Tag Archives: ‘Blinded by the Light’

At the movies: Tim’s top 10 for 2019


Tim Lammers explains why “1917” is his pick for the best film of 2019 in his review of the World War I epic with Tom Barnard on “The KQ Morning Show” on KQRS-FM. The segment is brought to you by Michael Bryant and Bradshaw & Bryant.

Read Tim’s entire Top 10 list for 2019 below:

No. 10: “Blinded by the Light” – A film that didn’t get the attention it deserves follows the unlikely path of a Pakistani teen who is inspired to pursue his love of writing via the music of Bruce Springsteen. Get ready to see Springsteen’s poetry in a whole new light.

No. 9: “Uncut Gems” – Adam Sandler gets serious for the best performance in his career as a fast-talking jeweler and gambling addict in New York City’s Diamond District who is feeling the heat from loan sharks as an uncut opal he hopes to cash in on goes missing. NBA star Kevin Garnett is impressive playing a heightened version of himself as a member of the Boston Celtics, and Idina Menzel shows she has the dramatic chops apart from the magical singing voice that elevates “Frozen II.”

No. 8: “Avengers: End Game”/”Star Wars: Episode IThe Rise of Skywalker” (tie) – Two epic stories, two emotional conclusions and the end of two eras. “Avengers” ends with a powerful, emotional punch that will leave you in a puddle, while “Skywalker” delivers a satisfying conclusion and assures that The Force will be with us … always.

Photo: Warner Bros.

No. 7: “Joker” – It’s not a comic book movie but instead a deep psychological thriller that will hang with you for days after you see it. Joaquin Phoenix is a shoo-in as this year’s Best Actor Oscar winner as the deranged title character, while writer-director Todd Phillips challenges the Batman story canon with a notably different take on Thomas Wayne (Brett Cullen), the father of the future Bat Man, Bruce Wayne.

No. 5: “The Peanut Butter Falcon” – This indie drama about an unlikely friendship between a man with Down syndrome (newcomer Zak Gottsagen) and a damaged troublemaker (Shia LaBeouf) on the lam is the year’s biggest surprise. Gottsagen is phenomenal in the lead and LaBeouf shows while he may have his share of off-screen troubles, he puts it all behind him on the big screen. Dakota Johnson, Thomas Haden Church and Bruce Dern are also impressive in key supporting roles, as the film delivers on all levels.

No. 4: “Toy Story 4” – Just when you thought Disney/Pixar’s marvel couldn’t produce anything to surpass the original film trilogy, Woody, Buzz and the gang come back with a smart, entertaining and sensible end to the world’s greatest toy story.

No. 3: “Ford v. Ferrari” – An incredible look at the Ford Motor Company’s resolve to beat Enzo Ferrari’s race cars at the 24 Hours of LeMans race in the mid-1960s. Matt Damon delivers as usual as race car designer Carroll Shelby and Christian Bale is brilliant as drive Ken Miles, but the true winner of this race car movie is director James Mangold, who straps you into the race cars right along with the drivers risking their lives on the track.

Photo: Netflix

No. 2: “The Irishman” – It took forever to get here, but Martin Scorsese’s gangster opus “The Irishman” – a detailed look at the rise and fall of former Teamsters boss Jimmy Hoffa (Al Pacino), told from the point of view of hitman and Hoffa confidant Frank “The Irishman” Sheeran (Robert De Niro) – was worth the wait. The prospect of starting this 3 1/2-hour film is daunting, but you’ll also be glad you carved out the time to see it. It’s cinematic storytelling at its very best.

No. 1: “1917” – Director Sam Mendes’ stunning World War 1 epic that follows two British soldiers (Dean-Charles Chapman and George MacKay) on foot on a six-mile trek behind enemy lines trying to head off an ambush of 1,600 troops catapults the war film genre to a whole new level. What places the film among such modern war film greats such as “Saving Private Ryan” and “Hacksaw Ridge” is how Mendes and cinematographer Roger Deakins present the film as one long, continuous shot, literally making you a first-person witness to the horrors the soldiers encounter over the course of one day in April 1917.

Honorable mentions: “Rocketman,” “Bombshell,” “John Wick: Chapter 3 – Parabellum,” “Richard Jewell,” “Yesterday,” “Missing Link,” “Dumbo,” “The Two Popes,” “Dolemite is My Name,” “Fighting with My Family.”

Tim Lammers reviews movies weekly for “The KQ92 Morning Show” on KQRS-FM,  “Paul and Jordana” on WCCO Radio, “It Matters with Kelly Cordes on WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere, and reviews streaming programming on WCCO Radio’s “Paul and Jordana” as well. On TV, Tim has made hundreds of guest appearances on “KARE 11 News at 11” (NBC).

Copyright 2019 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!

Movie review: ‘Blinded by the Light’ proves Springsteen is The Boss of us all

“Blinded by the Light” (PG-13)

In a year blessed by the movies about Queen, Elton John and The Beatles, it’s turn for The Boss’ music to get its due on the big screen with “Blinded by the Light.” Far from a biopic like “Bohemian Rhapsody” or musical fantasy like “Rocketman,” the film is more like “Yesterday,” except it’s based on the remarkable true story of how the tunes of Bruce Springsteen inspired a Pakistani teen in the late 1980s to transcend the hatred around him and defying the conventions of his culture, all while pursuing his dream of being a writer.

“Blinded by the Light” is based on the formative teen years of Sarfraz Manzoor, who’s presented in the film as Javed (Viveik Kalra), who is fighting xenophobia as a Pakistani immigrant in Luten, Bedfordshire, in the southeast of England amidst his own identity crisis. Not only does struggle the taunts of Brits who hate him simply because of his lineage, he’s also rejecting his preordained path of following in the cultural footsteps of his hardworking father Malik (Kulvinder Ghir), and mother, Noor (Meer Ganatra).


AUDIO: Hear Tim’s review of “Blinded by the Light” with Tom Barnard on “The KQ Morning Show” on KQRS-FM. Segment is brought to you by  Michael Bryant and Bradshaw & Bryant.

Instead, Javek wants to go his own way, and he’s not quite sure where that is until he finds his salvation and identifies with the lyrics by a troubadour born in the U.S.A. It happens like a flash of lighting, when Javed’s life instantly transforms when his schoolmate, Roops (Aaron Phagura) borrows him two Springsteen cassette tapes (it is the ‘80s, after all). Captivated by all things Springsteen (he even copies the rocker’s blue collar look), Javed most importantly realizes the parallels between his life and The Boss’ stories. In turn, the power of Springsteen’s music enables Javek to put his feelings down on paper, which catches the attention of his caring English teacher (the always great Hayley Atwell), who in turn urges him to write more.

While “Blinded by the Light” isn’t a note-for-note account of Manzoor’s life story, the heart and passion that drove him to become a successful journalist for such publications as the UK’s Guardian and a documentarian for the BBC is definitely present in the movie.

Directed by “Bend it Like Beckham” filmmaker Gurinder Chada, “Blinded by the Light” presents Springsteen’s music in a way you have never experienced it before, and to top it off,  it blends in moments of light humor, serious heartbreak and a little romance that creates a unique and wonderfully entertaining story.

Anchored by passionate performances by Kalra, Ghir, Ganatra, Phagura and Nell Williams, who plays Javed’s first love, “Blinded by the Light” is easily one of the best films of the year, and it’s capped off by an ending that will make Springsteen fans love The Boss forever. The movie will no doubt make you tap your toes to the soundtrack, but laugh, cry and perhaps sob.

Perhaps the greatest revelation of “Blinded by the Light” is that you don’t have to necessarily know the music of Springsteen to be engaged by the film. Diehard fans will no doubt find deeper meaning in the rock icon’s music, while casual fans will look at the New Jersey native in a completely different way. As for those few who are completely unaware of The Boss, get ready to experience something akin to what Manzoor’s character Javed, did, when his buddy Roops borrowed him the cassettes of “Born in the U.S.A.” and “Darkness on the Edge of Town.”

It’s truly wonderful how Javed’s happens upon “The Boss’ music in the first place, as the writer’s serendipitous path begins with a mild collision between the conflicted teen and Roops in a high school hallway. Picking up his friend’s cassette off the floor, Javed asks Roops, “Who is The Boss?” to which Roops responded, “He’s The Boss of us all.”


AUDIO: Hear Tim’s review of “Blinded by the Light” with Paul Douglas and Jordana Green on “Paul and Jordana” on WCCO-AM. Segment is brought to you by  Michael Bryant and Bradshaw & Bryant.

Of course, that’s a pretty bold claim to make, whether it refers to the music of the 1980s or the music of  today, but this much is certain: At least for the 1 hour and 57 minutes Chada raises the curtain in the darkness to reveal “Blinded by the Light,” the music of Bruce Springsteen rules.

Prepare to be inspired and look at life in a whole new light, and not in a blinding sort of way. Springsteen’s message has never been so clear.

Lammometer: 9.5 (out of 10)

Tim Lammers reviews movies weekly for “The KQ92 Morning Show,”  WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere. On TV, Tim has made hundreds of guest appearances on “KARE 11 News at 11” (NBC).

Copyright 2019 DirectConversations.com

Tim Burton Book 2
Click book cover for info on how to buy!