Category Archives: Film

Interview: Jeremy Irons talks Alfred, ‘Batman v Superman: Dawn of Justice’

Warner Bros.

By Tim Lammers

If you look over Academy Award-winning actor Jeremy Irons’ immense body of work, it shouldn’t take long to realize that no genre is beneath the legendary screen veteran. He’s done it all, from biographical films like the recent Jesse Owens biopic “Race” and of course, “Reversal of Fortune” (which earned him his Best Actor Oscar); to voicing the menacing Scar in the animated Disney film classic “The Lion King” and a role in the upcoming big-screen adaptation of the hit video game “Assassin’s Creed.”

Yet for all Irons has accomplished in his four-plus decades in the entertainment business, he’s never done any work in the superhero genre — that is, until he took on the iconic role as Bruce Wayne’s lifelong caretaker, Alfred, in “Batman v Superman: Dawn of Justice.” The interesting thing, Irons said in a recent phone conversation from London, is that he’s never gone out of his way to see superhero films.

“I haven’t watched a lot of them — maybe only if I ran across them on television. I saw ‘Man of Steel’ and enjoyed that, and saw ‘Batman’ with Jack Nicholson as the Joker,” Irons said. “But having a chance to play in one is quite different, especially since this was multi-layered. The characters (in ‘Batman v Superman’) really have three-dimensional qualities.”

Opening in theaters and on IMAX screens Thursday night, “Batman v Superman: Dawn of Justice” finds two of DC Comics superheroes, Superman (Henry Cavill) and Batman (Ben Affleck) at odds when the Dark Knight fears the Man of Steel man be more of a threat to humanity than a hero as his actions appear to go unchecked. Alfred stands to be the only voice of reason for the tormented Bruce, who is so blinded with rage over Superman that he doesn’t realize another threat is emerging with maniacal industrialist Lex Luthor (Jesse Eisenberg).

Directed by Zack Snyder, and written by Chris Terrio and David Goyer, “Batman v Superman” also stars Gal Gadot as Diana Prince/Wonder Woman, Amy Adams as Lois Lane, Diane Lane as Martha Kent and Laurence Fishburne as Perry White.

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“Batman v Superman” paints a portrait of Alfred who is decidedly different that anything we’ve seen before in live-action form. Much more than a butler and longtime caretaker of the orphaned Bruce, Alfred, as we discover, is an experienced tactician with military skills — which becomes vital in the preparation of Batman’s armory and the operation of his vehicles and weaponry when the Dark Knight faces a formidable threat.

Irons said his take on Alfred was partly informed by an experience he had with a former neighbor of his who happened to be one of the richest men in the world: John Paul Getty. The people working for him may have seemed like they were doing mundane jobs for the billionaire, but looks, as Irons found out, were quite deceiving.

“I remember arriving at his estate with my wife and the gates were opened by two gentlemen, and then I drove and parked by the house, where there was another gentleman who took my car,” Irons recalled. “Then once we went into the foyer, another gentleman took our coats and then there was another, standing with a tray of champagne.”

Later that evening, Irons said he learned that all the employees he encountered were once members of the British SAS: “They were Special Forces, so everybody, from his valet to his gardener, were all people who could turn into a very defensive force if they had to.”

“John Paul Getty, of course, had a bad experience from his children being kidnapped, so I thought, ‘Well, wouldn’t Mr. and Mrs. Wayne do the same thing for Bruce?'” Irons said. “They may call Alfred ‘the butler’ or they may call him ‘the guardian,’ ‘the mechanic’ or whatever. He’s a man who can do all those things, but behind the scenes he has a myriad of talents he could use, depending on the situation. That was very interesting to me. It was a really fascinating quality of the character that I could run with.”

Irons also noted that Alfred is different in this Batman tale because Bruce is in different state of mind than we’ve ever seen him before on the big screen because he’s targeting Superman. Being Bruce’s only voice of reason, Alfred may be the only person who can stop him from making a terrible mistake in facing off against the Man of Steel.

“I think one of the strengths of this movie is that Chris Terrio has written some scenes for Bruce and Alfred where you see Bruce tussling with his conscience and tussling with his morality,” Irons said. “I hope that you can see that these two people have spent a lot of time together over many years and that they’re interdependent in a strange way. Even though Bruce is Batman and the employer, he still needs Alfred’s support.”

Irons said he emerged from “Batman v Superman” a huge fan of Snyder, who was completely graceful under the pressure of his enormous responsibility as the architect of the film.

“I was in awe watching him and just knew how much was in his head. There’s a lot in every director’s head, but when you’re doing a movie of this scale, a director like Zack is carrying a massive weight,” Irons said. “Yet, when he was working with us on set, none of that showed. He was just there for us in that scene we were doing. He would just throw out ideas and jokes, and made me feel very much at ease. That’s important when a movie that’s been rolling four or five months and you come in and do your little bit. It’s a great talent for a director can pull you in and make you feel like you’re the most important person there.”

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Interview: Linda Cardellini talks ‘Daddy’s Home’ on Blu-ray, DVD

Paramount Pictures

By Tim Lammers

There’s no such thing as a sure thing in the movie business. But there’s no question that acclaimed actress Linda Cardellini took a certain amount of comfort from joining the cast of “Daddy’s Home,” given her co-stars, Will Ferrell and Mark Wahlberg, had clearly established some comedic chemistry on their hit comedy “The Other Guys.”

“The chemistry worked so well,” Cardellini told me in a recent phone conversation from Los Angeles. “Even hearing the pitch of what the movie was about, I immediately imagined how funny it would be and how perfect the both of them would be for their roles. I knew being in the middle of that would be so much fun.”

New on Blu-ray and DVD (Paramount Home Media Distribution) on Tuesday, “Daddy’s Home” tells the story of Brad Whitaker (Ferrell), a well-intentioned stepfather who goes to extreme lengths to become a father figure to his wife Sara’s (Cardellini) two young children. And while Brad has made minor strides, all his efforts to go hell in a handbasket fast when the kids’ super-cool biological father, Dusty Mayron (Wahlberg), comes back into their lives — creating an intense game of one-upmanship between the two to vie for the children’s love and respect.

Cardellini said she loved how the script and director Sean Anders took her character seriously and made her the voice of reason in the story, instead of giving her a stereotypical role to work with.

“I got to be the sane one, instead of a woman who was an hysterical, airheaded person,” Cardellini said. “Sara is the one holding the family together. She’s at the center of it, trying to keep everybody grounded while all this craziness is going on around her.”

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Cardellini said giving her character that sense of realism was important because, while “Daddy’s Home” is a comedy, it’s still a story that families everywhere live for real every day. There’s no question that the film was a hit in theaters because it’s a tale that’s relatable to its audiences, because if you’re not like Brad, Sara and Dusty already, you know people like them.

“The movie has a lot of heart,” Cardellini said. “What happens in the movie happens for real, with families changing and love changing. For my character, she wants to love somebody and have children with him, and as it turns out, he’s not the right person for her and she finds somebody else who’s better for her. She loves him as well, but then the question is, ‘How do you put all those pieces together and make them work best for the children?'”

Cardellini, 40, said it’s just happenstance that she’s been in the middle of so many family-oriented projects lately. She supplied the voice of Wendy Corduroy in the hit Disney XD animated series “Gravity Falls,” which recently wrapped up, and also made a surprise appearance as Laura Barton, the wife of Marvel superhero Hawkeye, (Jeremy Renner) in “Avengers: Age of Ultron.” Even her acclaimed Netflix series, “Bloodline,” which enters its second season at the end of May, has a family angle to it, albeit far from the comedic tone of “Daddy’s Home.”

Cardellini said no matter the subject matter, she’s happy to continue to have the opportunities to work with talented people.

“What I love about being an actress is that you can move from project to project and do different things, and that’s always what’s appealed to me about the work,” Cardellini said. “It’s fun to work on a drama like ‘Bloodline,’ and then on my hiatus I get to work on a broad comedy like ‘Daddy’s Home.’ As an actress, that’s one of my goals. Plus, I get to work with incredibly talented people. That’s what I look for, the chance to surround myself with people that can inspire me. For the finite number of my days here, I want to do what I love and be around people I enjoy and admire, and I’ve been fortunate to do that.”

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Movie reviews: ‘Divergent: Allegiant, Part 1,’ ‘Eye in the Sky’

Lionsgate/Summit Entertainment

By Tim Lammers

“The Divergent Series: Allegiant, Part 1” (PG-13) 1 1/2 stars (out of four)

A promising big screen adaptation of the “Divergent” book trilogy hits the wall full-force with “The Divergent Series: Allegiant – Part 1,” a dull and predictable first act in the four movie saga. A familiar-feeling tale akin to “The Hunger Games,” “Allegiant” appears to be heading to an even worse big-screen fate than its literary predecessor “Mockingjay.”

Shailene Woodley is back as Tris in the post-apocalyptic city of Chicago, where the city’s residents are no longer divided into five factions based on different virtues: Abnegation (those who are selfless), Amity (peaceful), Candor (honest), Dauntless (fearless) and Erudite (intelligent). The system was an devised to prevent anyone willfully acting out on their own and threatening the other residents of the city.

However, when an uprising against the system (detailed in the second film) yields unpredictable results, Tris and her Divergent companion, Four (Theo James), along with a small group escaped the towering walls of the city to discover high-tech facility housed at Chicago’s O’Hare Airport, where they discover they’ve been part of an experiment – and it’s not over yet.

While the first “Divergent” posed an interesting premise and the sequel, “Insurgent,” maintained that promise, “Allegiant – Part 1” has just turned plain silly. Once gritty and engaging, the series makes a jarring shift into a sleek, plastic sci-fi film with the new film, where even the actors seem bored. The acting is terrible and even stalwarts like Jeff Daniels, the architect of the experiment, seems to be phoning in his performance. The filmmakers and actors for “Part 2” have some serious work cut out for them if they’re to salvage the series.

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“Eye in the Sky” (R) 3 1/2 stars (out of 4)

An intense debate over the costs of a deadly but necessary military action plays out in the deeply compelling “Eye in the Sky,” an expertly-directed war thriller by Oscar-winning filmmaker Gavin Hood. Helen Mirren is at her best as Katherine Powell, a no-nonsense British military colonel who after six years ferrets out a group of high-level Al Shabaab terrorists holed up in Kenya. But when the mission turns from capture to kill as it’s discovered two of the members are being prepared for a suicide bombing, a crisis of conscience arises as an innocent 9-year-old girl wanders into the kill zone to likely become a victim of collateral damage.

Aaron Paul also stars as an American drone pilot wrestling with dread as he prepares to pull the trigger on the mission; and Alan Rickman appears in his final big-screen role as decisive British general trying to get the go-ahead on the mission from a group of wishy-washy politicos.

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Movie review: ’10 Cloverfield Lane’

"10 Cloverfield Lane" (photo: Paramount)

By Tim Lammers

“10 Cloverfield Lane” (PG-13) 3 1/2 stars (out of four)

Producer J.J. Abrams has successfully pulled a fast one over moviegoers once again with the brilliantly-conceived and marketed “10 Cloverfield Lane,” another underground (quite literally, in this case), super-secret movie project that came out of nowhere with a mysterious trailer two months back. Coming out eight years after his equally brilliant found footage horror thriller “Cloverfield,” “10 Cloverfield Lane” could hardly be considered a sequel. There are some similarities, though, however, slight, that will have film sleuths mulling over the whether the films are distant cousins. Perhaps through more “Cloverfield” chapters, somehow we’ll find that they tie together when all is said and done.

John Goodman gives a career performance as Howard, an extreme survivalist in the Deep South who is convinced that the world has come under attack, but is not sure how. Before he locked himself into his airtight bunker underneath his barn, he rescued, or so he says, a distraught woman, Michelle (an excellent Mary Elizabeth Winstead) woman who crashed her car as she fled her apartment after breaking up with her boyfriend (Bradley Cooper supplies the voice of the beau in a phone call). Waking up, chained to a wall in one of the bunker’s cells, Michelle is apparently being held captive for her own good because if she escapes her confines, she faces certain death with the polluted air outside. Also trapped down below is Emmett (an impressive John Gallagher Jr.), who helped Howard build the bunker when he realized the attack was underway.

Questioning Howard’s sanity – his theories range from a chemical attack, invasion by Russians or maybe even Martians – Michelle and Emmett struggle with their seemingly few options. On one hand, the bunker is stocked with years of supplies and they could live comfortably, only worrying about Howard’s instability and clues of his lurid past; or they could tempt finding a way to escape, even though there’s evidence outside to back up Howard’s theories of an attack.

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There’s no question Abrams is a genius shepherding young filmmakers through these lower-budgeted projects, and for the second film in a row (Matt Reeves expertly directed the first “Cloverfield”), the filmmaker has found an extremely talented director in Dan Trachtenberg, who creates a claustrophobic atmosphere throughout.

Staged about 80 percent of the time in the bunker, Trachtenberg creates an indelible slow-burn with “10 Cloverfield Lane,” as the tension – only broken occasionally by Gallagher’s well-placed comic relief – ratchets up in an unnerving manner throughout the film. The film has no predictable outcome and leaves you guessing throughout. Is Howard suffering some sort of paranoid psychosis and holding his captives for something more sinister? Is the air really contaminated outside, and why? Are there monsters outside? Is Howard the monster, or merely is he someone who is slightly off-kilter? The possibilities are endless until the last act of the film reveals the truth, which for obvious reasons, can’t be explained her.

One of modern film’s best character actors, Goodman steals the show in “10 Cloverfield Lane,” going places he’s never gone to in his career with the explosively unpredictable Howard. Of course, we all knew he could be funny, and he’s certainly had a his fair share delivering in dramatic roles. But “10 Cloverfield Lane” displays Goodman in an entirely new light. It’s great to see an actor of his stature, especially at this point in his career, willing to take risks instead of doing the same, old stereotypical roles for a paycheck. He may not be the model citizen of “10 Cloverfield Lane,” but he’s perfect person to dwell in the unpredictable world of “Cloverfield.”

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