Tag Archives: ‘Deadpool’

At the movies: Top 10 of 2016 (and worst)

From comedy, drama and mystery to action, animation and adventure, 2016 produced a lot of great movies from several different genres. But perhaps the best came from true-life historical tales that haven’t been unearthed for the masses until now.  Find out what the best of the best were in this look at the top movies from last year.

10. “The Finest Hours” An incredible true story of a Coast Guard member’s (Chris Pine) act of selflessness over selfishness – a heartening tale from the 1950s that has amazingly been lost at sea until now.

9. “Kubo and the Two Strings” Laika’s latest and greatest – this time about a boy’s mystical quest in ancient Japan – is a stop-motion masterpiece.

8. “Fences” Denzel Washington and Viola Davis are a powerhouse duo in the big-screen adaptation of August Wilson’s Pulitzer Prize-winning play.

7. “Deadpool” Ryan Reynolds redefines the superhero genre with a bombastic, laugh-out-loud R-rated look at the origins of the Merc with a Mouth.

6. “Nocturnal Animals” Writer-director Tom Ford takes a big step away from the fashion world with an ultra-intense story within a story about lost love and revenge.

5. “Eye in the Sky” Helen Mirren is a force to be reckoned with and Alan Rickman takes his final bow with grace in this heart wrenching war drama about a dilemma surrounding a pending drone strike.

4. “Manchester by the Sea” Casey Affleck and Michelle Williams deliver two of the best performances of the year in this heartbreaking family drama where a man is forced to return to his hometown and must confront his tragic past in the process.

3. “Hell or High Water” Jeff Bridges, Chris Pine and Ben Foster command your attention throughout in this smart, intense crime thriller about a pair of bank robbing brothers on a collision course with an aging Texas Ranger.

2. “Rogue One: A Star Wars Story” The best “Star Wars” film since “The Empire Strikes Back” cleverly fills in the gaps between “Episodes III” and “Episode IV,” with a prequel about how exactly rebels stole the plans to the Death Star.

1. “Hacksaw Ridge” Director Mel Gibson has created an enduring masterpiece with this compelling true story of forgotten World War II hero Desmond T. Doss (Andrew Garfield), a battle medic who single-handedly saved 75 soldiers, one by one, in the Battle of Okinawa in 1945. An inspiring, in-depth look at Doss — the first conscientious objector to be awarded the Congressional Medal of Honor – “Hacksaw Ridge” not only best film of the year but maybe the best film in years, and its message of courage, selflessness and sacrifice will echo for generations.

Honorable mentions: There are at least a dozen other films worthy of praise, including “Sully,” “Moana,” “Finding Dory,” “10 Cloverfield Lane,” “Don’t Breathe,” “Miss Peregrine’s Home for Peculiar Children,” “Deepwater Horizon,” “The BFG,” “Jackie,” “The Jungle Book,” “Captain America: Civil War” and “Patriots Day.”

Worst of 2016: The 10 worst films of 2016, in no particular order: “Independence Day: Resurgence,” “Office Christmas Party,” “X-Men: Apocalypse,” “Blair Witch,” “Keanu,” “Zoolander 2,” “The Divergent Series: Allegiant,” “Rules Don’t Apply,” “Teenage Mutant Ninja Turtles: Out of the Shadows,” “Warcraft” and bonus pick, “Bridget Jones’s Baby” (wife’s pick).

Most overrated of 2016: Most critics loved these movies, but I simply didn’t get the fascination: “La La Land,” “Arrival,” “Midnight Special.”

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Movie review: ‘Suicide Squad’

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“Suicide Squad” (PG-13) 2 stars (out of four)

Blah is the operative word for “Suicide Squad,” an anti-hero film in the superhero genre that was meant to pull DC Comics out of its cinematic doldrums following the tepid response to “Batman v Superman.”

Not so much bad as it is disappointing, “Suicide Squad” – which assembles DC’s baddest of its stable of villains – starts off with a bang as it creatively introduces each member of the squad that the U.S. government recruits to keep the country safe from meta hu

mans that want to do them harm. From there, the film sadly devolves into the formulaic stuff we’ve seen in countless times in the genre.

Writer-director David Ayer has good intentions as he clearly tries to go with the R-rated vibe that made Marvel bad boy “Deadpool” a massive hit earlier this year.

The Joker (Arkham Asylum Version) DC Comics Sixth Scale Figure

The difference is, the subversive  anti-hero was given free rein to trounce the landscape with his F-bomb-laced dialogue and ultra violence, while “Suicide Squad” remains confined to the limiting PG-13 rating.

As a result, the Suicide Squad, including Harley Quinn (Margot Robbie), Deadshot (Will Smith) and their band of maniacal misfits are left to operate in a familiar environment against one of the weakest supervillians in superhero movie memory.

The person who plays the villain — who will remain unnamed to avoid any spoilers — simply does not have the acting chops or presence to make the ultimate throwdown memorable enough. In fact, the performance is so silly at times that it may qualify the person for a Razzie nomination come year’s end.

Lost in shuffle is The Joker (Jared Leto), whose turn as the Clown Prince of Gotham is supporting at best. Spending most of the movie trying to spring his girlfriend and partner-in-crime Harley Quinn loose, The Joker’s time would have been much better served as the supervillain the Suicide Squad ran up against instead of a thorn in their side.

Leto gives it his best with a combo Heath Ledger-Jack Nicholson read of the iconic character (with more of an emphasis on Nicholson), but in the end falls far short on both accounts. He’s good, but doesn’t nearly live up to the hype of the months-long publicity of his take on the iconic character leading up to the release of the film.

Thankfully, Viola Davis, who plays the head of the secret government organization who assembles the Suicide Squad, and Robbie, who is clearly having a blast playing Harley Quinn, pick up the slack to combat some of the weaknesses. Still, it’s just not enough to save the movie.

All told, “Suicide Squad” will go down as one of the biggest letdowns of 2016.

Hear Tim’s review of “Suicide Squad” with Tom Barnard and the “KQ92 Morning Show,” beginning at 10 minutes in.

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Movie reviews: ‘Deadpool,’ ‘Zoolander No. 2’

20th Century Fox
By Tim Lammers

“Deadpool” (R) 4 stars (out of 4)

The Marvel Comics superhero movie genre has turned a big page with “Deadpool,” an insanely entertaining origins story of the anti-hero superhero that erases the stained memories of the character’s big-screen debut in “X-Men Origins” in 2009. Oddly enough, “Deadpool” star Ryan Reynolds also played the “Merc with a Mouth” in that film — which was trashed by fans – but makes things right with this gritty, F-bomb-laden, ultra-violent and hilarious R-rated adaptation of the comic book icon.

Reynolds plays Wade Wilson, an ex-Special Forces op who, after meeting and falling in love with former call girl Va

nessa Carlysle (a stunning Morena Baccarin), is diagnosed with terminal cancer. But through a mysterious invitation, Wade is given a chance at a cure that involves a sadistic experiment that turns him into a mutant with miraculous healing capabilities. Unfortunately, the treatment left him horribly scarred, leading him on a path of revenge in the guise of a blood-red suited vigilante he names “Deadpool.”

Interview: Morena Baccarin talks ‘Deadpool’

Reynolds, whose career has been uneven in the past few years (including the lukewarm movie version of “The Green Lantern”), makes a storming comeback here, and he’s clearly in his element every minute he’s onscreen. If there ever was an actor to the-bad-guy-who-Fs-up-the-worse-guys, Reynolds is it. As entertaining as Reynolds is, he gives plenty of room for his supporting cast to shine, which includes the hilarious T.J. Miller as his wise-cracking best buddy and confidant, Weasel, and Ed Skrein as the scientist, Ajax, who unsuccessfully failed in his bid to turn Wade into a killing machine for his own, sick purposes. MMA star Gina Carano also packs wallop as Ajax’s deadly assistant, Angel, and Stefan Kapicic and Brianna Hildebrand create a welcome X-Men presence as Colossus and Negasonic Teenage Warhead, respectively.

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“Zoolander No. 2” (PG-13) 2 stars (out of 4)

There’s a scene early on in “Zoolander No. 2” where long lost fashion stars Derek Zoolander (Ben Stiller) and Hansel (Owen Wilson) are invited back to the runway for what seems to be their comeback, but instead are duped into wearing costumes that come with the labels “Old” and “Lame.”

Old and lame. Got that right.

Sadly, lame is the best way to describe “Zoolander No. 2,” the long-awaited sequel to the hilarious 2001 original. Unfortunately, there aren’t too many places to take vacuous characters like Derek and Hansel, because if they do become self-aware or smarter, for example, they simply wouldn’t be Derek and Hansel.

There’s a reason it took 15 years for this movie to make it the big-screen, and the new film – which manufactures a plot around a “chosen one” male model — is utterly disappointing. Filled with forced humor and multiple meaningless (and sometimes embarrassing) star cameos, the film only comes off as mildly entertaining thanks to the wild antics of Will Ferrell (returning as fashion mogul Mugatu) and Kristen Wiig as a Donatella Versace-like designer with some tricks up her sleeve.

Beetlejuice Beetlejuice Sixth Scale Figure

Quick Takes:

“Pride and Prejudice and Zombies” (PG-13) 3 stars (out of 4)

“The Finest Hours” 3 1/2 stars (PG-13) (out of 4)

“Kung Fu Panda 3” (PG) 3 stars (out of 4)

“Where to Invade Next” (R) 1/2 star (out of 4)

Interview: Morena Baccarin talks ‘Deadpool’

Morena Baccarin in 'Deadpool' (20th Century Fox)

By Tim Lammers

It shouldn’t come as a huge surprise that after starring in such TV favorites as “Firefly,” “V” and “Gotham,” and voicing Talia al Ghul in animated “Batman” projects, Morena Baccarin considers herself a comic book/sci-fi geek like the rest of us.

After all, geekdom is something the stunning, 34-year-old Brazilian-born actress has known her whole life. In fact, that’s why she was thrilled to play the pivotal role of Vanessa Carlysle — the tough-as-nails girlfriend of Wade Wilson (Ryan Reynolds) — in the hotly anticipated, R-rated movie adaptation of Marvel Comics’ “Deadpool.”

“Growing up, I became a comic book fan through my brother by osmosis,” Baccarin said in a phone conversation Tuesday from New York City. “But personally, I was a fan of ‘Labyrinth,’ ‘Dungeons and Dragons’ and ‘Star Wars’ – all of that stuff. I’ve enjoyed my fair share, and while I wouldn’t say I’m a hardcore fan, I’m humbled by the passion of the people who are.”

Opening in theaters nationwide on Friday, “Deadpool” tracks the origins of the iconic comic book anti-hero superhero through the colorful musings of Wade Wilson, a former Special Forces operative-turned-mercenary who is diagnosed with terminal cancer. Left with virtually no options, Wade enters into a shady deal where he is promised a cure for his cancer, but in return, he is injected with a serum and forced to undergoes days of torture that will cause a mutation to kick in.

The last stage of his transformation, however, comes with an even bigger price. While his mutation gives him the ability to heal from any malady or traumatic injury — he can even grow back severed limbs — his treatment in an airtight oxygen tank has caused his body to be severely disfigured. Hiding his scars under a blood red costume and dubbing himself “Deadpool,” Wade goes on the hunt for the sadistic doctor, Frances Freeman, aka, Ajax (Ed Skrein), in the hope that his physical appearance can be reversed.

Unable to show himself to his longtime love, Wade is forced to confront his fears when Ajax kidnaps Vanessa as a way to lure his mercenary alter-ego into battle.

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Baccarin loves the fact that Vanessa was scripted not as a damsel in distress, but a woman who can not only hold her own against Wade, but the bad guys as well.

“I feel like character is strong, funny and no-hold-barred, and that’s what’s so great about her,” Baccarin said. “It’s really nice to see a character that is equally matched to her counterpart.”

Of course, the stars of “Deadpool” have been subject to the monstrous expectations from the fans who have wanted to see the likes of Wade and Vanessa properly represented on the big screen for years. Thankfully, Baccarin said, the focus of the fans was squarely on the character affectionately known as the “Merc with a Mouth.”

“The fans of this particular project were more interested in Wade,” Baccarin said, laughing. “They wanted to know whether Deadpool was going to be written the way he is written in the comics, or whether it was going to be toned down, because Marvel movies have this history of making stories more mainstream. I think that was an major concern. Getting an R-rated film made was a really big accomplishment, and something Ryan, the writers and (director) Tim Miller really wanted to do for the fans.”

Baccarin said she certainly responds to comic book-inspired movies like “Deadpool” being grittier, just because it seems to open a whole new avenue of creativity. The actress said there’s no reason any project should feel limiting — even if it’s on TV like “Gotham” — especially given the Batman-inspired tale’s source material.

“I think things feel more real that way, and people are ready for that,” said Baccarin, who plays Dr. Leslie Thompkins in the series. “I love that Batman has some darkness to him, because it’s very real. It’s reflected in the comics. It didn’t come out of nowhere. What’s interesting about Batman or the world of ‘Gotham’ is that it’s gritty and it’s not clear cut. It’s not black-and-white. There are moral struggles, and that’s something that’s very human.”

Beetlejuice Beetlejuice Sixth Scale Figure