Tag Archives: Gal Gadot

Movie review: ‘Wonder Woman 1984’ on KQRS-FM

Tim joined Tom Barnard and the crew for the “The KQ Morning Show” on KQRS-FM Wednesday to review the superhero action adventure “Wonder Woman 1984” and give some Christmas movie recommendations. The segment is brought to you by Michael Bryant and Bradshaw & Bryant.

Tim Lammers reviews movies weekly for “The KQ92 Morning Show” with Tom Barnard on KQRS-FM, “Paul and Jordana” with Paul Douglas and Jordana Green on WCCO Radio, “It Matters with Kelly Cordes” on WJON-AM, KLZZ-FM, “Let’s Talk Movies with Tim Lammers” with Tim Matthews on KRWC-AM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere, and reviews streaming programming on WCCO Radio’s “Paul and Jordana” as well. On TV, Tim has made hundreds of guest appearances on NBC affiliate KARE on the news program “KARE 11 News at 11”.

Copyright 2020 DirectConversations.com

Tim Burton Book 2
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Movie review: ‘Ralph Breaks the Internet’ is spectacular sequel

“Ralph Breaks the Internet” (PG)

“Wreck-It Ralph” filmmakers Rich Moore and Phil Johnston” take the beloved 8-bit video characters to the dazzling new heights of life in cyberspace in “Ralph Breaks the Internet,” a spectacular sequel to the 2012 Best Animated Feature Oscar nominee. Completely avoiding the trappings that plague most sequels, Moore (director of “Wreck-It Ralph”) and Johnston (co-writer of the 2012 blockbuster) team for writing and directorial duties here – and take the premise above and beyond the arcade that housed the ingenious original film.

In “Ralph Breaks the Internet,” Wreck-It Ralph (voice of John C. Reilly) and Vanellope von Schweet (Sarah Silverman) start the movie in the 8-bit video game arcade from the first movie, until a crucial component breaks on Vanellope’s “Sugar Rush” game. With the game console at risk of being junked and leaving Vanellope without a home or purpose, the spunky race car driver and her best pal Ralph travel through the internet to eBay, where the rare replacement part for “Sugar Rush” is waiting to be purchased. But since neither really realize how dramatically different the 8-bit video game world and the information superhighway are, Ralph and Vanellope quickly find themselves on a very bumpy ride.

“Ralph Breaks the Internet” has everything fans could have hoped for as Moore and Johnston masterfully envision the inner-working of the internet, from its vibrant, jaw-dropping animation, clever story twists and turns, astute interpretations of the websites and applications that populate the internet, and hilarious visual gags and dialogue. The movie isn’t all fun and games, though, as Moore and Johnston in a non-preaching way expose the vitriol that has been polluting social media in terms that both kids and adults can understand. As a result, “Ralph Breaks the Internet” is every bit as entertaining as it is poignant, especially in an age where the world needs to get keep its civility and sense of common decency in check.

As far as the voice cast is concerned, Reilly and Silverman bring just as much joy to their voice roles as the original, and their work is enhanced by the additions of Taraji P. Henson and Gal Gadot to the cast. Perhaps the biggest thing that takes “Ralph Breaks the Internet” to the next level though, is the ingenious addition of Disney’s iconic princesses to the story, where many of the voice stars of the original films including “The Little Mermaid,” “Beauty and the Beast,” “Frozen,” “The Princess and the Frog” and “Moana” lend dialogue to their iconic characters.

Be sure to stick around through the end credits as Moore and Johnston incorporate a rip-rollicking ending that could only take place on that crazy place known as the internet.

Lammometer 9 (out of 10)

Movie Review: ‘Justice League’ does justice to DC with fun, lighter tone

Justice League (PG-13)

DC’s answer to Marvel’s Avengers, “Justice League,” is finally here, and the long- awaited big screen union of some of DC’s biggest superheroes — Batman, Wonder Woman, Aquaman, the Flash and Cyborg — was worth the wait. It’s not perfect, but a definite improvement over 2016’s “Batman v Superman: Dawn of Justice.”

Justice League picks up not long after the tragic ending of Batman v Superman in 2016 where (spoiler!) Superman dies in an explosive showdown with the monstrous Doomsday. A new, threat is looming this time, though with the villainous Steppenwolf, who is looking to gather three mother boxes, which contain an apocalyptic power to destroy the earth. And while the newly formed Justice League proves to be a worthy opponent for Steppenwolf, the group really needs to the power of Superman to defeat him, that is, if Superman (Henry Cavill) can somehow rise from the dead.

Like other DC films, Justice League has a grittier feel than its Marvel movie counterparts, yet, this time around the tone is far lighter, more fun and has many more laughs than “Batman v Superman” or its predecessor, “Man of Steel.”

And while the film takes a good hour for the group to come together, the Justice League, when fully formed is great, from Ben Affleck as Batman, Jason Momoa as Aquaman, and Ray Fisher as Cyborg, as well as Gal Gadot and Ezra Miller as the movie’s biggest standouts as Wonder Woman and The Flash, respectively. The visual effects are spectacular as expected, but hover dangerously close to overwhelming the story.

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Movie review: ‘Wonder Woman,’ ‘Captain Underpants’

“Wonder Woman” (PG-13)

More than 75 years after she debuted in the DC’s comic book universe, the Amazon Warrior Princess has finally gotten her due with Wonder Woman, a wonderful origins movie that marks the first live-action appearance of the character since Lynda Carter’s classic TV series that ran from 1975-79.

Marking the first solo movie for the Wonder Woman/Diana Prince (a stunning Gal Gadot) after she made her scene-stealing debut in “Batman v Superman: Dawn of Justice” in 2016, the movie takes us back to World War I, where an American spy pilot, Steve Trevor (the always great Chris Pine) crash lands in the ocean near the secret island paradise where Diana, Princess of Themyscira, was raised, and by happenstance drags her and her fellow warriors into the conflict.

Leaving behind her home to rid the world of the evil force she believes is responsible for the war, Diana finds adjusting to the outside world is a bit harder than she could have imagined — that is, until she discovers her true identity and destiny. Full of humor, heart and action, “Wonder Woman” is a must-see.

Lammometer: 8.5 (out of 10)

Hear Tim’s review of “Wonder Woman” and “Captain Underpants” with Tom Barnard on KQRS.

“Captain Underpants: The First Epic Movie” (PG) 

A different kind of superhero saves the day (or at least, tries) in “Captain Underpants: The Epic First Movie,” the first (obviously) of hopefully many movies based on the best-selling illustrated children’s book series by Dav Pilkey. Hilarious and full of heart, it’s easily the best animated movie of the year so far.

Kevin Hart and Thomas Middleditch bring glee to the voices of George and Harold, a pair of practical joking grade-schoolers who get revenge on their ultra-strict principal, Mr. Krupp (Ed Helms), who rules the school with an iron fist. Accidentally hypnotizing Mr. Krupp with a cereal box “Hypo Ring,” George and Harold convince Krupp he’s a dimwitted superhero named Captain Underpants, who wears only underwear and a cape made of office drapery. Complicating manners is a Mr. P. (Nick Kroll, who steals the show), as a villainous science teacher who is onto George and Harold’s scheme.

“Captain Underpants” separates itself from most animated movies by relying on its already clever origins material (which is expanded here and there), instead of giving into Hollywood convention and employing pop culture references, sly jokes that only adults would get, and a hip soundtrack in a vain attempt to help tell the story. It’s a refreshing take in any genre, where story matters first — and in this case “Captain Underpants” is ultimately a great story about friendship.

Lammometer: 8.5 (out of 10)

Watch Tim’s review of “Wonder Woman” and “Captain Underpants” with Adrienne Broadus on KARE 11.