Category Archives: Film

Movie review: M. Night Shyamalan impressively puts all pieces together with ‘Glass’

Writer-director M. Night Shyamalan scores an impressive hat-trick with “Glass,” the long-awaited sequel to his 2000 mystery drama “Unbreakable” that was bridged by his hit 2016 horror thriller “Split.”


VIDEO: See Tim’s review of “Glass” and “Stan & Ollie” with Adrienne Broaddus on KARE-TV.

Released in 2000, “Unbreakable” essentially examines an obsessive comic book art dealer’s (Samuel L. Jackson) idea that superheroes  — like Bruce Willis’ David Dunn — walk among us and will go to any means necessary to confirm his beliefs; while 2016’s “Split,” as it turns out, reveals there are supervillains — like James McAvoy’s Kevin Crumb, who suffers from dissociative identity disorder — too, like the Beast – one of Kevin’s 24 personalities.

“Glass,” a name assumed by Jackson’s character in “Unbroken” because of his brittle bone disease, takes place, appropriately, 19 years after the events of the first film, where David realizes that he must confront his fellow meta-human who wreaking havoc across Philadelphia. Getting in his way, though, is a Dr. Ellie Staple (Sarah Paulson), who finds a way to institutionalize David, Kevin and Glass in a bid to convince each of them that their perceived powers are just figments of their imaginations.


AUDIO:  Hear Tim’s review of “Glass” with Tom Barnard on “The KQ Morning Show.”

The interesting thing about “Unbreakable” is that is really was ahead of its time with its dark superhero narrative — considering it came out after DC had its run and faded in 1990s, and just as Marvel’s  X-Men and Spider-Man showed there was interest in the moviegoing public that the Marvel Cinematic Universe could finally materialize with Iron Man, Thor, Captain America and the Avengers.

Oddly enough, Shyaman’s inventive superhero movie reemerges at a time where there’s been a proliferation of them, yet amazingly, “Glass” still sets itself apart thanks to filmmaker’s penchant for plot twists and real-world narrative, which is enhanced by the terrific performances of McAvoy, Willis and Jackson. (Plus, in a class move, the writer-director brings back nearly every member of “Unbreakable’s” cast, save Robin Wright, whose character’s absence is explained in the story.)

Fans of “Unbreakable” and “Split” are going to love “Glass,” as Shyamalan’s sweeping, twisty and ambitious narrative finally comes together in grand fashion after two decades. The film will no doubt be confusing, though, to those who’ve never seen “Unbreakable” and/or “Split,” and Shyamalan is putting a lot of trust in his audience as such by not including any sort of prologue. Naturally, there are flashbacks to the previous films in “Glass,” which aids the story at key points in the film. If at all possible, everyone, whether they’ve seen “Unbreakable” and “Split” or not will greatly benefit by revisiting the films before seeing “Glass.”

Ultimately, all roads lead to the smashing ending of “Glass,” where you realize that despite third chapter’s tidy conclusion, Shyamalan is not done telling his comic book tale just yet.

Lammometer: 7.5 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2019 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie review: Uplifting ‘Upside’ soars thanks to Hart, Cranston

“The Upside” (PG-13)

Fans are bound to be uplifted by “The Upside,” an inspiring comedy drama that’s heavy on laughs thanks to the magnetic presence of Kevin Hart and grounded in emotion thanks to the wonderful subtlety of Bryan Cranston. “The Upside” is far from perfect, but thanks to the winning combination of Hart, Cranston and Nicole Kidman in a pivotal supporting role, it’s easy to overlook the narrative flaws of the film and just sit back and enjoy the spotless work of the talented trio.

A remake of the acclaimed 2011 French film “The Intouchables,” “The Upside” tells the true story of a wealthy business author (Cranston) who was left quadriplegic after a paragliding accident. Feeling little incentive to live following his wife’s death from cancer, the author, Phillip, flippantly hires an ex-con named Dell (Hart) to be his personal caregiver, who applied for the job simply because he’s looking to fulfill his parole obligations.


AUDIO: Tim reviews “The Upside” with Tom Barnard on “The KQ Morning Show” beginning at the 7 minute mark.

Despite the scrutiny Dell faces by Phillip’s business manager, Yvonne (the always terrific Kidman), the two men instantly hit it off, as Dell enlightens the lives of the everyone around him and Phillip regains some joy in life. But when the author is smacked with another cold dose of reality, their friendship becomes threatened and faces the danger of never being repaired.

The release of “The Upside” comes at an interesting time in Hart’s career as his Oscar hosting controversy has been dominating the headlines. Lucky for the actor, his naturally funny demeanor instantly makes you forget about any of the battering he’s been taking in the media and reminds us why he was considered to host the event in the first place.

The great thing is, Hart has an undeniable chemistry with Cranston, who has little to work with apart from his facial expressions. But anyone even vaguely familiar with Cranston’s work knows the actor has tremendous depth; and in the case of “The Upside,” it’s fascinating to watch the wheels in his mind turning as Phillip struggles to hold in the pain of a man who has literally lost feeling for everything.  But Phillip’s loss is the audience’s gain in this case, and the emotion he projects brings a satisfying balance of heart and humor as film soars to its inspiring conclusion.

Lammometer: 7.5 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2019 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

At the movies: The top 10 films of 2018

With 2018 in the books, let’s take a look back at my favorite films from last year. As you probably can tell, films with music – but not necessarily musicals – had a huge impact on me this year.

So, here’s the list, and whether you agree or disagree with the picks, I hope you can agree with me that 2018 was a very good year for feature films. Happy New Year – see you at the movies in 2019!

10. “Incredibles 2″/”Ralph Breaks the Internet” (tie) – Pixar and Disney packed a solid one-two punch with these two animated giants that were every bit as good if not better than their predecessors.

9. Black KkKlansman – Spike Lee’s searing look at at true-life African-American detective (John David Washington) who infiltrates the KKK strikes an amazing balance of humor and drama, despite the film’s deathly serious subject matter. John David Washington (the son of Denzel Washington) is a revelation in the lead and Adam Driver is terrific as his undercover partner.

8. “Vice” – Adam McKay’s dazzling look at the adult life of Vice President Dick Cheney escapes the biopic doldrums with inventive storytelling that rivals his brilliant “The Big Short.” Christian Bale amazes once again as he channels Dick Cheney and Amy Adams is looking at her first Oscar (finally!) as his force-of-nature wife and political partner Lynne Cheney.

7. “Deadpool 2” – Writer-star Ryan Reynolds amazingly ups the ante with this outrageously funny sequel to the 2016 blockbuster – and succeeds.

Walt Disney Pictures

6. “Mary Poppins Returns” Emily Blunt makes the impossible possible by stepping into the gargantuan shoes of Julie Andrews and making the iconic character of Mary Poppins her own. Director Rob Marshall also proves once again why he’s the go-to filmmaker when it comes to filming elaborately-staged movie musicals.

5. “Can You Ever Forgive Me?” – Even though the film was a miss financially, the stranger-than-fiction true-life story of serial forger Lee Israel (Melissa McCarthy) was one of the great, previously undiscovered stories of 2018. McCarthy is brilliant in an uncharacteristic dramatic turn, and veteran actor Richard E. Grant is finally getting his due with a memorable role as Lee’s partner-in-crime.

4. “Green Book” – Peter Farrelly, one-half of the Farrelly brothers slapstick comedy writing-directing duo shows his chops for directing drama with this moving story set amid a volatile racial climate in the 1960s. Viggo Mortensen gives a career performance as an ignorant driver of an African-American pianist (Mahershala Ali) on a tour of the Deep South.

'A Star is Born' (photo: Warner Bros)

3. “A Star is Born” – Just when you think you’ve seen it all from Lady Gaga, the singer/songwriter/musician delivers a stunning performance in the third remake about a falling star (co-writer/director Bradley Cooper) and the subsequent rise of his wife’s career. The film also marks the best performance Cooper has ever given, and his direction, like his acting, could very well earn him an Oscar. Also, film’s signature song “Shallow” has become the first sure-thing Oscar since Adele’s “Skyfall.”

2. “Bohemian Rhapsody” – Rami Malek gives a transcending performance singer/songwriter/musician Freddie Mercury in what is easily the year’s best biopic about the rise to stardom of classic rockers Queen. Despite the fact that the messes around with the band’s timeline, there’s no question packs an emotional wallop throughout, capped by Queen’s landmark performance at Live Aid in 1986.

Focus Features

1. “Won’t You Be My Neighbor” – A deeply heartfelt look at the career of Fred Rogers and his PBS show “Mr. Rogers’ Neighborhood,” Morgan Neville’s documentary takes us back to a time not long ago where positivity and love triumphed over negativity and hate. Despite the proliferation of superhero movies in the marketplace, Fred Rogers shows us what a true-life superhero is. The movie could not has come at a better time in country so deeply divided.

Honorable mentions: “The Mule,” “Hereditary,” “Black Panther,” “Christopher Robin,” “A Quiet Place,” “Chappaquiddick,” “Stan & Ollie,” “Ben is Back,” “Boy Erased,” “Mission: Impossible – Fallout.”

Most overrated movies of 2018: “Roma” and “The Favourite”

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie review: Magical ‘Mary Poppins Returns’ worth long wait

“Mary Poppins Returns” (PG)

The magic is back after 54 years with “Mary Poppins Returns,” the long-anticipated sequel to the classic, 1964 Disney musical starring Julie Andrews and Dick Van Dyke.

Disney clearly took its time to get the sequel just right, and while star Emily Blunt will inevitably suffer comparisons to the legendary Andrews, there’s no question that the actress has turned in a career performance as the enchanting nanny from the sky. Combining her talents with the burgeoning Broadway-turned-film star Lin-Manuel Miranda under the expert direction of Rob Marshall, Blunt may very well accomplish the incredible achieved by Andrews with the original and win the Oscar for Best Actress.

Like the original film, Mary Poppins comes to 17 Cherry Tree Lane in London to look after the Banks children, but the family has grown.  Michael (Ben Wishaw) and Jane (Emily Mortimer) are adults, and Michael is a widowed father of three younger children, Anabel (Pixie Davies), John (Nathanael Saleh) and George (Joel Dawson). With the Great Slump hitting the family hard financially, Michael is in danger of losing the Banks family home; but things begin to look up when Mary Poppins returns and brings some magic back into the family’s life.

Like the original “Mary Poppins,” the sequel is filled with colorful characters, including Jack (Miranda), who mirrors the Van Dyke role in the original film as a lamplighter who has a special connection to Mary. Meryl Streep, who starred in Marshall’s adaptation of legendary composer Stephen Sondheim’s “Into the Woods” (along with Blunt”), also turns up in a memorable scene, and Colin Firth co-stars in a small but pivotal role as a banker who holds the fate of the Banks’ household in his hands.

Every frame of “Mary Poppins Returns” dazzles, from Blunt’s undeniable presence as the title character, to the songs — largely performed by Blunt and Miranda (but also include Streep, Wishaw and a couple surprise actors in cameos) – and production numbers, peppy dialogue and striking visual effects, especially in a scene, that like the original, features a hybrid of live-action and hand-drawn animation.

Topping things off is a brimming final musical number that will no doubt leave you in tears, and longing for the day when Mary Poppins returns again – whether it be in a repeat viewing, or if you have time and patience, another sequel. Let’s hope people are content with watching this new film over and over again, since it serves as a perfect bookend to the original that makes the big screen adventures of Mary Poppins complete.

Lammometer: 9.5 (out of 10)

Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.

Copyright 2018 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!