Category Archives: Movie Reviews

Movie review: ‘A Quiet Place’ elevates horror genre to whole new level


VIDEO: Watch Tim’s review of ‘A Quiet Place’ with Zac Lashway on KARE 11 above.

“A Quiet Place” (PG-13)

Silence has never been so golden as it is in “A Quiet Place,” writer-director John Krasinski’s brilliant horror thriller that elevates the genre to a whole new level. Also starring Krasinski opposite his real-life wife Emily Blunt, the 90-minute film — almost completely void of any dialogue — is a complete nail biter from its shocking beginning until its blast of an ending.

Krasinski and Blunt star as Lee and Evelyn Abbott, a couple in the near future with an uncertain future after what appears to have been an alien attack that has decimated the population on the planet. Picking up 89 days after the perceived invasion, Lee and Evelyn and their young family are rocked to the core when an unspeakable tragedy hits them. There’s no crying out loud in pain, though, because the aliens who have invaded their world, while blind, have a hyper-sensitive sense of hearing and viciously kill their subjects when they are startled by any sudden noises. Because of that, the only way Lee, Evelyn and their young son, Marcus (Noah Jupe) can communicate is through sign language, a skill they acquired because their daughter, Regan (Millicent Simmonds) was born deaf.

John Krasinski, Noah Jupe and Millicent Simmonds in 'A Quiet Place' (photo: Paramount Pictures)

Jumping ahead about nine months after the invasion, the family has taken refuge in an abandoned farmhouse, which Lee has equipped with several monitors to detect the creatures that hunt them. They’re far from completely safe from the aliens, though, as an upcoming event will present a whole new challenge for their survival: Evelyn is very pregnant and ready to give birth, and with loud cries of pain and hopefully joy in their future, it leaves the family more vulnerable than they’ve ever been with no hope to battle the creatures in sight.

In his third effort at the helm of a feature film (and he’s also directed three episodes of his ensemble comedy alma mater “The Office”), Krasinski shows incredible skill as a filmmaker, and in the unlikeliest of genres, to boot. While he’s done comedy drama before, the actor/filmmaker shows with “A Quiet Place” that he has an incredible handle on horror/suspense filmmaking, a feat made remarkable given the film only contains about three dozen lines of short dialogue in its entirety. And while most communication is done through sign language (with the aid of subtitles), it doesn’t matter whether how the words are delivered, since the film’s quiet desperation is captivating from the very first frame.

Naturally, the most shocking moments in the film come when noises are made and the creatures (which appear to be an arachnid in form, and a cross between xenomorphs from the “Alien” movies and Spider-Man’s foe Venom) attack. The great thing is, Krasinski holds off a full reveal of the creatures until the third act, which goes a long way as the film escalates in tension as we see more and more of the ghastly beings as the film moves along. Of course, the attacks mean nothing if we don’t root for the protagonists, and expressive portrayals by Blunt, Krasinski and their two young co-stars are so subtle and so engaging that you almost feel that you’re right there with them. They may not say much, but their emotions feel real.

Fresh and inventive, “A Quiet Place” is easily one of the best films of 2018 to date, and a horror thriller that has unquestionably raised the bar for what is dangerously becoming a stale genre.

Lammometer: 9 (out of 10)


AUDIO: Hear Tim’s review with Tom Barnard on “The KQ Morning Show.”

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie review: ‘Ready Player One’ engages despite virtual overload


VIDEO: See Tim’s review of “Ready Player One” with Ellery McCardle on KARE 11.

“Ready Player One” (PG-13)

You’ll need a speedy internal processor to completely absorb “Ready Player One,” director Steven Spielberg’s overly-ambitious yet entertaining foray into the world of virtual reality video game playing. A high stakes game of life and death set in a dystopian future where virtual vistas and avatars offer people their only true chance to escape the depressing doldrums of everyday life, the film no doubt boasts a unique concept and impressive visuals throughout. Yet while it embodies Spielberg’s youthful spirit, it largely will only appeal to the film’s key demographic and leave others struggling to keep up in the virtual world that envelops them.

“Ready Player One” is set in the not-so-distant future, in 2045, where just enough time has passed where the world’s population literally has humanity stacked on top of each other in mobile home parks, and technology has advanced to the point where virtual reality gaming is the only recreation of choice. It’s the only way 18-year gamer Wade Watts (Tye Sheridan) can escape the harsh surroundings of Columbus, Ohio, which for reasons unexplained, is the fastest growing city in the country. Everybody from the haves to the have-nots like Wade all venture daily into the OASIS, a haven for 70s and 80s pop nostalgia, which was invented by a Steve Jobs-like eccentric named James Halliday (Spielberg’s new go-to actor Mark Rylance).

But when word breaks that Halliday has passed on and has created a three-part challenge as a way to bequeath his half-trillion-dollar fortune and control to the OASIS to the winner, everybody from Wade to IOI — the second-most powerful corporation in the world after Halliday’s — embark on the treasure hunt. Employing an army of players to hunt down the Easter Egg that Halliday has hidden, IOI’s ruthless leader, Sorrento (Ben Mendelsohn), instantly shows his muscle, and proves that he has no problem going to extreme lengths to secure the prize and control of the OASIS.

Not surprisingly, “Ready Player One” is loaded with eye-popping visuals, giving Spielberg a chance to unleash his inner-kid once again, which he probably welcomes following the heavy narrative of his awards season true-life drama “The Post.” Populated with too many pop culture references to keep count (many of them Warner Bros. and Spielberg properties since it’s a Warner Bros. and Spielberg film), the film is wonderful trip down memory lane for children of the ’70s and ’80s and early ’90s, and perhaps enough to keep them interested in a film that, despite a fairly straightforward plotline (seek prize, find prize, rule the virtual world), has a lot of data to process. Seasoned gamers will no doubt get all the jargon that helps propel “Ready Player One,” but for everyone else, keeping pace with what’s going on can be a chore.


AUDIO: Hear Tim’s review of “Ready Player One” with Tom Barnard on “The KQ 92 Morning Show.”

The other issue is that because Spielberg’s involved, he has the clout to make it a 2-hour, 20-minute adventure when it really doesn’t need to be that long. With two-thirds of the film set in the virtual world, “Ready Player One” already suffers from sensory overload, but thankfully grounded players like Sheridan, Olivia Cooke as Wade’s virtual and real-world teammate, Rylance, Mendelsohn and Simon Pegg (in a pivotal supporting role) give the film just enough heart to keep things interesting on a human level.

Lammometer: 7 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie review: ‘Pacific Rim: Uprising’ falls flat

“Pacific Rim: Uprising” (PG-13)

A refreshing idea from five years ago is essentially turned into the latest chapter of the dreadful “Transformers” movie series in “Pacific Rim: Uprising,” an unnecessary sequel to writer-director Guillermo del Toro’s entertaining robots vs. monsters sci-fi action thriller from 2013. Boring and predictable, not even the franchise’s engaging new lead, “Star Wars” star John Boyega, can save this action movie mishmash from being a disappointing misfire.

Boyega stars as Jake Pentecost, the estranged son of the late Stacker Pentecost (Idris Elba), a dying hero who ultimately sacrificed himself to help save the day in the first movie. With the film’s other big hero, Raleigh Beckett (Charlie Hunnam), noticeably out of the picture, Jake, a jaeger pilot who inherited the skills of maneuvering the giant robot like his father, is recruited to serve when a new threat emerges. It seems while the humans have been successfully able to keep the original film’s giant sea monsters (the kaiju) at bay, a shadowy villain has found a way to use the kaiju to turn the robots against one another.

Sadly, it shouldn’t take fans long to realize that “Pacific Rim,” del Toro’s story of monolithic sea creatures emerging from the Pacific Ocean (clearly the man has an affinity for the shape of water), has gone the “Transformers” route, a once-promising film series (the 2007 original was great) that quickly devolved into annoying exercises of crash-boom-bang filmmaking.

The low point for that series came with “Transformers: The Last Knight” last year, where a mechanically gifted streetwise orphan girl (Isabela Moner) enters the fray and joins forces with the film’s lead (Mark Wahlberg). Basically, with “Pacific Rim: Uprising,” the same thing happens, where a mechanically-gifted streetwise orphan girl (Cailee Spaeny) joins forces with Jake, leading to a predictable ending that becomes obvious 10 minutes into the movie. That’s not to say that aren’t impressive new kaiju creatures to marvel at; it’s just that it takes too long to get to them, and in-between, the film seems intent with trying to entertain its audience with a series of robot clashes.

Apart from retreaded plotlines, another huge factor that plagues “Pacific Rim: Uprising” is the film’s lack of interesting characters. True, unlike his turns in the “Star Wars” chapters “The Force Awakens” and “The Last Jedi,” Boyega gets to sport some of his natural charm (and his original British accent), but it’s not nearly enough to carry the film.

Ron Perlman, Elba and Hunnam gave the original quite a bit of weight with their charisma, as did Rinko Kikuchi (who only reprises her character for a few brief scenes), but in their stead, Scott Eastwood seems to have been given a mandate by director Stephen S. DeKnight to mimic his famous dad as much as possible. The always great Burn Gorman is about the only returning cast member who turns in an entertaining performance, while Charlie Day reprises his character with a twist, but is out of his depth considering the burden the sequel assigns his already quirky character. Unless somehow del Toro, Pearlman and Hunnam miraculously return to right the shit, it’s time to set “Pacific Rim” franchise adrift.

Lammometer: 4 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Movie review: ‘Tomb Raider’ feels familiar, but still entertains

VIDEO: Watch Tim’s review of “Tomb Raider” with Adrienne Broaddus on KARE-TV.

“Tomb Raider” (PG-13)

Alicia Vikander establishes a winning presence right off the bat in “Tomb Raider,” a familiar-feeling yet entertaining action adventure that reboots the Lara Croft film series originated by Angelina Jolie in 2001. A prequel to the story of Lara Croft based on the hit video game series, “Tomb Raider,” while not groundbreaking, certainly shows promise as it lays a solid foundation for what promises to be more than a one-and-done movie franchise.

“The Danish Girl” Oscar winner Vikander stars as Lara Croft, the wayward daughter of Lord Richard Croft (Dominic West), a wealthy British businessman who vanished without a trace when Lara was a mid-teen. Even though she wants nothing to do with her inheritance, Lara is forced to reluctantly meet with her father’s business subordinates, who give her a puzzle box that contains a clue to the gateway of her father’s secret life as an archaeologist. It seems before he disappeared, Richard found the mystery location of an ancient tomb of a Japanese queen that possesses supernatural powers; and since she is born with the same sense of curiosity as her father, Lara uses his maps and research in hopes of finding him.

Related: Alicia Vikander talks ‘The Danish Girl’

While “Tomb Raider” plays out like an “Indiana Jones” movie, the narrative differs in that Lara isn’t in the game to seek treasure, but rather embarks on the adventure to find the person she treasures the most. That’s not to say the film avoids ancient tomb that Richard was seeking in the first place; because there’s another archaeologist, Mathias Vogel (the always great Walton Goggins) who is working for a mysterious conglomerate that aims to use the tomb’s powers for sinister purposes.

While the film is a bit slow out of the gate, “Tomb Raider” gets more engaging as it goes along and hits its strike in the latter half of the film when Lara reaches her island destination. It’s there were Vikander gets a workout in a variety of harrowing action scenes, proving that she has the wherewithal to succeed in any film genre. The great thing about the film is, while its based on a video game, it doesn’t feel like a video game. Grounded in memorable performances by Vikander, Goggins, West and the always wonderful Kristin Scott Thomas in a pivotal role, “Tomb Raider” has weight, which is essential should the film series evolve into the franchise that it aspires to be.


AUDIO: Hear Tim’s review of “Tomb Raider” with Tom Barnard on “The KQ92 Morning Show” (segment begins 3 minutes in).

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, 103.7-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!