Tim joined Paul Douglas Tuesday to review the original Amazon Prime series “The Boys Presents: Diabolical” and HBO Max Series “Winning Time: The Rise of the Lakers Dynasty” on the “Paul and Jordana” show on WCCO-AM. Click to listen below. The segment is brought to you by Michael Bryant and Bradshaw & Bryant.
Tim Lammers reviews movies weekly for “The KQ92 Morning Show” with Tom Barnard on KQRS-FM, “Paul and Jordana” with Paul Douglas and Jordana Green on WCCO Radio, “It Matters with Kelly Cordes” on WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere, and reviews streaming programming on WCCO Radio’s “Paul and Jordana” as well. On TV, Tim has made hundreds of guest appearances on NBC affiliate KARE on the news program “KARE 11 News at 11”.
Stan Laurel and Oliver Hardy are completely realized by Steve Coogan and John C. Reilly, respectively, in “Stan & Ollie,” an unconventional yet memorable biopic that somehow sadly got lost in the madness of awards season.
Directed with a deft touch by Jon S. Baird, “Stan & Ollie” starts out in 1937, where the duo is filming their classic comedy “Way Out West,” but then shifts ahead to the 1950s where Laurel (Coogan) and Hardy (Reilly) are trying to get their stagnant film career back on track while embarking on a live theater tour of Europe.
Coogan feels like a Stan Laurel clone and Reilly completely disappears into the heavy prosthetic makeup to become Oliver Hardy — and you really do feel like you’re watching the real-life duo with a fascinating behind-the-scenes look at the highs and lows of their brilliant career before it sadly came to an end not long after the events of the film.
Just like the movies of the comedic duo’s films in their heyday, “Stan & Ollie” makes for good, clean family fun, as evidenced by the film’s PG rating, but ultimately it has as many poignant moments as it does funny ones.
Apart from showing how Coogan and Reilly masterfully recreate the comic routines of Laurel and Hardy, “Stan & Ollie” shows that yes, the duo, like practically every creative team throughout entertainment history, did have their share of problems with one-another. Despite their disagreements and sniping, however, Laurel and Hardy also loved each other, especially when they needed support the most with the realization that that their career as one of the world’s greatest comedy duos was coming to an end.
The interesting take on “Stan & Ollie” is that the film chronicles a time in their career that not a lot of people know about with their European stage tour, which shows, furthermore, that they were far from being has-beens. In fact, they were spot-on hilarious until the very end, despite Hardy’s deteriorating health.
And while the film could have easily ended on a down note because of Hardy’s troubles, Baird’s decision to show the courage the comedian displayed despite knowing his days were numbered ends up making “Stan & Ollie” an inspiring tale. It’s a fitting way to end the film considering how much Laurel and Hardy inspired the work of countless comedians to this very day.
Lammometer: 9 (out of 10)
Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.
While the names of classic comedy actors Stan Laurel and Oliver Hardy may only be vaguely familiar to the newest generation of comedy fans as the new biopic about them hits theaters, that doesn’t mean audiences have never seen the work of the dynamic duo. In fact, John C. Reilly, who stars as Hardy opposite Steve Coogan’s Laurel in “Stan & Ollie,” said fans have experienced more Laurel and Hardy comedy than they’ve realized.
“If you were to ask me even before I did this movie, ‘Is Oliver Hardy a part of your acting?’ I would have said, ‘Absolutely,'” Reilly said in a recent phone conversation from Los Angeles. “I reference him all the time in ‘Wreck-It Ralph.’ There’s tons of Laurel and Hardy in that, from the sounds I make when I get clonked over the head or whatever it is.”
Reilly, who is coming off the global success of his “Wreck-It Ralph” sequel “Ralph Breaks the Internet,” added that comedians and actors all over the world really appreciate Laurel and Hardy to this day because they “figured out some universal truths about comedy.”
“If you look at their work, they don’t talk about who is the president at that time or whatever little story of the day is going on, they talk about the human experience. The quandaries they get in are not tied to a place and time; they’re just the eternal struggles of human being,” Reilly observed. “Even though comedy can be very hard to translate from one culture to another, these guys were world famous at a time when it was not so easy to cross borders with your work … there was a real sweetness and humanness to their work that made it really relatable to people.”
In a separate phone conversation, “Stan & Ollie” director Jon S. Baird said he hopes the film will launch a new appreciation of Laurel and Hardy’s work.
“The love of these guys has gone back a long, long way … Laurel and Hardy’s DNA is throughout comedy,” Baird said. “If you look hard enough for it, it’s there in every act … If you ask all the main comedians working at the moment who their influences are, Laurel and Hardy would be in there. So hopefully this film will reintroduce people to them or introduce people to them because they’ve been so influential and so important to comedy since they started.”
Opening in theaters in limited release Friday and expanding next month, “Stan and Ollie” is not a standard biopic in that it largely focuses on Laurel and Hardy in the twilight of the comedy duo’s career as the two embarked on a theater tour across Europe in the 1950s. With their career in film seemingly behind them, Laurel and Hardy throughout the tour have their hopes pinned on meeting with a financier they believe will bankroll their comeback picture years after the duo dominated the silver screen.
Oddly enough, Coogan and Reilly’s working relationship on “Stan & Ollie” mirrored Laurel and Hardy’s in that they’ve never worked together before when they signed on to do the film.
“If you know their history, they were plucked from obscurity. They were thrown together and didn’t know each other and didn’t have an act,” said Reilly, who has already earned Critics’ Choice and Golden Globe nominations for his role. “They came from very different backgrounds — Stan was from England and Oliver was from Georgia. The fact is, it was almost a decision of convenience on the part of Hal Roach when he lost Harold Lloyd when Harold went off to start his own studio. He was desperate for another act and said, (let’s put together) a fat guy and the skinny guy. It didn’t have any more subtlety than that when he made the decision.”
As a result of that decision, however, Reilly said Roach created “one of the most miraculous performing partnerships in the history of the world.”
“I can’t think of another partnership that was exclusive and had the level of quality over the number of films that these guys had,” Reilly said. “They really created something for the ages.”
Reilly was clearly humbled by the opportunity to play Hardy, and while he didn’t go so far as to say he channeled the comedy great (audiences will likely beg to differ when they see how the actor virtually disappears into the prosthetic makeup used to create Hardy), he felt there were times when he felt the magic coming through. He said he finally had the confidence that his portrayal of Hardy was working when he and Coogan performed the duo’s routines in front of the 400 extras for film’s live theater scenes.
“I looked out at the audience I could see this woman’s face just lit up with joy. We brought so much joy to that person that when I came off-stage, I got really emotional and started crying,” Reilly said. “I was thinking, ‘I may never be Oliver Hardy — and no one ever will — but at least I’m carrying the torch for him, and I’m bringing the same kind of joy that he brought to people.’ That was a moment that I felt, ‘Well, we’re doing something right. We made that lady really happy today.'”
Baird said if Coogan and Reilly had any doubts of whether they could pull off playing Laurel and Hardy, those doubts were erased when “Stan & Ollie” screened for some very discerning audience members.
“One of the major successes of the film was not only showing it to fans, but super-fans; people who have dedicated their lives to Laurel and Hardy. Trust me, there are plenty of them out there,” Baird said. “Also, there are surviving family members, like Stan’s great-granddaughter, Cassidy Cook, who we had at the London premiere. When they say to you, ‘I forgot I was watching actors. I thought I was watching my great-grandad,’ that’s an incredible thing to hear.”
Tim Lammers reviews movies weekly for The KQ92 Morning Show,” “KARE 11 News at 11” (NBC), WCCO Radio, WJON-AM, KLZZ-FM, “The Tom Barnard Podcast” and “The BS Show” with Bob Sansevere.
“Ralph Breaks the Internet” directors/writers Phil Johnston & Rich Moore and talks about Johnston’s Minneapolis ties, former KARE anchor Diana Pierce joins Tim to review “Ralph Breaks the Internet” as does Mike Bryant to review “Creed II.” Tim also opens his interview vault to a 2012 conversation with Sarah Silverman for “Wreck-It Ralph.”
