up so he won’t be victimized in prison.

While “Get Hard” does its best to stretch out its one-joke premise, it only sometimes hits big with its laughs and other times completely misses the target. It’s also hopelessly predictable, and if not for the talents of Farrell and Hart, probably never would have been made in the first place.

Tim Lammers is a veteran entertainment reporter and a member of the Broadcast Film Critics Association, and annually votes on the Critics Choice Movie Awards. Locally, he reviews films for “KARE 11 News at 11” and various Minnesota radio stations.