Tag Archives: Martin Scorsese

Movie review: ‘The Current War’ powered by fascinating story, brilliant cast

“The Current War: Director’s Cut” (PG-13)

Two years after its debut at the Toronto International Film Festival and becoming a casualty of the Harvey Weinstein scandal, “The Current War: The Director’s Cut,” is, for the lack of better words, finally seeing the light of day. A brilliantly acted,  atmospheric historical drama that takes an inside look at the true-life battle between Thomas Edison and George Westinghouse to bring light to the modern world in the late 1800s, the film isn’t perfect, but is a fascinating historical depiction of some life-altering events, nonetheless.

“The Current War: The Director’s Cut” is named as such because director Alfonso Gomez-Rejon trimmed 10 minutes from the original run time, shot five more scenes and added a new score, under the auspices of executive producer Martin Scorsese. Beginning in 1880, the film picks up just after Edison (Benedict Cumberbatch) created and filed his patent for the incandescent light bulb.

Edison’s got much bigger aspirations, though: to light up Manhattan, America and eventually the world by distributing electricity through a low voltage direct current system; while businessman and engineer Westinghouse (the always great Michael Shannon) believes high voltage alternating current electricity is the answer.

For those unfamiliar with Edison’s personal demeanor, “The Current War” is a real eye-opener. Though he enjoys a high-profile celebrity status in public, behind the scenes, he’s a volatile and vindictive inventor who resorted to nasty business methods in an effort to destroy his competition. The film also delves into Edison’s mistreatment of Nikola Tesla (Nicholas Hoult), a scientific genius who eventually teams up with Westinghouse. Tom Holland also stars as Samuel Insull, Edison’s loyal personal secretary who questions some of his boss’ methods.

Lammometer: 8 (out of 10)

Tim Lammers reviews movies weekly for “The KQ92 Morning Show” on KQRS-FM,  “Paul and Jordana” on WCCO Radio, “It Matters with Kelly Cordes on WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere. ALSO, Tim reviews streaming programming weekly on WCCO Radio’s “Paul and Jordana.” On TV, Tim has made hundreds of guest appearances on “KARE 11 News at 11.”

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Movie review: Muddled, depressing ‘Snowman’ caught in blizzard of dreariness

The Snowman (R)

Michael Fassbender gets trapped in a depressing blizzard of dreariness that he can’t escape in “The Snowman,” a deeply disappointing and depressing crime thriller from executive producer Martin Scorsese and director Tomas Alfredson (“Tinker Tailor Solider Spy”).

Based on the acclaimed novel by Jo Neso, Fassbender plays grizzled Norwegian detective Harry Hole, whose interest in a decades-old cold case murder and dismemberment of a woman is reawakened by the killer’s re-emergence and brutal killing spree.

AUDIO: Listen to Tim review “The Snowman” with Tom Barnard on “The KQ92 Morning Show” (segment begins 10 minutes in).

While the film’s Oslo setting is breathtaking, “The Snowman” fails to gain any sort of momentum from the very beginning, and quickly devolves from there into a dull and confusing story that fails to get its footing until the film’s predictable conclusion.

Scorsese, who was at one time attached to the direct the film, wisely stepped away from this disaster of a movie, which is so bad that even the talents of Fassbender, Rebecca Ferguson, J.K. Simmons and Val Kilmer can’t save it. You can’t entirely blame Alfredson for the failure of the film, as he recently tried to distance himself from the film by saying that he didn’t have enough time on the production to shoot 10 to 15 percent of the script.

With revelations like that, there’s no doubt that “The Snowman” was doomed to fail, and the memories of this stained mark on the resume of all those involved can’t melt and wash away soon enough.

Lammometer: 3 (out of 10)

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